The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itโs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeโs literary parties, begins the story as Strickland leaves for Paris. Stricklandโs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistโs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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โNo, no; I must be at hand when she wants me.โ
For the present he seemed quite lost. He had made no plans. When I suggested that he should go to bed he said he could not sleep; he wanted to go out and walk about the streets till day. He was evidently in no state to be left alone. I persuaded him to stay the night with me, and I put him into my own bed. I had a divan in my sitting-room, and could very well sleep on that. He was by now so worn out that he could not resist my firmness. I gave him a sufficient dose of veronal to insure his unconsciousness for several hours. I thought that was the best service I could render him.
XXXBut the bed I made up for myself was sufficiently uncomfortable to give me a wakeful night, and I thought a good deal of what the unlucky Dutchman had told me. I was not so much puzzled by Blanche Stroeveโs action, for I saw in that merely the result of a physical appeal. I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognises its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction in security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to it spiritual value. It is an emotion which is defenceless against passion. I suspected that Blanche Stroeveโs violent dislike of Strickland had in it from the beginning a vague element of sexual attraction. Who am I that I should seek to unravel the mysterious intricacies of sex? Perhaps Stroeveโs passion excited without satisfying that part of her nature, and she hated Strickland because she felt in him the power to give her what she needed. I think she was quite sincere when she struggled against her husbandโs desire to bring him into the studio; I think she was frightened of him, though she knew not why; and I remembered how she had foreseen disaster. I think in some curious way the horror which she felt for him was a transference of the horror which she felt for herself because he so strangely troubled her. His appearance was wild and uncouth; there was aloofness in his eyes and sensuality in his mouth; he was big and strong; he gave the impression of untamed passion; and perhaps she felt in him, too, that sinister element which had made me think of those wild beings of the worldโs early history when matter, retaining its early connection with the earth, seemed to possess yet a spirit of its own. If he affected her at all, it was inevitable that she should love or hate him. She hated him.
And then I fancy that the daily intimacy with the sick man moved her strangely. She raised his head to give him food, and it was heavy against her hand; when she had fed him she wiped his sensual mouth and his red beard. She washed his limbs; they were covered with thick hair; and when she dried his hands, even in his weakness they were strong and sinewy. His fingers were long; they were the capable, fashioning fingers of the artist; and I know not what troubling thoughts they excited in her. He slept very quietly, without a movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently, and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy?
Blanche Stroeve was in the cruel grip of appetite. Perhaps she hated Strickland still, but she hungered for him, and everything that had made up her life till then became of no account. She ceased to be a woman, complex, kind and petulant, considerate and thoughtless; she was a Maenad. She was desire.
But perhaps this is very fanciful; and it may be that she was merely bored with her husband and went to Strickland out of a callous curiosity. She may have had no particular feeling for him, but succumbed to his wish from propinquity or idleness, to find then that she was powerless in a snare of her own contriving. How did I know what were the thoughts and emotions behind that placid brow and those cool gray eyes?
But if one could be certain of nothing in dealing with creatures so incalculable as human beings, there were explanations of Blanche Stroeveโs behaviour which were at all events plausible. On the other hand, I did not understand Strickland at all. I racked my brain, but could in no way account for an action so contrary to my conception of him. It was not strange that he should so heartlessly have betrayed his friendsโ confidence, nor that he hesitated not at all to gratify a whim at the cost of anotherโs misery. That was in his character. He was a man without any conception of gratitude. He had no compassion. The emotions common to most of us simply did not exist in him, and it
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