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bear comparison with his theory.

The Olympian for October, awakens much of the old-time thrill with which amateurs were wont to receive the once frequent issues of that justly known and esteemed publication. The present number is not so ambitious in some respects as many of its predecessors, but it must be said that within a somewhat smaller scope it accomplishes quite as much as a more pretentious issue could hope to do. Nor is the latest Olympian at all in need of any apologies for shortcomings in the way of size, appearance, or general literary quality. Indeed, publications that consist of 12 pages and cover are always certain of a hearty welcome, while the present production of Mr. and Mrs. Cole has qualifications in addition to those just mentioned that recommend it warmly to all readers. The poem, "Motherhood," by Ethelwyn Dithridge is a truly noble and inspired effort. Amateur journalism is fortunate to number a poet of Miss Dithridge's attainments in its ranks. In "Retrospect and Prospect," Edward H. Cole sums up the three years of amateur history which have just passed and comes to the conclusion that "the best hope for amateur journalism in these days of stress and strain ... is in the peaceful co-operation of the surviving associations in a campaign of expansion of a practicable nature." "Here and Now," by Helene Hoffman Cole, consists of suggestions for the practical co-operation proposed by Mr. Cole, and should be a stimulus to increased activity in some positive form among present-day amateurs. "The Reviewers' Club" is quite as authoritative and sound in its criticisms as in the past and must always be considered one of the most delightful and instructive features of The Olympian.

The National Amateur Press Association could hardly inaugurate a year of promised activity more auspiciously than it has by the sterling issue of its president's Sprite. It is just about everything that one could ask for in amateur journalism. The modest grey of the cover, the excellence of the paper stock, the flawlessness of the typography, the exquisite taste with which the component parts are blendedβ€”all these strike the eye at the first glance. When one comes to read the contents, he finds each contribution well worth the setting. For a leading article we have something that is well nigh unique in literature, either amateur or professional, an attempted reconstruction of a scene supposedly excised from "King Lear." This is so unusual, in fact, that it might well be called a "stunt," but certainly it is a successful stunt. In the not overly long scene presented, which pictures the ruthless hanging of Cordelia and the Fool before the eyes of the aged Lear, we can discern no quality that is not strictly Shakespearian. The language has been purged of every trace of modernism and flows with that semi-solemn, archaic, Elizabethan cadence that almost makes it hard to believe that it was written in this century. But all this might be done without achieving the supreme Shakespearian touch. The triumph of the scene is that the character delineation is carried on with such a mastery of its intricacies that this scene might be interpolated in a new edition of the play and fool the higher critics of the future. The author, Samuel Loveman, is an amateur of former days who celebrates his return to the hobby with this feat so characteristic of his peculiar genius. The United has its Lovecraft, a belated Georgian who says he is nowhere so much at home today as he would be in the coffee-houses of Pope or Johnson. The National once more after a lapse of years has its Loveman, a belated Elizabethan who could have walked into the Mermaid Tavern and proved a congenial soul to Kit Marlowe and friend Will. The United welcomes him back.

Harry Martin, the editor, follows with an essay on the elements of the classic Greek tragedy to be found in "King Lear," which in depth, tone, and general literary quality are strongly reminiscent of the best work that appears in the Atlantic Monthly. As an essay it is perfect in form, its thesis is stated clearly and developed with forceful logic, and the wealth of material brought to bear upon the subject displays a knowledge of Shakespeare and the classic drama worthy of Truman Spencer, of beloved amateur memory.

The editorial section is only to be criticized in that Mr. Martin has cut us off with so few of his readable "Views Martinique," but we shall live in hopes of another excellent Sprite with a longer editorial department. George Cribbs' "History" is just a little poem used for a filler, but this must not be taken in derogation, for it is filler chosen with the good taste that characterizes the choice of all the other contributions. In spite of its simplicity and its brevity, it plays with the deft touch of mastery on that chord of pathos that always vibrates to the thought of Time's ceaseless and inevitable surge. From every point of view the whole journal is a symphony of excellence.

The Yerma, for October, is edited by John H. D. Smith of Orondo, Washington, and, aside from the fact that it is an attractive and well-printed publication, may be considered as being rather in the nature of a promise of future achievement. The dedicatory verses "To the Yerma," by Alice M. Hamlet are fairly good so far as rhyme and metre are concerned. They run smoothly and are really graceful in sentiment. They contain one or two grammatical inversions, however, such as

"I would a little jingle write,"

and

"I'd love to be a poet great,"

which have no more right to appear in verse than in prose. Then, too, they betray an occasional inelegance of expression like the following:

"I find that I am stuck."

But Miss Hamlet should by all means persist in her versifying, since there can be no doubt that she owns an instinctive grasp of the basic laws of rhyme and rhythm. If she will read and study the lighter efforts to be found in any standard anthology of poetry and then, with such models ever before her, strive sincerely to overcome her present defects by unremitting practise, Miss Hamlet may yet become a truly clever and accomplished versifier. "The Reform Spiritβ€”Its Mission," by P. A. Spain, M. D., is an exceedingly able and thought provoking essay. It is to be hoped that in future issues Mr. Smith will give us an inkling of his own ideas on various subjects. The chief defect in The Yerma is the entire absence of editorial comment.

REPORTS OF OFFICERS PRESIDENT'S MESSAGE

Fellow-Amateurs:β€”

The fourth month of the United's official year opens with the organization still nearer completion; Mrs. Helene Hoffman Cole, former President and thoroughly active and capable amateur, having accepted appointment as Supervisor of Amendments. The Fourth Vice-Presidency has been accepted by Alfred Galpin, Jr., 779 Kimball St., Appleton, Wisconsin.

The Official Editor is to be commended for the excellence of the September United Amateur, as is also the printer, Mr. W. Paul Cook. The Association will be gratified to hear that Mr. Cook has accepted the position of Official Publisher for the year; but the members must remember that only by their liberality in replenishing the Official Organ Fund, can regular issuance be ensured.

The 1916-1917 Year-Book of the Association, having been completed by the Committee, is now undergoing critical inspection and condensation by the expert judgment of Messrs. Paul J. Campbell and Edward F. Daas. Here again we appeal to the generosity of the members, especially the veteran members, to make possible the publication in full of this epitome of amateur history. Unless the Year-Book Fund is materially swelled, the volume cannot possibly be printed in its unabridged form of sixty-three closely typed manuscript pages.

The amateur press is now showing signs of a gradual recovery from the late period of minimum activity. Mr. Martin's remarkable production, The Sprite, Mr. Lindquist's two numbers of The Dabbler, Mr. and Mrs. Cole's welcome Olympian, Mr. Cook's wonderfully ample Vagrant, and Mr. John H. D. Smith's small but enterprising Yerma, all attest the reality of this awakening. Within the next few months many more papers are to be expected; including an excellent one from Miss Lehr, a scholarly Piper from Mr. Kleiner, a brilliant first venture, The Arcadian, from Mrs. Jordan, and both a Vagrant and a Monadnock from Mr. Cook. Mr. Cook makes a truly philanthropic offer to print small papers at reasonable rates, and it is to be hoped that a large number of members will avail themselves of it, communicating with Mr. Cook regarding particulars. His address is 451 Main St., Athol, Mass.

Recruiting proceeds steadily if not with meteoric rapidity, some excellent material having been obtained since the beginning of the year's campaign. The most serious defect in our system is the lack of a general welcome shown the new members, particularly as regards the distribution of papers. One of our most important recruits of last July, now a responsible officer, declares he has seen but a fraction of the papers issued since his entrance; a fact indicating a censurable but easily remediable condition. Let us impress it upon ourselves, that if we would do our full share toward maintaining the Association and its literary life, we must see that all our respective publications reach every member new or old. A considerable part of our yearly losses in membership are undoubtedly due to the indifferent reception which so many gifted newcomers receive.

The general signs of the times are bright and encouraging. A renascent amateur press, a closer co-operation between members, an influx of interested recruits, and an improved state of relations with our contemporaries, are but a few of the good omens which promise to make the coming year a pleasing and profitable one.

H. P. LOVECRAFT, President.
October 28, 1917. THE UNITED AMATEUR JANUARY 1918 REPORTS OF OFFICERS PRESIDENT'S MESSAGE

Fellow-Amateurs:β€”

The dawn of the new year discovers the United in what may, considering the general condition of the times, be called a very enviable position. With a full complement of officers, and with the recruiting machinery fairly under way, our course seems clear and our voyage propitious.

The November Official Organ deserves praise of the highest sort; and will remain as a lasting monument to the editorial ability of Miss McGeoch and the mechanical good taste of Mr. Cook. It has set a standard beneath which it should not fall, but to maintain which a well-supplied Official Organ Fund is absolutely necessary. If each member of the Association would send a dollar, or even less, to Custodian McGeoch, this Fund might be certain of continuance at a level which would ensure a large and regularly published UNITED AMATEUR.

The publication of lists of new and prospective members should arouse every amateur to recruiting activity, and cause each newcomer to receive a goodly number of letters, papers, and postcards. It would be well if the line of demarcation between Recruiting Committees and the general amateur public were not so sharply drawn; for whilst it is the duty of the official recruiter to approach these new names, any other members confer no less a favour on the United by doing so unofficially. We must remedy the condition which permits able writers to join and pass out of the Association almost without a realization of the fact of their membership. How few of these gifted amateurs who entered in 1915-1916 are now with us!

Publishing activity is strikingly exemplified by the appearance of Spindrift, a regularly issued monthly from the able pen of Sub-Lieut. Ernest Lionel McKeag of the Royal Navy. When a busy naval officer in active service can edit so excellent a magazine as this, no civilian should complain that the present war has made amateur journalism an impossibility! The number of papers expected in

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