The Railway Children by E. Nesbit (interesting books to read for teens .TXT) 📕
Description
The Railway Children is Edith Nesbit’s most well-known and well-loved book for young readers. Since its first book publication in 1906, it has been made into movies, radio plays and television series several times, dramatised in the theatre, performed in actual railway stations, and even turned into a musical.
It tells the story of three children: Roberta, Peter and Phyllis, who with their mother are forced to leave their comfortable suburban home and go to live in a small cottage in the country, after their father is taken away from them for what at first seem inexplicable reasons. They live there very quietly, not going to school, whilst their mother writes stories and poems to earn a small income. The children’s lives, however, are greatly enlivened by their proximity to a nearby railway line and station, in which they take great interest. They befriend the railway staff and have several adventures in which they demonstrate considerable initiative and courage.
One unusual topic touched on by the book is the then-current Russia-Japan war, which divided opinion in England. Nesbit was clearly opposed to the actions of the Tsarist government of Russia, and she introduces into the story a Tolstoy-like Russian writer who has escaped from a prison camp in Siberia, to which he was condemned for publishing a book espousing his liberal views.
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- Author: E. Nesbit
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In an instant all three made for the barge.
Her mooring ropes were slack, and the little breeze, hardly strong enough to be felt, had yet been strong enough to drift her stern against the bank. Bobbie was first—then came Peter, and it was Peter who slipped and fell. He went into the canal up to his neck, and his feet could not feel the bottom, but his arm was on the edge of the barge. Phyllis caught at his hair. It hurt, but it helped him to get out. Next minute he had leaped on to the barge, Phyllis following.
“Not you!” he shouted to Bobbie; “Me, because I’m wet.”
He caught up with Bobbie at the cabin door, and flung her aside very roughly indeed; if they had been playing, such roughness would have made Bobbie weep with tears of rage and pain. Now, though he flung her on to the edge of the hold, so that her knee and her elbow were grazed and bruised, she only cried:—
“No—not you—me,” and struggled up again. But not quickly enough.
Peter had already gone down two of the cabin steps into the cloud of thick smoke. He stopped, remembered all he had ever heard of fires, pulled his soaked handkerchief out of his breast pocket and tied it over his mouth. As he pulled it out he said:—
“It’s all right, hardly any fire at all.”
And this, though he thought it was a lie, was rather good of Peter. It was meant to keep Bobbie from rushing after him into danger. Of course it didn’t.
The cabin glowed red. A paraffin lamp was burning calmly in an orange mist.
“Hi,” said Peter, lifting the handkerchief from his mouth for a moment. “Hi, Baby—where are you?” He choked.
“Oh, let me go,” cried Bobbie, close behind him. Peter pushed her back more roughly than before, and went on.
Now what would have happened if the baby hadn’t cried I don’t know—but just at that moment it did cry. Peter felt his way through the dark smoke, found something small and soft and warm and alive, picked it up and backed out, nearly tumbling over Bobbie who was close behind. A dog snapped at his leg—tried to bark, choked.
“I’ve got the kid,” said Peter, tearing off the handkerchief and staggering on to the deck.
Bobbie caught at the place where the bark came from, and her hands met on the fat back of a smooth-haired dog. It turned and fastened its teeth on her hand, but very gently, as much as to say:—
“I’m bound to bark and bite if strangers come into my master’s cabin, but I know you mean well, so I won’t really bite.”
Bobbie dropped the dog.
“All right, old man. Good dog,” said she. “Here—give me the baby, Peter; you’re so wet you’ll give it cold.”
Peter was only too glad to hand over the strange little bundle that squirmed and whimpered in his arms.
“Now,” said Bobbie, quickly, “you run straight to the Rose and Crown and tell them. Phil and I will stay here with the precious. Hush, then, a dear, a duck, a darling! Go now, Peter! Run!”
“I can’t run in these things,” said Peter, firmly; “they’re as heavy as lead. I’ll walk.”
“Then I’ll run,” said Bobbie. “Get on the bank, Phil, and I’ll hand you the dear.”
The baby was carefully handed. Phyllis sat down on the bank and tried to hush the baby. Peter wrung the water from his sleeves and knickerbocker legs as well as he could, and it was Bobbie who ran like the wind across the bridge and up the long white quiet twilight road towards the Rose and Crown.
There is a nice old-fashioned room at the Rose and Crown; where bargees and their wives sit of an evening drinking their supper beer, and toasting their supper cheese at a glowing basketful of coals that sticks out into the room under a great hooded chimney and is warmer and prettier and more comforting than any other fireplace I ever saw.
There was a pleasant party of barge people round the fire. You might not have thought it pleasant, but they did; for they were all friends or acquaintances, and they liked the same sort of things, and talked the same sort of talk. This is the real secret of pleasant society. The Bargee Bill, whom the children had found so disagreeable, was considered excellent company by his mates. He was telling a tale of his own wrongs—always a thrilling subject. It was his barge he was speaking about.
“And ’e sent down word ‘paint her inside hout,’ not namin’ no colour, d’ye see? So I gets a lotter green paint and I paints her stem to stern, and I tell yer she looked A1. Then ’e comes along and ’e says, ‘Wot yer paint ’er all one colour for?’ ’e says. And I says, says I, ‘Cause I thought she’d look fust-rate,’ says I, ‘and I think so still.’ An’ he says, ‘Dew yer? Then ye can just pay for the bloomin’ paint yerself,’ says he. An’ I ’ad to, too.” A murmur of sympathy ran round the room. Breaking noisily in on it came Bobbie. She burst open the swing door—crying breathlessly:—
“Bill! I want Bill the Bargeman.”
There was a stupefied silence. Pots of beer were held in midair, paralysed on their way to thirsty mouths.
“Oh,” said Bobbie, seeing the bargewoman and making for her. “Your barge cabin’s on fire. Go quickly.”
The woman started to her feet, and put a big red hand to her waist, on the left side, where your heart seems to be when you are frightened or miserable.
“Reginald Horace!” she cried in a terrible voice; “my Reginald Horace!”
“All right,” said Bobbie, “if you mean the baby; got him out safe. Dog, too.” She had no breath for more, except, “Go on—it’s all alight.”
Then she sank on the alehouse bench and tried to get that breath of relief after running which people call the “second wind.” But she felt as though she would
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