The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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“I hope—indeed, I am sure, Miss Halcombe—that you are mistaken,” said the schoolmaster. “The matter begins and ends with the boy’s own perversity and folly. He saw, or thought he saw, a woman in white, yesterday evening, as he was passing the churchyard; and the figure, real or fancied, was standing by the marble cross, which he and everyone else in Limmeridge knows to be the monument over Mrs. Fairlie’s grave. These two circumstances are surely sufficient to have suggested to the boy himself the answer which has so naturally shocked you?”
Although Miss Halcombe did not seem to be convinced, she evidently felt that the schoolmaster’s statement of the case was too sensible to be openly combated. She merely replied by thanking him for his attention, and by promising to see him again when her doubts were satisfied. This said, she bowed, and led the way out of the schoolroom.
Throughout the whole of this strange scene I had stood apart, listening attentively, and drawing my own conclusions. As soon as we were alone again, Miss Halcombe asked me if I had formed any opinion on what I had heard.
“A very strong opinion,” I answered; “the boy’s story, as I believe, has a foundation in fact. I confess I am anxious to see the monument over Mrs. Fairlie’s grave, and to examine the ground about it.”
“You shall see the grave.”
She paused after making that reply, and reflected a little as we walked on. “What has happened in the schoolroom,” she resumed, “has so completely distracted my attention from the subject of the letter, that I feel a little bewildered when I try to return to it. Must we give up all idea of making any further inquiries, and wait to place the thing in Mr. Gilmore’s hands tomorrow?”
“By no means, Miss Halcombe. What has happened in the schoolroom encourages me to persevere in the investigation.”
“Why does it encourage you?”
“Because it strengthens a suspicion I felt when you gave me the letter to read.”
“I suppose you had your reasons, Mr. Hartright, for concealing that suspicion from me till this moment?”
“I was afraid to encourage it in myself. I thought it was utterly preposterous—I distrusted it as the result of some perversity in my own imagination. But I can do so no longer. Not only the boy’s own answers to your questions, but even a chance expression that dropped from the schoolmaster’s lips in explaining his story, have forced the idea back into my mind. Events may yet prove that idea to be a delusion, Miss Halcombe; but the belief is strong in me, at this moment, that the fancied ghost in the churchyard, and the writer of the anonymous letter, are one and the same person.”
She stopped, turned pale, and looked me eagerly in the face.
“What person?”
“The schoolmaster unconsciously told you. When he spoke of the figure that the boy saw in the churchyard he called it ‘a woman in white.’ ”
“Not Anne Catherick?”
“Yes, Anne Catherick.”
She put her hand through my arm and leaned on it heavily.
“I don’t know why,” she said in low tones, “but there is something in this suspicion of yours that seems to startle and unnerve me. I feel—” She stopped, and tried to laugh it off. “Mr. Hartright,” she went on, “I will show you the grave, and then go back at once to the house. I had better not leave Laura too long alone. I had better go back and sit with her.”
We were close to the churchyard when she spoke. The church, a dreary building of grey stone, was situated in a little valley, so as to be sheltered from the bleak winds blowing over the moorland all round it. The burial-ground advanced, from the side of the church, a little way up the slope of the hill. It was surrounded by a rough, low stone wall, and was bare and open to the sky, except at one extremity, where a brook trickled down the stony hillside, and a clump of dwarf trees threw their narrow shadows over the short, meagre grass. Just beyond the brook and the trees, and not far from one of the three stone stiles which afforded entrance, at various points, to the churchyard, rose the white marble cross that distinguished Mrs. Fairlie’s grave from the humbler monuments scattered about it.
“I need go no farther with you,” said Miss Halcombe, pointing to the grave. “You will let me know if you find anything to confirm the idea you have just mentioned to me. Let us meet again at the house.”
She left me. I descended at once to the churchyard, and crossed the stile which led directly to Mrs. Fairlie’s grave.
The grass about it was too short, and the ground too hard, to show any marks of footsteps. Disappointed thus far, I next looked attentively at the cross, and at the square block of marble below it, on which the inscription was cut.
The natural whiteness of the cross was a little clouded, here and there, by weather stains, and rather more than one half of the square block beneath it, on the side which bore the inscription, was in the same condition. The other half, however, attracted my attention at once by its singular freedom from stain or impurity of any kind. I looked closer, and saw that it had been cleaned—recently cleaned, in a downward direction from top to bottom. The boundary line between the part that had been cleaned and the part that had not was traceable wherever the inscription left a blank space of marble—sharply traceable as a line that had been produced by artificial means. Who had begun the cleansing of the marble, and who had left it unfinished?
I looked about me, wondering how the
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