Omega by Camille Flammarion (books to read to be successful .TXT) π
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Born in 1842, Camille Flammarion was a French astronomer who wrote many popular books about science and astronomy, together with a number of novels which we would now consider to be science fiction. He was a contemporary of H. G. Wells and Jules Verne, though his works never achieved their level of popularity.
Omega: The Last Days of the World is an English translation of Flammarionβs novel La Fin du Monde, published in 1893. The bookβs fictional premise is the discovery of a comet on a collision course with the Earth in the 25th century. However, this is mostly a pretext on which Flammarion can hang his interesting scientific speculations about how the world will end, together with philosophical thoughts about war and religion. Much of the scientific description he uses in the book, while accurately representing the knowledge and thinking of his time, has today been superseded by modern discoveries. For example, we now know the source of the Sunβs energy to be nuclear fusion rather than being due to gravitational contraction and the constant infall of meteorites.
When talking about the ills of society, however, Flammarion could well be talking about todayβs world. For example, he excoriates the vast waste of societyβs resources on war, and demonstrates how much more productive each nationβs economy would be without it. He also depicts the media of his future world as having been entirely taken over by commercial interests, publishing only what will excite the greatest number of readers rather than serving the public interest.
Omega ranges over a vast period of time, from prehistory through to millions of years in the future when mankind has been reduced to the last two doomed individuals. Nevertheless, the book ends on a hopeful and inspiring note.
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- Author: Camille Flammarion
Read book online Β«Omega by Camille Flammarion (books to read to be successful .TXT) πΒ». Author - Camille Flammarion
It must be admitted that such phenomena are well calculated to overwhelm the imagination. The Sun, the god of day, the star upon whose light we are dependent, grows dim; and, just before it becomes extinguished, takes on a sickly and mournful hue. The light of the sky pales, the animal creation is stricken with terror, the beast of burden falters at his task, the dog flees to its master, the hen retreats with her brood to the coop, the birds cease their songs, and have been seen even to drop dead with fright. Arago relates that during the total eclipse of the Sun at Perpignan, on July 8, 1842, twenty thousand spectators were assembled, forming an impressive spectacle. βWhen the solar disc was nearly obscured, an irresistible anxiety took possession of everybody; each felt the need of sharing his impressions with his neighbor. A deep murmur arose, like that of the far away sea after a storm. This murmur deepened as the crescent of light grew less, and when it had disappeared and sudden darkness had supervened, the silence which ensued marked this phase of the eclipse as accurately as the pendulum of our astronomical clock. The magnificence of the spectacle triumphed over the petulance of youth, over the frivolity which some people mistake for a sign of superiority, over the indifference which the soldier frequently assumes. A profound silence reigned also in the sky: the birds had ceased their songs. After a solemn interval of about two minutes, joyous transports and frantic applause greeted with the same spontaneity the first reappearance of the solar rays, and the melancholy and indefinable sense of depression gave way to a deep and unfeigned exultation which no one sought to moderate or repress.β
Everyone who witnessed this phenomenon, one of the most sublime which nature offers, was profoundly moved, and took away with him an impression never to be forgotten. The peasants especially were terrified by the darkness, as they believed that they were losing their sight. A poor child, tending his flock, completely ignorant of what was coming, saw the Sun slowly growing dim in a cloudless sky. When its light had entirely disappeared the poor child, completely carried away by terror, began to cry and call for help. His tears flowed again when the first ray of light reappeared. Reassured, he clasped his hands, crying, βO, beautiful sun!β
Is not the cry of this child the cry of humanity?
So long as eclipses were not known to be the natural consequences of the motion of the Moon about the Earth, and before it was understood that their occurrence could be predicted with the utmost precision, it was natural that they should have produced a deep impression and been associated with the idea of the end of the world. The same is true of other celestial phenomena and notably of the sudden appearance of unknown suns, an event much rarer than an eclipse.
The most celebrated of these appearances was that of 1572. On the 11th of November of that year, about a month after the massacre of St. Bartholomew, a brilliant star of the first magnitude suddenly appeared in the constellation of Cassiopeia. The stupefaction was general, not only on the part of the public, to which it was visible every night in the sky, but also on the part of scientists, who could not explain its appearance. Astrologers found a solution of the enigma in the assertion that it was the star of the Magi, whose reappearance announced the return of the Son of God, the last judgment and the resurrection. This statement made a deep impression upon all classes of society. The star gradually diminished in splendor, and at the end of about eighteen months went out, without having caused any other disaster than that which human folly itself adds to the misery of a none too prosperous planet. Science records several apparitions of this nature, but the above was the most remarkable. A like agitation has accompanied all the grand phenomena of nature, especially those which have been unforeseen. In the chronicles of the middle ages, and even in more recent memoirs, we read of the terror which the aurora borealis, showers of shooting stars and the fall of meteorites have produced among the alarmed spectators. Recently, during the meteor shower of November 27, 1872, when the sky was filled with more than forty thousand meteorites belonging to the dispersed comet of Biela, women of the lower classes, at Nice especially, as also at Rome, in their excitement sought information of those whom they thought able to explain the cause of these celestial fireworks, which they had at once associated with the end of the world and with the fall of the stars, which it was foretold would usher in that last great event.
Earthquakes and volcanic eruptions have sometimes attained such proportions as to lead to the fear that the end of the world was at hand. Imagine the state of mind of the inhabitants of Herculaneum and of Pompeii when the eruption of Vesuvius buried them in showers of ashes! Was not this for them the end of the world? And more recently, were not those who witnessed the eruption of Krakatoa of the same opinion? Impenetrable darkness lasting eighteen hours, an atmosphere like a furnace, filling the eyes, nose and ears with ashes, the deep and incessant cannonade of the volcano, the falling of pumice stones from the black sky, the terrible scene illuminated only at intervals by the lurid lightning or the fireballs on the spars and rigging of vessels, the thunder echoing from cloud and sea with an infernal musketry, the shower of ashes turning into a deluge of mudβ βthis was the experience of the passengers of a Java vessel during the night of eighteen hours, from the 26th to
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