Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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The ladyโs escort indulged in more elegantly expressed but fetching repartee. Corny, eschewing his truck driverโs vocabulary, retorted as nearly as he could in polite phrases. Then diplomatic relations were severed; there was a brief but lively set-to with other than oral weapons, from which Corny came forth easily victor.
A carriage dashed up, driven by a tardy and solicitous coachman.
โWill you kindly open the door for me?โ asked the lady. Corny assisted her to enter, and took off his hat. The escort was beginning to scramble up from the sidewalk.
โI beg your pardon, maโam,โ said Corny, โif heโs your man.โ
โHeโs no man of mine,โ said the lady. โPerhaps heโ โbut thereโs no chance of his being now. Drive home, Michael. If you care to take thisโ โwith my thanks.โ
Three red roses were thrust out through the carriage window into Cornyโs hand. He took them, and the hand for an instant; and then the carriage sped away.
Corny gathered his foeโs hat and began to brush the dust from his clothes.
โCome along,โ said Corny, taking the other man by the arm.
His late opponent was yet a little dazed by the hard knocks he had received. Corny led him carefully into a saloon three doors away.
โThe drinks for us,โ said Corny, โme and my friend.โ
โYouโre a queer feller,โ said the ladyโs late escortโ โโlick a man and then want to set โem up.โ
โYouโre my best friend,โ said Corny exultantly. โYou donโt understand? Well, listen. You just put me wise to somethinโ. I been playinโ gent a long time, thinkinโ it was just the glad rags I had and nothinโ else. Sayโ โyouโre a swell, ainโt you? Well, you trot in that class, I guess. I donโt; but I found out one thingโ โIโm a gentleman, byโ โand I know it now. Whatโll you have to drink?โ
The Door of UnrestI sat an hour by sun, in the editorโs room of the Montopolis Weekly Bugle. I was the editor.
The saffron rays of the declining sunlight filtered through the cornstalks in Micajah Widdupโs garden-patch, and cast an amber glory upon my paste-pot. I sat at the editorial desk in my non-rotary revolving chair, and prepared my editorial against the oligarchies. The room, with its one window, was already a prey to the twilight. One by one, with my trenchant sentences, I lopped off the heads of the political hydra, while I listened, full of kindly peace, to the homecoming cowbells and wondered what Mrs. Flanagan was going to have for supper.
Then in from the dusky, quiet street there drifted and perched himself upon a corner of my desk old Father Timeโs younger brother. His face was beardless and as gnarled as an English walnut. I never saw clothes such as he wore. They would have reduced Josephโs coat to a monochrome. But the colours were not the dyerโs. Stains and patches and the work of sun and rust were responsible for the diversity. On his coarse shoes was the dust, conceivably, of a thousand leagues. I can describe him no further, except to say that he was little and weird and oldโ โold I began to estimate in centuries when I saw him. Yes, and I remember that there was an odour, a faint odour like aloes, or possibly like myrrh or leather; and I thought of museums.
And then I reached for a pad and pencil, for business is business, and visits of the oldest inhabitants are sacred and honourable, requiring to be chronicled.
โI am glad to see you, sir,โ I said. โI would offer you a chair, butโ โyou see, sir,โ I went on, โI have lived in Montopolis only three weeks, and I have not met many of our citizens.โ I turned a doubtful eye upon his dust-stained shoes, and concluded with a newspaper phrase, โI suppose that you reside in our midst?โ
My visitor fumbled in his raiment, drew forth a soiled card, and handed it to me. Upon it was written, in plain but unsteadily formed characters, the name โMichob Ader.โ
โI am glad you called, Mr. Ader,โ I said. โAs one of our older citizens, you must view with pride the recent growth and enterprise of Montopolis. Among other improvements, I think I can promise that the town will now be provided with a live, enterprising newspaโ โโ
โDo ye know the name on that card?โ asked my caller, interrupting me.
โIt is not a familiar one to me,โ I said.
Again he visited the depths of his ancient vestments. This time he brought out a torn leaf of some book or journal, brown and flimsy with age. The heading of the page was the Turkish Spy in old-style type; the printing upon it was this:
โThere is a man come to Paris in this year 1643 who pretends to have lived these sixteen hundred years. He says of himself that he was a shoemaker in Jerusalem at the time of the Crucifixion; that his name is Michob Ader; and that when Jesus, the Christian Messias, was condemned by Pontius Pilate, the Roman president, he paused to rest while bearing his cross to the place of crucifixion before the door of Michob Ader. The shoemaker struck Jesus with his fist, saying: โGo; why tarriest thou?โ The Messias answered him: โI indeed am going; but thou shalt tarry until I comeโ; thereby condemning him to live until the day of judgment. He lives forever, but at the end of every hundred years he falls into a fit or trance, on recovering from which he finds himself in the same state of youth in which he was when Jesus suffered, being then about thirty years of age.
โSuch is the story of the Wandering Jew, as told by Michob Ader, who relatesโ โโ Here the printing ended.
I must have muttered aloud something to myself about the Wandering Jew, for the old man spake up, bitterly and loudly.
โโโTis a
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