The Murder on the Links by Agatha Christie (classic book list .txt) 📕
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The Murder on the Links is Agatha Christie’s second Poirot novel, featuring the brilliant Belgian detective and his sidekick, Captain Hastings.
In this characteristic whodunit, Poirot is summoned to a seaside town in northern France by a desperate letter from a rich businessman, who fears that he is being stalked. Poirot arrives to find the businessman already dead, his body lying facedown in an open grave on a golf course, a knife in his back—the victim of a mysterious murder. Over the coming days Poirot clashes wits with an arrogant Parisian detective, Giraud, while Hastings finds himself pining after a beautiful but shadowy American expatriate known to him only as “Cinderella.” Together, Poirot and Hastings unravel the intricate web of mystery and deceit behind the murder.
Christie based this mystery after a real-life French murder case, and it’s believed that this is the first detective novel to use the phrase “the scene of the crime.”
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- Author: Agatha Christie
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“In the meantime,” I said, considering, “although we know a great deal more than we did, we are no nearer to solving the mystery of who killed Mr. Renauld.”
“No,” said Poirot cheerfully. “In fact we are a great deal further off.”
The fact seemed to afford him such peculiar satisfaction that I gazed at him in wonder. He met my eye and smiled.
“But yes, it is better so. Before, there was at all events a clear theory as to how and by whose hands he met his death. Now that is all gone. We are in darkness. A hundred conflicting points confuse and worry us. That is well. That is excellent. Out of confusion comes forth order. But if you find order to start with, if a crime seems simple and aboveboard, eh bien, méfiez vous! It is, how do you say it?—cooked! The great criminal is simple—but very few criminals are great. In trying to cover up their tracks, they invariably betray themselves. Ah, mon ami, I would that some day I could meet a really great criminal—one who commits his crime, and then—does nothing! Even I, Hercule Poirot, might fail to catch such a one.”
But I had not followed his words. A light had burst upon me.
“Poirot! Mrs. Renauld! I see it now. She must be shielding somebody.”
From the quietness with which Poirot received my remark, I could see that the idea had already occurred to him.
“Yes,” he said thoughtfully. “Shielding someone—or screening someone. One of the two.”
I saw very little difference between the two words, but I developed my theme with a good deal of earnestness. Poirot maintained a strictly noncommittal attitude, repeating:
“It may be—yes, it may be. But as yet I do not know! There is something very deep underneath all this. You will see. Something very deep.”
Then, as we entered our hotel, he enjoined silence on me with a gesture.
XIII The Girl with the Anxious EyesWe lunched with an excellent appetite. I understood well enough that Poirot did not wish to discuss the tragedy where we could so easily be overheard. But, as is usual when one topic fills the mind to the exclusion of everything else, no other subject of interest seemed to present itself. For a while we ate in silence, and then Poirot observed maliciously:
“Eh bien! And your indiscretions! You recount them not?”
I felt myself blushing.
“Oh, you mean this morning?” I endeavoured to adopt a tone of absolute nonchalance.
But I was no match for Poirot. In a very few minutes he had extracted the whole story from me, his eyes twinkling as he did so.
“Tiens! A story of the most romantic. What is her name, this charming young lady?”
I had to confess that I did not know.
“Still more romantic! The first rencontre in the train from Paris, the second here. ‘Journeys end in lovers’ meetings,’ is not that the saying?”
“Don’t be an ass, Poirot.”
“Yesterday it was Mademoiselle Daubreuil, today it is Mademoiselle—Cinderella! Decidedly you have the heart of a Turk, Hastings! You should establish a harem!”
“It’s all very well to rag me. Mademoiselle Daubreuil is a very beautiful girl, and I do admire her immensely—I don’t mind admitting it. The other’s nothing—don’t suppose I shall ever see her again. She was quite amusing to talk to just for a railway journey, but she’s not the kind of girl I should ever get keen on.”
“Why?”
“Well—it sounds snobbish perhaps—but she’s not a lady, not in any sense of the word.”
Poirot nodded thoughtfully. There was less raillery in his voice as he asked:
“You believe, then, in birth and breeding?”
“I may be old-fashioned, but I certainly don’t believe in marrying out of one’s class. It never answers.”
“I agree with you, mon ami. Ninety-nine times out of a hundred, it is as you say. But there is always the hundredth time! Still, that does not arise, as you do not propose to see the lady again.”
His last words were almost a question, and I was aware of the sharpness with which he darted a glance at me. And before my eyes, writ large in letters of fire, I saw the words “Hôtel du Phare,” and I heard again her voice saying “Come and look me up” and my own answering with empressement: “I will.”
Well, what of it? I had meant to go at the time. But since then, I had had time to reflect. I did not like the girl. Thinking it over in cold blood, I came definitely to the conclusion that I disliked her intensely. I had got hauled over the coals for foolishly gratifying her morbid curiosity, and I had not the least wish to see her again.
I answered Poirot lightly enough.
“She asked me to look her up, but of course I shan’t.”
“Why ‘of course’?”
“Well—I don’t want to.”
“I see.” He studied me attentively for some minutes. “Yes. I see very well. And you are wise. Stick to what you have said.”
“That seems to be your invariable advice,” I remarked, rather piqued.
“Ah, my friend, have faith in Papa Poirot. Some day, if you permit, I will arrange you a marriage of great suitability.”
“Thank you,” I said laughing, “but the prospect leaves me cold.”
Poirot sighed and shook his head.
“Les Anglais!” he murmured. “No method—absolutely none whatever. They leave all to chance!” He frowned, and altered the position of the salt cellar.
“Mademoiselle Cinderella is staying at the Hôtel d’Angleterre you told me, did you not?”
“No. Hôtel du Phare.”
“True, I forgot.”
A moment’s misgiving shot across my mind. Surely I had never mentioned any hotel to Poirot. I looked across at him, and felt reassured. He was cutting his bread into neat little squares, completely absorbed in his task. He must have fancied I had told him where the girl was staying.
We had coffee outside facing the sea. Poirot smoked one of his tiny cigarettes, and then
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