Crime and Punishment by Fyodor Dostoevsky (love novels in english TXT) ๐
Description
Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.
Dostoevskyโs original idea for the novel centered on the Marmeladov family and the impact of alcoholism in Russia, but inspired by a double murder in France he decided to rework it around the new character of Raskolnikov. The novel was first serialized in The Russian Messenger over the course of 1866, where it was an instant success. It was published in a single volume in 1867. Presented here is Constance Garnettโs 1914 translation.
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- Author: Fyodor Dostoevsky
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And, indeed, if it had ever happened that everything to the least point could have been considered and finally settled, and no uncertainty of any kind had remained, he would, it seems, have renounced it all as something absurd, monstrous and impossible. But a whole mass of unsettled points and uncertainties remained. As for getting the axe, that trifling business cost him no anxiety, for nothing could be easier. Nastasya was continually out of the house, especially in the evenings; she would run in to the neighbours or to a shop, and always left the door ajar. It was the one thing the landlady was always scolding her about. And so, when the time came, he would only have to go quietly into the kitchen and to take the axe, and an hour later (when everything was over) go in and put it back again. But these were doubtful points. Supposing he returned an hour later to put it back, and Nastasya had come back and was on the spot. He would of course have to go by and wait till she went out again. But supposing she were in the meantime to miss the axe, look for it, make an outcryโ โthat would mean suspicion or at least grounds for suspicion.
But those were all trifles which he had not even begun to consider, and indeed he had no time. He was thinking of the chief point, and put off trifling details, until he could believe in it all. But that seemed utterly unattainable. So it seemed to himself at least. He could not imagine, for instance, that he would sometime leave off thinking, get up and simply go there.โ โโ โฆ Even his late experiment (i.e. his visit with the object of a final survey of the place) was simply an attempt at an experiment, far from being the real thing, as though one should say โcome, let us go and try itโ โwhy dream about it!โโ โand at once he had broken down and had run away cursing, in a frenzy with himself. Meanwhile it would seem, as regards the moral question, that his analysis was complete; his casuistry had become keen as a razor, and he could not find rational objections in himself. But in the last resort he simply ceased to believe in himself, and doggedly, slavishly sought arguments in all directions, fumbling for them, as though someone were forcing and drawing him to it.
At firstโ โlong before indeedโ โhe had been much occupied with one question; why almost all crimes are so badly concealed and so easily detected, and why almost all criminals leave such obvious traces? He had come gradually to many different and curious conclusions, and in his opinion the chief reason lay not so much in the material impossibility of concealing the crime, as in the criminal himself. Almost every criminal is subject to a failure of will and reasoning power by a childish and phenomenal heedlessness, at the very instant when prudence and caution are most essential. It was his conviction that this eclipse of reason and failure of will power attacked a man like a disease, developed gradually and reached its highest point just before the perpetration of the crime, continued with equal violence at the moment of the crime and for longer or shorter time after, according to the individual case, and then passed off like any other disease. The question whether the disease gives rise to the crime, or whether the crime from its own peculiar nature is always accompanied by something of the nature of disease, he did not yet feel able to decide.
When he reached these conclusions, he decided that in his own case there could not be such a morbid reaction, that his reason and will would remain unimpaired at the time of carrying out his design, for the simple reason that his design was โnot a crime.โ โโ โฆโ We will omit all the process by means of which he arrived at this last conclusion; we have run too far ahead already.โ โโ โฆ We may add only that the practical, purely material difficulties of the affair occupied a secondary position in his mind. โOne has but to keep all oneโs willpower and reason to deal with them, and they will all be overcome at the time when once one has familiarised oneself with the minutest details of the business.โ โโ โฆโ But this preparation had never been begun. His final decisions were what he came to trust least, and when the hour struck, it all came to pass quite differently, as it were accidentally and unexpectedly.
One trifling circumstance upset his calculations, before he had even left the staircase. When he reached the landladyโs kitchen, the door of which was open as usual, he glanced cautiously in to see whether, in Nastasyaโs absence, the landlady herself was there, or if not, whether the door to her own room was closed, so that she might not peep out when he went in for the axe. But what was his amazement when he suddenly saw that Nastasya was not only at home in the kitchen, but was occupied there, taking linen out of a basket and hanging it on a line. Seeing him, she left off hanging the clothes, turned to him and stared at him all the time he was passing. He turned away his eyes, and walked past as though he noticed nothing. But it was the end of everything; he had not the axe! He was overwhelmed.
โWhat made me think,โ he reflected, as he went under the gateway, โwhat made me think that she would be sure not to be at home at that moment! Why, why, why did I
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