War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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The more the Russian army retreated the more fiercely a spirit of hatred of the enemy flared up, and while it retreated the army increased and consolidated. At BorodinΓ³ a collision took place. Neither army was broken up, but the Russian army retreated immediately after the collision as inevitably as a ball recoils after colliding with another having a greater momentum, and with equal inevitability the ball of invasion that had advanced with such momentum rolled on for some distance, though the collision had deprived it of all its force.
The Russians retreated eighty milesβ βto beyond Moscowβ βand the French reached Moscow and there came to a standstill. For five weeks after that there was not a single battle. The French did not move. As a bleeding, mortally wounded animal licks its wounds, they remained inert in Moscow for five weeks, and then suddenly, with no fresh reason, fled back: they made a dash for the KalΓΊga road, and (after a victoryβ βfor at MΓ‘lo-YaroslΓ‘vets the field of conflict again remained theirs) without undertaking a single serious battle, they fled still more rapidly back to SmolΓ©nsk, beyond SmolΓ©nsk, beyond the BerΓ«zina, beyond VΓlna, and farther still.
On the evening of the twenty-sixth of August, KutΓΊzov and the whole Russian army were convinced that the battle of BorodinΓ³ was a victory. KutΓΊzov reported so to the Emperor. He gave orders to prepare for a fresh conflict to finish the enemy and did this not to deceive anyone, but because he knew that the enemy was beaten, as everyone who had taken part in the battle knew it.
But all that evening and next day reports came in one after another of unheard-of losses, of the loss of half the army, and a fresh battle proved physically impossible.
It was impossible to give battle before information had been collected, the wounded gathered in, the supplies of ammunition replenished, the slain reckoned up, new officers appointed to replace those who had been killed, and before the men had had food and sleep. And meanwhile, the very next morning after the battle, the French army advanced of itself upon the Russians, carried forward by the force of its own momentum now seemingly increased in inverse proportion to the square of the distance from its aim. KutΓΊzovβs wish was to attack next day, and the whole army desired to do so. But to make an attack the wish to do so is not sufficient, there must also be a possibility of doing it, and that possibility did not exist. It was impossible not to retreat a dayβs march, and then in the same way it was impossible not to retreat another and a third dayβs march, and at last, on the first of September when the army drew near Moscowβ βdespite the strength of the feeling that had arisen in all ranksβ βthe force of circumstances compelled it to retire beyond Moscow. And the troops retired one more, last, dayβs march, and abandoned Moscow to the enemy.
For people accustomed to think that plans of campaign and battles are made by generalsβ βas any one of us sitting over a map in his study may imagine how he would have arranged things in this or that battleβ βthe questions present themselves: Why did KutΓΊzov during the retreat not do this or that? Why did he not take up a position before reaching FilΓ? Why did he not retire at once by the KalΓΊga road, abandoning Moscow? and so on. People accustomed to think in that way forget, or do not know, the inevitable conditions which always limit the activities of any commander in chief. The activity of a commander in chief does not at all resemble the activity we imagine to ourselves when we sit at ease in our studies examining some campaign on the map, with a certain number of troops on this and that side in a certain known locality, and begin our plans from some given moment. A commander in chief is never dealing with the beginning of any eventβ βthe position from which we always contemplate it. The commander in chief is always in the midst of a series of shifting events and so he never can at any moment consider the whole import of an event that is occurring. Moment by moment the event is imperceptibly shaping itself, and at every moment of this continuous, uninterrupted shaping of events the commander in chief is in the midst of a most complex play of intrigues, worries, contingencies, authorities, projects, counsels, threats, and deceptions and is continually obliged to reply to innumerable questions addressed to him, which constantly conflict with one another.
Learned military authorities quite seriously tell us that KutΓΊzov should have moved his army to the KalΓΊga road long before reaching FilΓ, and that somebody actually submitted such a proposal to him. But a commander in chief, especially at a difficult moment, has always before him not one proposal but dozens simultaneously. And all these proposals, based on strategics and tactics, contradict each other.
A commander in chiefβs business, it would seem, is simply to choose one of these projects. But even that he cannot do. Events and time do not wait. For instance, on the twenty-eighth it is suggested to him to cross to the KalΓΊga road, but just then an adjutant gallops up from MilorΓ‘dovich asking whether he is to engage the French or retire. An order must be given him at once, that instant. And the order to retreat carries us past the turn to the KalΓΊga road. And after the adjutant comes the commissary general asking where the stores are to be taken, and the chief of the hospitals asks where the wounded are to go, and a courier from Petersburg brings a letter from the
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