The Gambler by Fyodor Dostoevsky (best motivational books for students .txt) 📕
Description
In the fictional town of Roulettenberg, Germany, a Russian tutor to the children of a seemingly wealthy general is enticed to play roulette at the local casino. First playing for others (including his beloved Polina Alexandrovna), he soon gets a taste for the experience himself, which can lead in only one direction.
Dostoevsky wrote this story based at least partially on personal experience. After his second marriage (and the successful publication of Crime and Punishment) he and his wife took a honeymoon in Baden-Baden, where Dostoevsky lost large quantities of money at the roulette table. To get his financial situation back to normal he then set up a wager with his publisher: they’d have the right to publish his work for free for nine years if he couldn’t deliver this novel by November 1866. He succeeded in this, and was able to move on to writing The Idiot.
The Gambler has been translated to screen and radio, and was even turned into an opera by Prokofiev. This edition is the 1915 translation by C. J. Hogarth.
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- Author: Fyodor Dostoevsky
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At first the old lady did no more than watch the gamblers, and ply me, in a half-whisper, with sharp-broken questions as to who was so-and-so. Especially did her favour light upon a very young man who was plunging heavily, and had won (so it was whispered) as much as 40,000 francs, which were lying before him on the table in a heap of gold and banknotes. His eyes kept flashing, and his hands shaking; yet all the while he staked without any sort of calculation—just what came to his hand, as he kept winning and winning, and raking and raking in his gains. Around him lackeys fussed—placing chairs just behind where he was standing—and clearing the spectators from his vicinity, so that he should have more room, and not be crowded—the whole done, of course, in expectation of a generous largesse. From time to time other gamblers would hand him part of their winnings—being glad to let him stake for them as much as his hand could grasp; while beside him stood a Pole in a state of violent, but respectful, agitation, who, also in expectation of a generous largesse, kept whispering to him at intervals (probably telling him what to stake, and advising and directing his play). Yet never once did the player throw him a glance as he staked and staked, and raked in his winnings. Evidently, the player in question was dead to all besides.
For a few minutes the Grandmother watched him.
“Go and tell him,” suddenly she exclaimed with a nudge at my elbow, “—go and tell him to stop, and to take his money with him, and go home. Presently he will be losing—yes, losing everything that he has now won.” She seemed almost breathless with excitement.
“Where is Potapitch?” she continued. “Send Potapitch to speak to him. No, you must tell him, you must tell him,”—here she nudged me again—“for I have not the least notion where Potapitch is. Sortez, sortez,” she shouted to the young man, until I leant over in her direction and whispered in her ear that no shouting was allowed, nor even loud speaking, since to do so disturbed the calculations of the players, and might lead to our being ejected.
“How provoking!” she retorted. “Then the young man is done for! I suppose he wishes to be ruined. Yet I could not bear to see him have to return it all. What a fool the fellow is!” and the old lady turned sharply away.
On the left, among the players at the other half of the table, a young lady was playing, with, beside her, a dwarf. Who the dwarf may have been—whether a relative or a person whom she took with her to act as a foil—I do not know; but I had noticed her there on previous occasions, since, everyday, she entered the Casino at one o’clock precisely, and departed at two—thus playing for exactly one hour. Being well-known to the attendants, she always had a seat provided for her; and, taking some gold and a few thousand-franc notes out of her pocket—would begin quietly, coldly, and after much calculation, to stake, and mark down the figures in pencil on a paper, as though striving to work out a system according to which, at given moments, the odds might group themselves. Always she staked large coins, and either lost or won one, two, or three thousand francs a day, but not more; after which she would depart. The Grandmother took a long look at her.
“That woman is not losing,” she said. “To whom does she belong? Do you know her? Who is she?”
“She is, I believe, a Frenchwoman,” I replied.
“Ah! A bird of passage, evidently. Besides, I can see that she has her shoes polished. Now, explain to me the meaning of each round in the game, and the way in which one ought to stake.”
Upon this I set myself to explain the meaning of all the combinations—of “rouge et noir,” of “pair et impair,” of “manque et passe,” with, lastly, the different values in the system of numbers. The Grandmother listened attentively, took notes, put questions in various forms, and laid the whole thing to heart. Indeed, since an example of each system of stakes kept constantly occurring, a great deal of information could be assimilated with ease and celerity. The Grandmother was vastly pleased.
“But what is zero?” she inquired. “Just now I heard the flaxen-haired croupier call out ‘zero!’ And why does he keep raking in all the money that is on the table? To think that he should grab the whole pile for himself! What does zero mean?”
“Zero is what the bank takes for itself. If the wheel stops at that figure, everything lying on the table becomes the absolute property of the bank. Also, whenever the wheel has begun to turn, the bank ceases to pay out anything.”
“Then I should receive nothing if I were staking?”
“No; unless by any
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