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of town, driving as fast as the speed limit will allow. Nineteen minutes later, I pull in front of the fire station, dry chewing a couple of Excedrin.

As I head to the front of the fire station, I see Miranda standing there with a photographer and a couple of women.

โ€œWhatโ€™s this?โ€ I ask. โ€œI thought you said he needed stuff for the trailer.โ€

โ€œThank goodness youโ€™re here!โ€ Miranda says. Sheโ€™s smiling, and I swear sheโ€™s got a look in her eyes thatโ€™s already beginning to worry me. โ€œYou couldnโ€™t have come at a better time. The camera man just finished setting up. Kay, come over here.โ€ She motions one of the chicks over to me, a pretty blonde with big tits.

โ€œWait, hold up,โ€ I say, backing up, barely sparing the girl a glance. โ€œWhat am I doing?โ€

Mirandaโ€™s scowl could kill. โ€œWhat do you mean? I already told you over the phone. A photo op for the movie. You know, the movie you signed a contract to act in?โ€

I cross my arms over my chest. I hate it, but I just need to get it over with. โ€œOkay,โ€ I say flatly. โ€œWhat do you want me to do?โ€

Miranda looks at me like Iโ€™m an imbecile. โ€œTake off your shirt and just stand there.โ€

Holding back a terse reply, I do as she asks, my head pounding like a war drum. One of the cameramen scrambles over to get my shirt when I have it off.

โ€œTake the glasses off, please,โ€ Miranda commands next.

Another sharp stab between my eyes. โ€œReally?โ€

Miranda shrugs. โ€œJust in case.โ€

I sigh and take my glasses off, stuffing them in my back pocket. Itโ€™s right then that my headache increases almost one hundred-fold, and I wince at the blistering sunlight.

โ€œGood, now Kay, Alana, get on either side of him,โ€ she orders the two models.

For the next half hour, Iโ€™m forced to pose in various poses with the models. Itโ€™s all professional, and I make sure to keep my eyes in safe places and to avoid intimate contact.

By the time itโ€™s over, my head feels like itโ€™s filled with shards of glass whirling around in my brain and I can hardly stand.

โ€œThank you so much, Gavin,โ€ Miranda says as Iโ€™m putting my shirt back on, patting me on the back. โ€œI know you really didn't want to do this, so I appreciate it.โ€

I open my mouth to say something smart, but then I realize this is one of the few times sheโ€™s actually being nice. โ€œYou owe me,โ€ is all I say, nodding goodbye to the models and walking to my car.

โ€œCan you believe this guy?โ€ I hear Miranda complain behind me to one of the girls, โ€œI get him a movie deal, he canโ€™t even say his lines right, and I owe him?โ€

I take that back. She wasnโ€™t being nice. More like she hadnโ€™t gotten to mean yet.

* * *

Finally, after the day of shooting, my mind is only on one thing as I return to the hotel. Brianna. I want to go see her. Do something. But I feel like sheโ€™s only going to deepen my problems.

Back in my room, I lie on my bed, staring up at the ceiling. It doesnโ€™t feel right, lying here. Not when I want her beside me.

I roll out of bed and head to the kitchen area, where I see the half-full bottle of brandy that I had last night. Iโ€™m about to grab it and pour it out when I hear a knock at the door.

Brianna. Must be.

I put the bottle back down on the counter and walk over to the door.

โ€œHello . . .โ€ I start to say as I swing the door open wide with a large grin on my face. But instead of my innocent little bunny, itโ€™s Leslie Hart standing there with an answering grin.

โ€œLeslie, what are you doing here?โ€ I ask. I donโ€™t want to be a dick, but I feel like slamming the door in her face. Thereโ€™s only one person I want to see right now, and it sure as fuck isnโ€™t Leslie Hart.

Instead of answering me, Leslie steps into my room, that smile thatโ€™s lit up dozens of magazine covers still on her face.

โ€œHello, Gavin,โ€ she greets sweetly.

I try to keep a polite tone of voice since Iโ€™ve pissed off enough people lately. โ€œIโ€™m not really looking for visitors right now.โ€

โ€œDonโ€™t worry, I only came here for a minute,โ€ she says. โ€œItโ€™s kind of important.โ€

Keeping a lid on my frustration, I close the door and gesture at the couch. โ€œGo ahead.โ€

Leslie crosses the room and sits down. Sheโ€™s dressed more casually than I expect her to be, like a normal person and not a Hollywood starlet. I donโ€™t want her to get the wrong idea, so I sit across from her in the leather chair, leaning back, my legs splayed out wide as if I own the room. โ€œSo whatโ€™s on your mind?โ€

She looks at me with eyes that are a lot more perceptive than what she uses on set. Itโ€™s like sheโ€™s studying me, trying to get me to reveal something. But I donโ€™t have the time or the patience right now to figure it out. โ€œWell?โ€

Leslieโ€™s smile comes back, but itโ€™s more real and less forced. For a second, I wonder if Iโ€™m seeing the real Leslie Hart for the first time. โ€œIโ€™m worried about you,โ€ she admits finally.

You and everyone else.

โ€œAnd I don't want whatever this is to continue. This problem youโ€™re having. It affects all of us,โ€ she says, her face morphing into a mask of concern.

โ€œI don't have a problem.โ€ The lie sounds hollow on my lips even as it leaves my mouth.

Leslie purses her lips thoughtfully before asking, โ€œYou sure about that? Everyoneโ€™s noticed, and everyoneโ€™s talking about it.โ€ She leans forward in her chair, her eyes flashing. โ€œIs it personal?โ€

โ€œMy personal life is just that,โ€ I say flatly. โ€œI havenโ€™t asked about yours, and I expect the same courtesy.โ€

Leslie slowly sits back in her seat and nods.

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