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their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone? Gas from a Burner

Ladies and gents, you are here assembled
To hear why earth and heaven trembled
Because of the black and sinister arts
Of an Irish writer in foreign parts.
He sent me a book ten years ago
I read it a hundred times or so,
Backwards and forwards, down and up,
Through both the ends of a telescope.
I printed it all to the very last word
But by the mercy of the Lord
The darkness of my mind was rent
And I saw the writer’s foul intent.
But I owe a duty to Ireland:
I held her honour in my hand,
This lovely land that always sent
Her writers and artists to banishment
And in a spirit of Irish fun
Betrayed her own leaders, one by one.
’Twas Irish humour, wet and dry,
Flung quicklime into Parnell’s eye;
’Tis Irish brains that save from doom
The leaky barge of the Bishop of Rome
For everyone knows the Pope can’t belch
Without the consent of Billy Walsh.
O Ireland my first and only love
Where Christ and Caesar are hand and glove!
O lovely land where the shamrock grows!
(Allow me, ladies, to blow my nose)
To show you for strictures I don’t care a button
I printed the poems of Mountainy Mutton
And a play he wrote (you’ve read it I’m sure)
Where they talk of bastard, bugger and whore
And a play on the Word and Holy Paul
And some woman’s legs that I can’t recall
Written by Moore, a genuine gent
That lives on his property’s ten per cent:
I printed mystical books in dozens:
I printed the table-book of Cousins
Though (asking your pardon) as for the verse
’Twould give you a heartburn on your arse:
I printed folklore from North and South
By Gregory of the Golden Mouth:
I printed poets, sad, silly and solemn:
I printed Patrick What-do-you-Colm:
I printed the great John Milicent Synge
Who soars above on an angel’s wing
In the playboy shift that he pinched as swag
From Maunsel’s manager’s travelling-bag.
But I draw the line at that bloody fellow
That was over here dressed in Austrian yellow,
Spouting Italian by the hour
To O’Leary Curtis and John Wyse Power
And writing of Dublin, dirty and dear,
In a manner no blackamoor printer could bear.
Shite and onions! Do you think I’ll print
The name of the Wellington Monument,
Sydney Parade and Sandymount tram,
Downes’s cakeshop and Williams’s jam?
I’m damned if I do⁠—I’m damned to blazes!
Talk about Irish Names of Places!
It’s a wonder to me, upon my soul,
He forgot to mention Curly’s Hole.
No, ladies, my press shall have no share in
So gross a libel on Stepmother Erin.
I pity the poor⁠—that’s why I took
A red-headed Scotchman to keep my book.
Poor sister Scotland! Her doom is fell;
She cannot find any more Stuarts to sell.
My conscience is fine as Chinese silk:
My heart is as soft as buttermilk.
Colm can tell you I made a rebate
Of one hundred pounds on the estimate
I gave him for his Irish Review.
I love my country⁠—by herrings I do!
I wish you could see what tears I weep
When I think of the emigrant train and ship.
That’s why I publish far and wide
My quite illegible railway guide,
In the porch of my printing institute
The poor and deserving prostitute
Plays every night at catch-as-catch-can
With her tight-breeched British artilleryman
And the foreigner learns the gift of the gab
From the drunken draggletail Dublin drab.
Who was it said: Resist not evil?
I’ll burn that book, so help me devil.
I’ll sing a psalm as I watch it burn
And the ashes I’ll keep in a one-handled urn.
I’ll penance do with farts and groans
Kneeling upon my marrowbones.
This very next lent I will unbare
My penitent buttocks to the air
And sobbing beside my printing press
My awful sin I will confess.
My Irish foreman from Bannockburn
Shall dip his right hand in the urn
And sign crisscross with reverent thumb
Memento homo upon my bum.

Colophon

Poetry
was compiled from poetry published between 1907 and 1912 by
James Joyce.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2001 by
David Reed and David Widger
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
Interior,
a painting completed in 1920 by
Lesser Ury.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
October 11, 2021, 10:29 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/james-joyce/poetry.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this

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