In a Glass Darkly by J. Sheridan Le Fanu (10 best novels of all time TXT) 📕
Description
In a Glass Darkly is a collection of five short stories, presented as posthumous papers of cases of the “metaphysical” doctor Dr. Martin Hesselius. First appearing in “Green Tea,” originally published in 1869, Dr. Hesselius became one of the first literary occult detectives.
J. Sheridan Le Fanu often made revisions to his work and re-released several under new names, including two from In a Glass Darkly: “The Familiar,” a revised version of “The Watcher,” published in 1851, and “Mr. Justice Harbottle,” a revised version of “An Account of Some Strange Disturbances in Aungier Street,” published in 1853.
Most notably, this collection includes what is likely Sheridan Le Fanu’s most famous work, “Carmilla.” A young countess turned vampire, Countess Mircalla uses the anagram of her name, Carmilla, to disguise herself in order to prey on unsuspecting young women. “Carmilla” would heavily influence Bram Stoker’s Dracula, which would later become the prototypical vampire archetype.
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- Author: J. Sheridan Le Fanu
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Very much scared and very hysterical, Mrs. Carwell ran down to her room, afraid to look over her shoulder, and got some companions about her, and wept, and talked, and drank more than one cordial, and talked and wept again, and so on, until, in those early days, it was ten o’clock, and time to go to bed.
A scullery-maid remained up finishing some of her scouring and “scalding” for some time after the other servants—who, as I said, were few in number—that night had got to their beds. This was a low-browed, broad-faced, intrepid wench with black hair, who did not “vally a ghost not a button,” and treated the housekeeper’s hysterics with measureless scorn.
The old house was quiet, now. It was near twelve o’clock, no sounds were audible except the muffled wailing of the wintry winds, piping high among the roofs and chimneys, or rumbling at intervals, in under gusts, through the narrow channels of the street.
The spacious solitudes of the kitchen level were awfully dark, and this sceptical kitchen-wench was the only person now up and about, in the house. She hummed tunes to herself, for a time; and then stopped and listened; and then resumed her work again. At last, she was destined to be more terrified than even was the housekeeper.
There was a back-kitchen in this house, and from this she heard, as if coming from below its foundations, a sound like heavy strokes, that seemed to shake the earth beneath her feet. Sometimes a dozen in sequence, at regular intervals; sometimes fewer. She walked out softly into the passage, and was surprised to see a dusky glow issuing from this room, as if from a charcoal fire.
The room seemed thick with smoke.
Looking in, she very dimly beheld a monstrous figure, over a furnace, beating with a mighty hammer the rings and rivets of a chain.
The strokes, swift and heavy as they looked, sounded hollow and distant. The man stopped, and pointed to something on the floor, that, through the smoky haze, looked, she thought, like a dead body. She remarked no more; but the servants in the room close by, startled from their sleep by a hideous scream, found her in a swoon on the flags, close to the door, where she had just witnessed this ghastly vision.
Startled by the girl’s incoherent asseverations that she had seen the Judge’s corpse on the floor, two servants having first searched the lower part of the house, went rather frightened upstairs to inquire whether their master was well. They found him, not in his bed, but in his room. He had a table with candles burning at his bedside, and was getting on his clothes again; and he swore and cursed at them roundly in his old style, telling them that he had business, and that he would discharge on the spot any scoundrel who should dare to disturb him again.
So the invalid was left to his quietude.
In the morning it was rumoured here and there in the street that the Judge was dead. A servant was sent from the house three doors away, by Counsellor Traverse, to inquire at Judge Harbottle’s hall-door.
The servant who opened it was pale and reserved, and would only say that the Judge was ill. He had had a dangerous accident; Doctor Hedstone had been with him at seven o’clock in the morning.
There were averted looks, short answers, pale and frowning faces, and all the usual signs that there was a secret that sat heavily upon their minds, and the time for disclosing which had not yet come. That time would arrive when the coroner had arrived, and the mortal scandal that had befallen the house could be no longer hidden. For that morning Mr. Justice Harbottle had been found hanging by the neck from the banister at the top of the great staircase, and quite dead.
There was not the smallest sign of any struggle or resistance. There had not been heard a cry or any other noise in the slightest degree indicative of violence. There was medical evidence to show that, in his atrabilious state, it was quite on the cards that he might have made away with himself. The jury found accordingly that it was a case of suicide. But to those who were acquainted with the strange story which Judge Harbottle had related to at least two persons, the fact that the catastrophe occurred on the morning of the 10th March seemed a startling coincidence.
A few days after, the pomp of a great funeral attended him to the grave; and so, in the language of Scripture, “the rich man died, and was buried.”
The Room in the Dragon Volant PrologueThe curious case which I am about to place before you, is referred to, very pointedly, and more than once, in the extraordinary essay upon the drugs of the Dark and the Middle Ages, from the pen of Doctor Hesselius.
This essay he entitles “Mortis Imago,” and he, therein, discusses the Vinum letiferum, the Beatifica, the Somnus Angelorum, the Hypnus Sagarum, the Aqua Thessalliæ, and about twenty other infusions and distillations, well known to the sages of eight hundred years ago, and two of which are still, he alleges, known to the fraternity of thieves, and, among them, as police-office inquiries sometimes disclose to this day, in practical use.
The essay, “Mortis Imago,” will occupy as nearly as I can, at present, calculate, two volumes, the ninth and tenth, of the collected papers of Doctor Martin Hesselius.
This essay, I may remark, in conclusion, is very curiously enriched by citations, in great abundance, from medieval verse and prose romance, some of the most valuable of which, strange
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