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Little Sobig DeJong, in a suit made of bean-sacking sewed together by his mother. A brown blond boy with mosquito bites on his legs and his legs never still. Nothing of the dreamer about this lad. The one-room schoolhouse of Selinaโ€™s day had been replaced by a two-story brick structure, very fine, of which High Prairie was vastly proud. The rusty iron stove had been dethroned by a central heater. Dirk went to school from October until June. Pervus protested that this was foolish. The boy could be of great help in the fields from the beginning of April to the first of November, but Selina fought savagely for his schooling, and won.

โ€œReading and writing and figgering is what a farmer is got to know,โ€ Pervus argued. โ€œThe rest is all foolishness. Constantinople is the capital of Turkey he studies last night and uses good oil in the lamp. What good does it do a truck farmer when he knows Constantinople is the capital of Turkey? That donโ€™t help him raise turnips.โ€

โ€œSobig isnโ€™t a truck farmer.โ€

โ€œWell, he will be pretty soon. Time I was fifteen I was running our place.โ€

Verbally Selina did not combat this. But within her every force was gathering to fight it when the time should come. Her Sobig a truck farmer, a slave to the soil, bent by it, beaten by it, blasted by it, so that he, in time, like the other men of High Prairie, would take on the very look of the rocks and earth among which they toiled!

Dirk, at eight, was a none too handsome child, considering his father and motherโ โ€”or his father and mother as they had been. He had, though, a โ€œdifferentโ€ look. His eyelashes were too long for a boy. Wasted, Selina said as she touched them with a fond forefinger, when a girl would have been so glad of them. He had developed, too, a slightly aquiline nose, probably a long-jump inheritance from some Cromwellian rapscallion of the English Peakes of a past century. It was not until he was seventeen or eighteen that he was to metamorphose suddenly into a graceful and aristocratic youngster with an indefinable look about him of distinction and actual elegance. It was when Dirk was thirty that Peter Peel the English tailor (of Michigan Avenue north) said he was the only man in Chicago who could wear English clothes without having them look like Halsted Street. Dirk probably appeared a little startled at that, as well he might, west Halsted Street having loomed up so large in his background.

Selina was a farm woman now, nearing thirty. The work rode her as it had ridden Maartje Pool. In the DeJong yard there was always a dado of washing, identical with the one that had greeted Selinaโ€™s eye when first she drove into the Pool yard years before. Faded overalls, a shirt, socks, a boyโ€™s drawers grotesquely patched and mended, towels of rough sacking. She, too, rose at four, snatched up shapeless garments, invested herself with them, seized her great coil of fine cloudy hair, twisted it into a utilitarian knob and skewered it with a hairpin from which the varnish had long departed, leaving it a dull gray; thrust her slim feet into shapeless shoes, dabbed her face with cold water, hurried to the kitchen stove. The work was always at her heels, its breath hot on her neck. Baskets of mending piled up, threatened to overwhelm her. Overalls, woollen shirts, drawers, socks. Socks! They lay coiled and twisted in an old market basket. Sometimes as she sat late at night mending them, in and out, in and out, with quick fierce stabs of the needle in her work-scarred hand, they seemed to writhe and squirm and wriggle horribly, like snakes. One of her bad dreams was that in which she saw herself overwhelmed, drowned, swallowed up by a huge welter and boiling of undarned, unmended nightshirts, drawers, socks, aprons, overalls.

Seeing her thus one would have thought that the Selina Peake of the wine-red cashmere, the fun-loving disposition, the high-spirited courage, had departed forever. But these things still persisted. For that matter, even the wine-red cashmere clung to existence. So hopelessly old-fashioned now as to be almost picturesque, it hung in Selinaโ€™s closet like a rosy memory. Sometimes when she came upon it in an orgy of cleaning she would pass her rough hands over its soft folds and by that magic process Mrs. Pervus DeJong vanished in a pouf and in her place was the girl Selina Peake perched a-tiptoe on a soapbox in Adam Oomsโ€™s hall while all High Prairie, open-mouthed, looked on as the impecunious Pervus DeJong threw ten hard-earned dollars at her feet. In thrifty moments she had often thought of cutting the wine-red cashmere into rag-rug strips; of dyeing it a sedate brown or black and remodelling it for a much-needed best dress; of fashioning it into shirts for Dirk. But she never did.

It would be gratifying to be able to record that in these eight or nine years Selina had been able to work wonders on the DeJong farm; that the house glittered, the crops thrived richly, the barn housed sleek cattle. But it could not be truthfully said. True, she had achieved some changes, but at the cost of terrific effort. A less indomitable woman would have sunk into apathy years before. The house had a coat of paintโ โ€”lead-gray, because it was cheapest. There were two horsesโ โ€”the second a broken-down old mare, blind in one eye, that they had picked up for five dollars after it had been turned out to pasture for future sale as horse-carcass. Piet Pon, the mareโ€™s owner who drove a milk route, had hoped to get three dollars for the animal, dead. A month of rest and pasturage restored the mare to usefulness. Selina had made the bargain, and Pervus had scolded her roundly for it. Now he drove the mare to market, saw that she pulled more sturdily than the other

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