Short Fiction by Leo Tolstoy (book reader for pc TXT) 📕
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While perhaps best known for his novels War and Peace and Anna Karenina, the Russian author and religious thinker Leo Tolstoy was also a prolific author of short fiction. This Standard Ebooks production compiles all of Tolstoy’s short stories and novellas written from 1852 up to his death, arranged in order of their original publication.
The stories in this collection vary enormously in size and scope, from short, page-length fables composed for the education of schoolchildren, to full novellas like “Family Happiness.” Readers who are familiar with Tolstoy’s life and religious experiences—as detailed, for example, in his spiritual memoir A Confession—may be able to trace the events of Tolstoy’s life through the changing subjects of these stories. Some early stories, like “The Raid” and the “Sevastopol” sketches, draw from Tolstoy’s experiences in the Caucasian War and the Crimean War when he served in the Imperial Russian Army, while other early stories like “Recollections of a Scorer” and “Two Hussars” reflect Tolstoy’s personal struggle with gambling addiction.
Later stories in the collection, written during and after Tolstoy’s 1870s conversion to Christian anarcho-pacifism (a spiritual and religious philosophy described in detail in his treatise The Kingdom of God is Within You), frequently reflect either Tolstoy’s own experiences in spiritual struggle (e.g. “The Death of Ivan Ilyitch”) or his interpretation of the New Testament (e.g. “The Forged Coupon”), or both. Many later stories, like “Three Questions” and “How Much Land Does a Man Need?” are explicitly didactic in nature and are addressed to a popular audience to promote his religious ideals and views on social and economic justice.
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- Author: Leo Tolstoy
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Shvarts, making an indefinite bow, stood still, obviously neither accepting nor declining this invitation. Praskovya Fyodorovna, recognising Pyotr Ivanovitch, sighed, went right up to him, took his hand, and said, “I know that you were a true friend of Ivan Ilyitch’s …” and looked at him, expecting from him the suitable action in response to these words. Pyotr Ivanovitch knew that, just as before he had to cross himself, now what he had to do was to press her hand, to sigh and to say, “Ah, I was indeed!” And he did so. And as he did so, he felt that the desired result had been attained; that he was touched, and she was touched.
“Come, since it’s not begun yet, I have something I want to say to you,” said the widow. “Give me your arm.”
Pyotr Ivanovitch gave her his arm, and they moved towards the inner rooms, passing Shvarts, who winked gloomily at Pyotr Ivanovitch.
“So much for our ‘screw’! Don’t complain if we find another partner. You can make a fifth when you do get away,” said his humorous glance.
Pyotr Ivanovitch sighed still more deeply and despondently, and Praskovya Fyodorovna pressed his hand gratefully. Going into her drawing-room, that was upholstered with pink cretonne and lighted by a dismal-looking lamp, they sat down at the table, she on a sofa and Pyotr Ivanovitch on a low ottoman with deranged springs which yielded spasmodically under his weight. Praskovya Fyodorovna was about to warn him to sit on another seat, but felt such a recommendation out of keeping with her position, and changed her mind. Sitting down on the ottoman, Pyotr Ivanovitch remembered how Ivan Ilyitch had arranged this drawing-room, and had consulted him about this very pink cretonne with green leaves. Seating herself on the sofa, and pushing by the table (the whole drawing-room was crowded with furniture and things), the widow caught the lace of her black fichu in the carving of the table. Pyotr Ivanovitch got up to disentangle it for her; and the ottoman, freed from his weight, began bobbing up spasmodically under him. The widow began unhooking her lace herself, and Pyotr Ivanovitch again sat down, suppressing the mutinous ottoman springs under him. But the widow could not quite free herself, and Pyotr Ivanovitch rose again, and again the ottoman became mutinous and popped up with a positive snap. When this was all over, she took out a clean cambric handkerchief and began weeping. Ivanovitch had been chilled off by the incident with the lace and the struggle with the ottoman springs, and he sat looking sullen. This awkward position was cut short by the entrance of Sokolov, Ivan Ilyitch’s butler, who came in to announce that the place in the cemetery fixed on by Praskovya Fyodorovna would cost two hundred roubles. She left off weeping, and with the air of a victim glancing at Pyotr Ivanovitch, said in French that it was very terrible for her. Pyotr Ivanovitch made a silent gesture signifying his unhesitating conviction that it must indeed be so.
“Please, smoke,” she said in a magnanimous, and at the same time, crushed voice, and she began discussing with Sokolov the question of the price of the site for the grave.
Pyotr Ivanovitch, lighting a cigarette, listened to her very circumstantial inquiries as to the various prices of sites and her decision as to the one to be selected. Having settled on the site for the grave, she made arrangements also about the
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