No Name by Wilkie Collins (good books for 7th graders TXT) 📕
Description
No Name is set in England during the 1840s. It follows the fortunes of two sisters, Magdalen Vanstone and her older sister Norah. Their comfortable upper-middle-class lives are shockingly disrupted when, after the sudden deaths of their parents, they discover that they are disinherited and left without either name or fortune. The headstrong Magdalen vows to recover their inheritance, by fair means or foul. Her increasing desperation makes her vulnerable to a wily confidence trickster, Captain Wragge, who promises to assist her in return for a cut of the profits.
No Name was published in serial form like many of Wilkie Collins’ other works. They were tremendously popular in their time, with long queues forming awaiting the publication of each episode. Though not as well known as his The Woman in White and The Moonstone, No Name is their equal in boasting a gripping plot and strong women characters (a rarity in the Victorian era). Collins’ mentor Charles Dickens is on record as considering it to be far the superior of The Woman in White.
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- Author: Wilkie Collins
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The mother and daughter slowly descended the stairs together—the first dressed in dark brown, with an Indian shawl thrown over her shoulders; the second more simply attired in black, with a plain collar and cuffs, and a dark orange-colored ribbon over the bosom of her dress. As they crossed the hall and entered the breakfast-room, Miss Vanstone was full of the all-absorbing subject of the last night’s concert.
“I am so sorry, mamma, you were not with us,” she said. “You have been so strong and so well ever since last summer—you have felt so many years younger, as you said yourself—that I am sure the exertion would not have been too much for you.”
“Perhaps not, my love—but it was as well to keep on the safe side.”
“Quite as well,” remarked Miss Garth, appearing at the breakfast-room door. “Look at Norah (good morning, my dear)—look, I say, at Norah. A perfect wreck; a living proof of your wisdom and mine in staying at home. The vile gas, the foul air, the late hours—what can you expect? She’s not made of iron, and she suffers accordingly. No, my dear, you needn’t deny it. I see you’ve got a headache.”
Norah’s dark, handsome face brightened into a smile—then lightly clouded again with its accustomed quiet reserve.
“A very little headache; not half enough to make me regret the concert,” she said, and walked away by herself to the window.
On the far side of a garden and paddock the view overlooked a stream, some farm buildings which lay beyond, and the opening of a wooded, rocky pass (called, in Somersetshire, a “Combe”), which here cleft its way through the hills that closed the prospect. A winding strip of road was visible, at no great distance, amid the undulations of the open ground; and along this strip the stalwart figure of Mr. Vanstone was now easily recognizable, returning to the house from his morning walk. He flourished his stick gayly, as he observed his eldest daughter at the window. She nodded and waved her hand in return, very gracefully and prettily—but with something of old-fashioned formality in her manner, which looked strangely in so young a woman, and which seemed out of harmony with a salutation addressed to her father.
The hall-clock struck the adjourned breakfast-hour. When the minute hand had recorded the lapse of five minutes more a door banged in the bedroom regions—a clear young voice was heard singing blithely—light, rapid footsteps pattered on the upper stairs, descended with a jump to the landing, and pattered again, faster than ever, down the lower flight. In another moment the youngest of Mr. Vanstone’s two daughters (and two only surviving children) dashed into view on the dingy old oaken stairs, with the suddenness of a flash of light; and clearing the last three steps into the hall at a jump, presented herself breathless in the breakfast-room to make the family circle complete.
By one of those strange caprices of Nature, which science leaves still unexplained, the youngest of Mr. Vanstone’s children presented no recognizable resemblance to either of her parents. How had she come by her hair? how had she come by her eyes? Even her father and mother had asked themselves those questions, as she grew up to girlhood, and had been sorely perplexed to answer them. Her hair was of that purely light-brown hue, unmixed with flaxen, or yellow, or red—which is oftener seen on the plumage of a bird than on the head of a human being. It was soft and plentiful, and waved downward from her low forehead in regular folds—but, to some tastes, it was dull and dead, in its absolute want of glossiness, in its monotonous purity of plain light color. Her eyebrows and eyelashes were just a shade darker than her hair, and seemed made expressly for those violet-blue eyes, which assert their most irresistible charm when associated with a fair complexion. But it was here exactly that the promise of her face failed of performance in the most startling manner. The eyes, which should have been dark, were incomprehensibly and discordantly light; they were of that nearly colorless gray which, though little attractive in itself, possesses the rare compensating merit of interpreting the finest gradations of thought, the gentlest changes of feeling, the deepest trouble of passion, with a subtle transparency of expression which no darker eyes can rival. Thus quaintly self-contradictory in the upper part of her face, she was hardly less at variance with established ideas of harmony in the lower. Her lips had the true feminine delicacy of form, her cheeks the lovely roundness and smoothness of youth—but the mouth was too large and firm, the chin too square and massive for her sex and age. Her complexion partook of the pure monotony of tint which characterized her hair—it was of the same soft, warm, creamy fairness all over, without a tinge of color in the cheeks, except on occasions of unusual bodily exertion or sudden mental disturbance. The whole countenance—so remarkable in its strongly opposed characteristics—was rendered additionally striking by its extraordinary mobility. The large, electric, light-gray eyes were hardly ever in repose; all varieties of expression followed each other over the plastic, ever-changing face, with a giddy rapidity which left sober analysis far behind in the race. The girl’s exuberant vitality asserted itself all over her, from head to foot. Her figure—taller than her sister’s, taller than the average of woman’s height; instinct with such a seductive, serpentine suppleness, so lightly and playfully graceful, that its movements suggested, not unnaturally, the movements of a young cat—her figure was so perfectly developed already
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