Riders of the Purple Sage by Zane Grey (best thriller books to read .TXT) 📕
Description
In a small Mormon community in southern Utah, Jane Withersteen, a young, unmarried Mormon woman faces growing pressure to marry a local elder of her church. Elder Tull, a polygamist, already has two wives and seeks to marry Jane not just for her beauty, but to take control of the ranch her late father passed on to her.
Jane’s resistance to marriage only serves to increase the mounting resentment against “Gentiles” (non-Mormons) in the area. Bern Venters, one of Jane Withersteen’s ranch hands and potential suitor, becomes the focus of this resentment and is nearly killed by Elder Tull and his men before a mysterious rider interrupts the procedure. The rider, a man named Lassiter, is a gunslinger known for his exploits in other Mormon settlements further north.
Lassiter’s intercession on Venters’ behalf sets off a chain reaction of threats, violence, theft, and murder as Jane Withersteen fights to maintain both her ranch and her independence.
First published in 1912, Riders of the Purple Sage is considered to have played a prominent role in shaping the Western genre. It was Zane Grey’s best-selling book and has remained popular ever since.
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- Author: Zane Grey
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Jane was present at the meeting, and there was something about it which dimmed her sight and softened her toward this foe of her people. The rider had clanked into the court, a tired yet wary man, always looking for the attack upon him that was inevitable and might come from any quarter; and he had walked right upon little Fay. The child had been beautiful even in her rags and amid the surroundings of the hovel in the sage, but now, in a pretty white dress, with her shining curls brushed and her face clean and rosy, she was lovely. She left her play and looked up at Lassiter.
If there was not an instinct for all three of them in that meeting, an unreasoning tendency toward a closer intimacy, then Jane Withersteen believed she had been subject to a queer fancy. She imagined any child would have feared Lassiter. And Fay Larkin had been a lonely, a solitary elf of the sage, not at all an ordinary child, and exquisitely shy with strangers. She watched Lassiter with great, round, grave eyes, but showed no fear. The rider gave Jane a favorable report of cattle and horses; and as he took the seat to which she invited him, little Fay edged as much as half an inch nearer. Jane replied to his look of inquiry and told Fay’s story. The rider’s gray, earnest gaze troubled her. Then he turned to Fay and smiled in a way that made Jane doubt her sense of the true relation of things. How could Lassiter smile so at a child when he had made so many children fatherless? But he did smile, and to the gentleness she had seen a few times he added something that was infinitely sad and sweet. Jane’s intuition told her that Lassiter had never been a father, but if life ever so blessed him he would be a good one. Fay, also, must have found that smile singularly winning. For she edged closer and closer, and then, by way of feminine capitulation, went to Jane, from whose side she bent a beautiful glance upon the rider.
Lassiter only smiled at her.
Jane watched them, and realized that now was the moment she should seize, if she was ever to win this man from his hatred. But the step was not easy to take. The more she saw of Lassiter the more she respected him, and the greater her respect the harder it became to lend herself to mere coquetry. Yet as she thought of her great motive, of Tull, and of that other whose name she had schooled herself never to think of in connection with Milly Erne’s avenger, she suddenly found she had no choice. And her creed gave her boldness far beyond the limit to which vanity would have led her.
“Lassiter, I see so little of you now,” she said, and was conscious of heat in her cheeks.
“I’ve been riding hard,” he replied.
“But you can’t live in the saddle. You come in sometimes. Won’t you come here to see me—oftener?”
“Is that an order?”
“Nonsense! I simply ask you to come to see me when you find time.”
“Why?”
The query once heard was not so embarrassing to Jane as she might have imagined. Moreover, it established in her mind a fact that there existed actually other than selfish reasons for her wanting to see him. And as she had been bold, so she determined to be both honest and brave.
“I’ve reasons—only one of which I need mention,” she answered. “If it’s possible I want to change you toward my people. And on the moment I can conceive of little I wouldn’t do to gain that end.”
How much better and freer Jane felt after that confession! She meant to show him that there was one Mormon who could play a game or wage a fight in the open.
“I reckon,” said Lassiter, and he laughed.
It was the best in her, if the most irritating, that Lassiter always aroused.
“Will you come?” She looked into his eyes, and for the life of her could not quite subdue an imperiousness that rose with her spirit. “I never asked so much of any man—except Bern Venters.”
“ ’Pears to me that you’d run no risk, or Venters, either. But mebbe that doesn’t hold good for me.”
“You mean it wouldn’t be safe for you to be often here? You look for ambush in the cottonwoods?”
“Not that so much.”
At this juncture little Fay sidled over to Lassiter.
“Has oo a little dirl?” she inquired.
“No, lassie,” replied the rider.
Whatever Fay seemed to be searching for in Lassiter’s sun-reddened face and quiet eyes she evidently found. “Oo tan tom to see me,” she added, and with that, shyness gave place to friendly curiosity. First his sombrero with its leather band and silver ornaments commanded her attention; next his quirt, and then the clinking, silver spurs. These held her for some time, but presently, true to childish fickleness, she left off playing with them to look for something else. She laughed in glee as she ran her little hands down the slippery, shiny surface of Lassiter’s leather chaps. Soon she discovered one of the hanging gun—sheaths, and she dragged it up and began tugging at the huge black handle of the gun. Jane Withersteen repressed an exclamation. What significance there was to her in the little girl’s efforts to dislodge that heavy weapon! Jane Withersteen saw Fay’s play and her beauty and her love as most powerful allies to her own woman’s part in a game that suddenly had acquired a strange zest and a hint of danger. And as for the rider, he appeared to have forgotten
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