The Works of Max Beerbohm by Max Beerbohm (reading like a writer .txt) π
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The Works of Max Beerbohm is a collection of satirical essays by Max Beerbohm. It was published in 1896 at The Bodley Head, his publisher John Lane contributing a detailed bibliography of the works of the author, then aged 24. Before their publication as a book, the essays had appeared in prominent literary periodicals such as The Yellow Book and The Savoy. Most of the essays were written while he was a student at Oxford, although he had left Merton College in 1894. By then he was already known as a caricaturist, parodist and essayist and well acquainted with the writers and artists connected with The Bodley Head, notably Aubrey Beardsley and Oscar Wilde.
The essays can perhaps be best described as both elaborate parody and vicious satire. Beerbohmβs intimate knowledge of the social circles of the time and his penchant for pointed descriptions of character are always on display, dismantling the purported greatness that surrounds him.
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- Author: Max Beerbohm
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By this title his disciples used to address James Whistler, the author-artist. Without echoing the obloquy that was lavished at first nor the praise that was lavished later upon his pictures, we must admit that he was, as least, a great master of English prose and a controversialist of no mean power. β©
One authority derives the title, rather ingeniously, from Ma ChΓ¨re, the mode of address used by the gilded youth to the barmaids of the periodβ βwhence the corruption, βMasher.β Another traces it to the chorus of a song, which, at that time, had a great vogue in the music-halls:
βIβm the slashing, dashing, mashing Montmorency of the day.β
This, in my opinion, is the safer suggestion, and may be adopted. β©
I received some great and beautiful light. β©
ColophonThe Works of Max Beerbohm
was published in 1896 by
Max Beerbohm.
This ebook was produced for
Standard Ebooks
by
Bendix DΓΌker,
and is based on a transcription produced in 1999 by
Tom Weiss, G. Banks, and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The cover page is adapted from
Bal du moulin de la Galette,
a painting completed in 1876 by
Auguste Renoir.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
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