Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βIβd made several little runs out to California and down to Mexico and up through Alaska, so I sits down with Denver for a chat about the things he saw.
βββTook in the Yosemite, out there, of course?β I asks.
βββWellβ βno,β says Denver, βI donβt think so. At least, I donβt recollect it. You see, I only had three days, and I didnβt get any farther west than Youngstown, Ohio.β
βAbout two years ago I dropped into New York with a little flypaper proposition about a Tennessee mica mine that I wanted to spread out in a nice, sunny window, in the hopes of catching a few. I was coming out of a printing-shop one afternoon with a batch of fine, sticky prospectuses when I ran against Denver coming round a corner. I never saw him looking so much like a tiger-lily. He was as beautiful and new as a trellis of sweet peas, and as rollicking as a clarinet solo. We shook hands, and he asked me what I was doing, and I gave him the outlines of the scandal I was trying to create in mica.
βββPooh, pooh! for your mica,β says Denver. βDonβt you know better, Sully, than to bump up against the coffers of little old New York with anything as transparent as mica? Now, you come with me over to the Hotel Brunswick. Youβre just the man I was hoping for. Iβve got something there in sepia and curled hair that I want you to look at.β
βββYou putting up at the Brunswick?β I asks.
βββNot a cent,β says Denver, cheerful. βThe syndicate that owns the hotel puts up. Iβm manager.β
βThe Brunswick wasnβt one of them Broadway pothouses all full of palms and hyphens and flowers and costumesβ βkind of a mixture of lawns and laundries. It was on one of the East Side avenues; but it was a solid, old-time caravansary such as the Mayor of Skaneateles or the Governor of Missouri might stop at. Eight stories high it stalked up, with new striped awnings, and the electrics had it as light as day.
βββIβve been manager here for a year,β says Denver, as we drew nigh. βWhen I took charge,β says he, βnobody nor nothing ever stopped at the Brunswick. The clock over the clerksβ desk used to run for weeks without winding. A man fell dead with heart-disease on the sidewalk in front of it one day, and when they went to pick him up he was two blocks away. I figured out a scheme to catch the West Indies and South American trade. I persuaded the owners to invest a few more thousands, and I put every cent of it in electric lights, cayenne pepper, gold-leaf, and garlic. I got a Spanish-speaking force of employees and a string band; and there was talk going round of a cockfight in the basement every Sunday. Maybe I didnβt catch the nut-brown gang! From Havana to Patagonia the Don SeΓ±ors knew about the Brunswick. We get the highfliers from Cuba and Mexico and the couple of Americas farther south; and theyβve simply got the boodle to bombard every bulfinch in the bush with.β
βWhen we got to the hotel, Denver stops me at the door.
βββThereβs a little liver-coloured man,β says he, βsitting in a big leather chair to your right, inside. You sit down and watch him for a few minutes, and then tell me what you think.β
βI took a chair, while Denver circulates around in the big rotunda. The room was about full of curly-headed Cubans and South American brunettes of different shades; and the atmosphere was international with cigarette smoke, lit up by diamond rings and edged off with a whisper of garlic.
βThat Denver Galloway was sure a relief to the eye. Six feet two he was, redheaded and pink-gilled as a sun-perch. And the air he had! Court of Saint James, Chauncy Olcott, Kentucky colonels, Count of Monte Cristo, grand operaβ βall these things he reminded you of when he was doing the honours. When he raised his finger the hotel porters and bellboys skated across the floor like cockroaches, and even the clerk behind the desk looked as meek and unimportant as Andy Carnegie.
βDenver passed around, shaking hands with his guests, and saying over the two or three Spanish words he knew until it was like a coronation rehearsal or a Bryan barbecue in Texas.
βI watched the little man he told me to. βTwas a little foreign person in a double-breasted frock-coat, trying to touch the floor with his toes. He was the colour of vici kid, and his whiskers was like excelsior made out of mahogany wood. He breathed hard, and he never once took his eyes off of Denver. There was a look of admiration and respect on his face like you see on a boy thatβs following a champion baseball team, or the Kaiser William looking at himself in a glass.
βAfter Denver goes his rounds he takes me into his private office.
βββWhatβs your report on the dingy I told you to watch?β he asks.
βββWell,β says I, βif you was as big a man as he takes you to be, nine rooms and bath in the Hall of Fame, rent free till October 1st, would be about your size.β
βββYouβve caught the idea,β says Denver. βIβve given him the wizard grip and the cabalistic eye. The glamour that emanates from yours truly has enveloped him like a North River
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