The Ladies Book of Useful Information by Anonymous (hot novels to read .TXT) 📕

Turcoman, will give the finishing artistic touches to almost any room, but the last softening polish comes only from the genial presence of trailing and climbing vines. THE SITTING-ROOM.

The sitting or everyday room should be the brightest and most attractive room in the house. Its beauty of decoration should not be so much in the richness and variety of material as in its comfort, simplicity, and the harmony of its tints—the main features being the fitness of each article to the needs of the room. In these days of so many advantages much can be done in adornment by simple means.

The wall papers mostly used come in grounds of cream, amber, rose, pale olive, fawn, ceil blue and light gray, with designs and traceries of contrasting hues.

The carpet, if in tapestry, looks more effective if in grounds of pale canary or light gray, with designs in bright-colored woodland flowers and borders to match. The new ingrain carpets, with their pretty designs and bright colors, are very fashionable for rooms that are much used.

Whatever may be the prevailing tint of the carpet, the window curtains should follow it up in lighter tones or contrast with it. The curtains may correspond with the coverings of the chairs, sofa, mantel and table draperies in color and fabric. If the furniture is of wicker, bamboo or rattan, the curtains should be of Japanese or any kind of Oriental goods. Curtains of muslin (either white or tinted), gay-colored chintzes, lace or dotted Swiss muslin, looped back with bright-toned ribbons, look very pretty and are appropriate for the sitting-room at almost any season. That clumsy structure called the cornice, for putting up curtains on, has happily given place to the more light and graceful curtain pole.

One large table, covered with a pretty embroidered cloth, should be placed in some central location for a catch-all. A low divan, with a pair of square, soft pillows, may stand in some quiet nook; a rocker, handsomely upholstered, with a pretty tidy pinned to its back; a large, soft easy-chair; a small sewing-chair placed near a table; and a bamboo chair, trimmed with ribbons, will be tastefully arranged in the room. Window stands and gypsy tables may be draped with some rich fabric, the surrounding valance being caught up in small festoons and fastened with bows or tassels, finished around the edge of the table with cord or quilted ribbon.

If the furniture is old or in sets it can be covered with different patterns in cretonne or chintz, which not only protects the furniture but breaks up the monotony and lends a pleasing variety to the room. A Turkish chair is a grand accessory to the family room. This may be made by buying the frame and having it upholstered in white cotton cloth and covering it with a rich shade of cretonne, finishing it with cord and fringe.

A foot-rest frame can be made in the same way and covered with a piece of homemade embroidery, finishing it off with a cord or narrow gimp around the edge. Homemade easels, screens, and pedestals may be made out of black walnut, and when stained and draped look exceedingly pretty. An old second-hand cabinet may be bought at a trifle, and when polished up may be set in a corner on which to display some pieces of bric-a-brac.

If the house has no library, the sitting-room is just the place for the bookcase.

With house plants in the windows, a room of this character, with floods of sunshine, makes a most attractive and comfortable living-room.

THE LIBRARY.

The walls of the library should be hung with rich, dark colors, the latest style in wall paper being a black ground with old gold and olive-green designs.

The carpet comes in Pompeiian red, with moss-green and peacock-blue patterns. Statuary and the best pictures should find a place in the library. The library table should be massive and the top laid with crimson baize. There should be a few high-backed chairs, upholstered in leather, a reading-chair, soft rugs, foot-rests, a mantel mirror, a few mantel ornaments, and the piece de resistance—the bookcase. In large libraries the bookcases are built in the wall. It is quite in vogue to hang curtains on rods in front of bookcases instead of doors, but we think the old style is the best, inasmuch as the books may be seen and the glass doors exclude the dust.

Heavy curtains of raw silk, Turcoman, and canton flannel, with a full valance at the top, are used for the window drapery.

CHAMBERS.

The walls of bedrooms should be decorated in light tints and shadings, with a narrow rail and deep frieze. Most housekeepers prefer rugs and oiled floors to carpets, but this is a matter of individual taste. Rugs are as fashionable as they are wholesome and tidy. These floor-coverings should be darker than the furniture, yet blending in shade. If carpets are chosen they should be the lightest shades and in bright field-flower patterns. Avoid anything dark and somber for the sleeping-room. Pink and ceil blue combined are very pretty, scarlet and gray, deep red and very light blue. Dark blue with sprays of lily of the valley running through it is exceedingly pretty for bedrooms. Dark furniture will harmonize with all these colors, but the lighter shades are preferable. Cretonnes in pale tints and chintzes in harmonizing colors are used for light woods. Square pillows of cretonne on a bamboo or wicker lounge are very pretty. Canton matting is often used, either plain or in colored patterns.

Formerly the bed-coverings were spotlessly white, but the profluent tide of color has included these also. The coverings now in vogue are: Nottingham lace, darned net, applique, antique lace, and Swiss muslin. These are used over silk and silesia for backgrounds, and are exceedingly pretty, with pillow shams to match. Cretonnes, chintzes, dimities, and silk in crazy work and South Kensington patterns are also used.

Cheese cloth, bunting, Swiss muslin, cretonne, and Swiss curtains are used for window drapery. These may be trimmed with the same fabric or antique lace. They are hung on poles above the windows and draped back with ribbons.

The appointments of a bedroom are a low couch, a large rocker, a small sewing-chair, a workbasket, footstools, a toilet table prettily draped with muslin, or a dressing-case, brackets for vases, flowerpots, a few pictures, small table, hanging shelves for books, etc., and the bed.

The washstand should have a full set of toilet mats, or a large towel with a colored border may be laid on it; also, a splasher placed on the wall at the back of the stand is very essential. A screen is a very desirable part of the bedroom appointments. A rug should be placed in front of the bed and dressing-case.

THE DINING-ROOM.

The dining-room should be furnished with a view to convenience, richness, and comfort. Choose deep, rich grounds for the walls—bronze-maroon, black, Pompeiian red, and deep olive—and the designs and traceries in old gold, olive or moss-green, with dado and frieze to correspond. Or, the walls may be wainscoted with oak, walnut, maple, etc. Some are finished in plain panels, with different kinds of wood; others, again, are elaborately carved, with fruit, flowers, and emblems of the chase.

The floor is the next point for consideration. It may be of tile or laid in alternate strips of different colored woods, with a border of parquetry. Rugs or carpets may be used on these floors or dispensed with, according to taste. If a carpet is used, the dark, rich shades found in the Persian and Turkish designs should be chosen.

The window drapery should be those deep, rich colors that hold their own despite time and use—the pomegranates, rich crimsons, dark blues, dull Pompeiian reds, and soft olives. These curtains may be hung on poles, and should fall in heavy folds to the floor, then looped back with a wide embroidered dado.

Screens of stained glass are now used in the windows. They are both useful and ornamental, for they exclude the strong rays of the sun, and the light filtering through them beautifies the room with its many mellow hues.

Dark wood should be used for the furniture. The chairs should be chosen in square, solid styles, and upholstered in embossed or plain leather, with an abundance of brass or silver headed nails which are used for upholstering leather and add much to the substantial appearance of the articles.

The dining-table should be low, square or bevel cornered, heavily carved, and when not in use should be covered with a cloth corresponding in shade to the window drapery.

A buffet may stand in one corner for the display of ceramics or decorated china. The sideboard should be of high, massive style, with shelves and racks for glassware and pieces of china.

A few pictures—two or three fruit pieces and one or two plaques of still life—are appropriate.

A case of stuffed birds, a few large pots of tropical plants, and a fernery are in keeping with the dining-room appointments. A three-leaf folding Japanese screen should not be forgotten; also, a lamp shade of antique lace, lined with crimson silk, is very desirable.

THE KITCHEN.

It is a remark too often made that this or that “is good enough for a servant.” If all knew that unpleasant surroundings made unpleasant servants and ill-prepared meals, we think more pains would be taken to have pleasant and comfortable kitchens. There should be a pleasant window or two through which fresh air and floods of sunlight may come, a few plants on the window sill, a small stand for a workbasket, an easy-chair that the servant may “drop into” when an opportunity offers, the walls painted or calcimined with some cheerful tint, and a general air of comfort pervading the whole kitchen.—The Popular Art Instructor.

CHAPTER XIV. FLORAL. HOW TO CARE FOR HOUSE PLANTS.

Plants that require a high or low temperature or a very moist atmosphere and plants that bloom only in summer are undesirable. Procure fresh sandy loam, with an equal mixture of well-rotted turf, leaf mold, and cow-yard manure, with a small quantity of soot. In repotting plants use one size larger than they were grown in. Hard-burned or glazed pots prevent the circulation of air. Secure drainage by broken crockery and pebbles laid in the bottom of the pot. An abundance of light is important, and when this cannot be given it is useless to attempt the culture of flowering plants. If possible they should have the morning sun, as one hour of sunshine then is worth two in the afternoon. Fresh air is also essential, but cold, chilling drafts should be avoided. Water from one to three times a week with soft, lukewarm water, draining off all not absorbed by the earth.

DO NOT PERMIT

water to stand in the saucers, as the only plant thriving under such treatment is the calla lily; and even for these it is not necessary, unless while blooming. Dust is a great obstacle to the growth of plants. A good showering will generally remove it, but all the smooth-faced plants (such as camellias, ivies, etc.) should be carefully sponged so as to keep the foliage clean and healthy.

PLANTS SUCCEED BEST

in an even temperature, ranging from sixty to seventy degrees during the day and from ten to twelve degrees lower at night. If troubled with insects, put them under a box or barrel and smoke from thirty to sixty minutes with tobacco leaves.

FOR THE RED SPIDER

the best remedy is to lay the plants on the side and sprinkle well or shower. Repeat if necessary. If manures are used, give in a liquid form.

Some of the plants most suitable for parlor culture are: Pelargoniums, geraniums, fuchsias, palms, begonias, monthly roses, camellias, azaleas, oranges, lemons, Chinese and English primroses, abutilons, narcissus, heliotrope, petunias, and the gorgeous flowering plant, Poinsettia pulcherrima. Camellias and azaleas require a cooler temperature than most plants, and the Poinsettia a higher