Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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Hester Dethridge, perfectly unmoved, wrote her justification on her slate, in two stiff sentences: “I had no orders not to answer. I keep nobody’s secrets but my own.”
That reply settled the question of the cook’s dismissal—the question which had been pending for months past.
“You are an insolent woman! I have borne with you long enough—I will bear with you no longer. When your month is up, you go!”
In those words Lady Lundie dismissed Hester Dethridge from her service.
Not the slightest change passed over the sinister tranquillity of the cook. She bowed her head again, in acknowledgment of the sentence pronounced on her—dropped her slate at her side—turned about—and left the room. The woman was alive in the world, and working in the world; and yet (so far as all human interests were concerned) she was as completely out of the world as if she had been screwed down in her coffin, and laid in her grave.
Lady Lundie’s maid came into the room as Hester left it.
“Go upstairs to Miss Blanche,” said her mistress, “and say I want her here. Wait a minute!” She paused, and considered. Blanche might decline to submit to her stepmother’s interference with her. It might be necessary to appeal to the higher authority of her guardian. “Do you know where Sir Patrick is?” asked Lady Lundie.
“I heard Simpson say, my lady, that Sir Patrick was at the stables.”
“Send Simpson with a message. My compliments to Sir Patrick—and I wish to see him immediately.”
The preparations for the departure to the shooting-cottage were just completed; and the one question that remained to be settled was, whether Sir Patrick could accompany the party—when the manservant appeared with the message from his mistress.
“Will you give me a quarter of an hour, gentlemen?” asked Sir Patrick. “In that time I shall know for certain whether I can go with you or not.”
As a matter of course, the guests decided to wait. The younger men among them (being Englishmen) naturally occupied their leisure time in betting. Would Sir Patrick get the better of the domestic crisis? or would the domestic crisis get the better of Sir Patrick? The domestic crisis was backed, at two to one, to win.
Punctually at the expiration of the quarter of an hour, Sir Patrick reappeared. The domestic crisis had betrayed the blind confidence which youth and inexperience had placed in it. Sir Patrick had won the day.
“Things are settled and quiet, gentlemen; and I am able to accompany you,” he said. “There are two ways to the shooting-cottage. One—the longest—passes by the inn at Craig Fernie. I am compelled to ask you to go with me by that way. While you push on to the cottage, I must drop behind, and say a word to a person who is staying at the inn.”
He had quieted Lady Lundie—he had even quieted Blanche. But it was evidently on the condition that he was to go to Craig Fernie in their places, and to see Anne Silvester himself. Without a word more of explanation he mounted his horse, and led the way out. The shooting-party left Windygates.
Second Scene The Inn IX Anne“Ye’ll just permit me to remind ye again, young leddy, that the hottle’s full—exceptin’ only this settin’-room, and the bedchamber yonder belonging to it.”
So spoke “Mistress Inchbare,” landlady of the Craig Fernie Inn, to Anne Silvester, standing in the parlor, purse in hand, and offering the price of the two rooms before she claimed permission to occupy them.
The time of the afternoon was about the time when Geoffrey Delamayn had started in the train, on his journey to London. About the time also, when Arnold Brinkworth had crossed the moor, and was mounting the first rising ground which led to the inn.
Mistress Inchbare was tall and thin, and decent and dry. Mistress Inchbare’s unlovable hair clung fast round her head in wiry little yellow curls. Mistress Inchbare’s hard bones showed themselves, like Mistress Inchbare’s hard Presbyterianism, without any concealment or compromise. In short, a savagely-respectable woman who plumed herself on presiding over a savagely-respectable inn.
There was no competition to interfere with Mistress Inchbare. She regulated her own prices, and made her own rules. If you objected to her prices, and revolted from her rules, you were free to go. In other words, you were free to cast yourself, in the capacity of houseless wanderer, on the scanty mercy of a Scotch wilderness. The village of Craig Fernie was a collection of hovels. The country about Craig Fernie, mountain on one side and moor on the other, held no second house of public entertainment, for miles and miles round, at any point of the compass. No rambling individual but the helpless British Tourist wanted food and shelter from strangers in that part of Scotland; and nobody but Mistress Inchbare had food and shelter to sell. A more thoroughly independent person than this was not to be found on the face of the hotel-keeping earth. The most universal of all civilized terrors—the terror of appearing unfavorably in the newspapers—was a sensation absolutely unknown to the Empress of the Inn. You lost your temper, and threatened to send her bill for exhibition in the public journals. Mistress Inchbare raised no objection to your taking any course you pleased with it. “Eh, man! send the bill whar’ ye like, as long as ye pay it first. There’s nae such thing as a newspaper ever darkens my doors. Ye’ve got the Auld and New Testaments in your bedchambers, and the natural history o’ Pairthshire on the coffee-room table—and if that’s no’ reading eneugh for ye, ye may een gae back South again, and get the rest of it there.”
This was the inn at which Anne Silvester had appeared alone, with nothing but a little bag in her hand. This was the woman whose reluctance to receive her
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