The Prisoner of Zenda by Anthony Hope (famous ebook reader .TXT) 📕
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The Prisoner of Zenda by Anthony Hope is an adventure novel first published in 1894 that takes place in the fictional Kingdom of Ruritania.
It tells the story of Rudolph Rassendyll, who is, because of past indiscretions in the family and unbeknownst to him, the near twin of King Rudolph V of Ruritania. Labeled a ne’er-do-well by his sister-in-law, young Rudolph determines to escape his family and secretly travel to Ruritania for the coronation of his distant relative. But when the king is drugged and abducted on the eve of this ceremony, young Rassendyll is convinced to take his place to try and save the day.
But things don’t go as planned as the conspirators fail to reckon with the king’s brother, the dastardly Duke of Strelsau or his fiancée, the beautiful Princess Flavia. What follows is a tale of bravery, sacrifice and love, filled with romance and feats of derring-do that still stands the test of time.
The Prisoner of Zenda was Hope’s most famous novel and achieved instant success. Such was the impact of this novel that the setting of Ruritania became famous in its own right as the generic term referring to romantic stories set in fictional central European countries. It went on to spawn numerous adaptations, retellings and homages. Anthony Hope wrote a sequel in 1898 called Rupert of Hentzau but it never achieved the success of the original.
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- Author: Anthony Hope
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He swam leisurely and quietly across. There were more steps up on the other side, and he climbed them. When he set foot in the gateway, standing on the drawn-back bridge, he felt in his pocket and took something out. I heard him unlock the door. I could hear no noise of its closing behind him. He vanished from my sight.
Abandoning my ladder—I saw I did not need it now—I swam to the side of the bridge and climbed halfway up the steps. There I hung with my sword in my hand, listening eagerly. The duke’s room was shuttered and dark. There was a light in the window on the opposite side of the bridge. Not a sound broke the silence, till half-past one chimed from the great clock in the tower of the château.
There were other plots than mine afoot in the castle that night.
XVIII The Forcing of the TrapThe position wherein I stood does not appear very favourable to thought; yet for the next moment or two I thought profoundly. I had, I told myself, scored one point. Be Rupert Hentzau’s errand what it might, and the villainy he was engaged on what it would, I had scored one point. He was on the other side of the moat from the king, and it would be by no fault of mine if ever he set foot on the same side again. I had three left to deal with: two on guard and De Gautet in his bed. Ah, if I had the keys! I would have risked everything and attacked Detchard and Bersonin before their friends could join them. But I was powerless. I must wait till the coming of my friends enticed someone to cross the bridge—someone with the keys. And I waited, as it seemed, for half an hour, really for about five minutes, before the next act in the rapid drama began.
All was still on the other side. The duke’s room remained inscrutable behind its shutters. The light burnt steadily in Mme. de Mauban’s window. Then I heard the faintest, faintest sound; it came from behind the door which led to the drawbridge on the other side of the moat. It but just reached my ear, yet I could not be mistaken as to what it was. It was made by a key being turned very carefully and slowly. Who was turning it? And of what room was it the key? There leapt before my eyes the picture of young Rupert, with the key in one hand, his sword in the other, and an evil smile on his face. But I did not know what door it was, nor on which of his favourite pursuits young Rupert was spending the hours of that night.
I was soon to be enlightened, for the next moment—before my friends could be near the château door—before Johann the keeper would have thought to nerve himself for his task—there was a sudden crash from the room with the lighted window. It sounded as though someone had flung down a lamp; and the window went dark and black. At the same instant a cry rang out, shrill in the night: “Help, help! Michael, help!” and was followed by a shriek of utter terror.
I was tingling in every nerve. I stood on the topmost step, clinging to the threshold of the gate with my right hand and holding my sword in my left. Suddenly I perceived that the gateway was broader than the bridge; there was a dark corner on the opposite side where a man could stand. I darted across and stood there. Thus placed, I commanded the path, and no man could pass between the château and the old castle till he had tried conclusions with me.
There was another shriek. Then a door was flung open and clanged against the wall, and I heard the handle of a door savagely twisted.
“Open the door! In God’s name, what’s the matter?” cried a voice—the voice of Black Michael himself.
He was answered by the very words I had written in my letter.
“Help, Michael—Hentzau!”
A fierce oath rang out from the duke, and with a loud thud he threw himself against the door. At the same moment I heard a window above my head open, and a voice cried: “What’s the matter?” and I heard a man’s hasty footsteps. I grasped my sword. If De Gautet came my way, the Six would be less by one more.
Then I heard the clash of crossed swords and a tramp of feet and—I cannot tell the thing so quickly as it happened, for all seemed to come at once. There was an angry cry from madame’s room, the cry of a wounded man; the window was flung open; young Rupert stood there sword in hand. He turned his back, and I saw his body go forward to the lunge.
“Ah, Johann, there’s one for you! Come on, Michael!”
Johann was there, then—come to the rescue of the duke! How would he open the door for me? For I feared that Rupert had slain him.
“Help!” cried the duke’s voice,
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