Main Street by Sinclair Lewis (ink book reader .TXT) 📕
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Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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He tapped his foot to the rhythm; he looked normal and reassured. But when he complimented her, “That was fine. I don’t know but what you can elocute just as good as Ella Stowbody,” she banged the book and suggested that they were not too late for the nine o’clock show at the movies.
That was her last effort to harvest the April wind, to teach divine unhappiness by a correspondence course, to buy the lilies of Avalon and the sunsets of Cockaigne in tin cans at Ole Jenson’s Grocery.
But the fact is that at the motion-pictures she discovered herself laughing as heartily as Kennicott at the humor of an actor who stuffed spaghetti down a woman’s evening frock. For a second she loathed her laughter; mourned for the day when on her hill by the Mississippi she had walked the battlements with queens. But the celebrated cinema jester’s conceit of dropping toads into a soup-plate flung her into unwilling tittering, and the afterglow faded, the dead queens fled through darkness.
VIShe went to the Jolly Seventeen’s afternoon bridge. She had learned the elements of the game from the Sam Clarks. She played quietly and reasonably badly. She had no opinions on anything more polemic than woolen union-suits, a topic on which Mrs. Howland discoursed for five minutes. She smiled frequently, and was the complete canary-bird in her manner of thanking the hostess, Mrs. Dave Dyer.
Her only anxious period was during the conference on husbands.
The young matrons discussed the intimacies of domesticity with a frankness and a minuteness which dismayed Carol. Juanita Haydock communicated Harry’s method of shaving, and his interest in deer-shooting. Mrs. Gougerling reported fully, and with some irritation, her husband’s inappreciation of liver and bacon. Maud Dyer chronicled Dave’s digestive disorders; quoted a recent bedtime controversy with him in regard to Christian Science, socks and the sewing of buttons upon vests; announced that she “simply wasn’t going to stand his always pawing girls when he went and got crazy-jealous if a man just danced with her”; and rather more than sketched Dave’s varieties of kisses.
So meekly did Carol give attention, so obviously was she at last desirous of being one of them, that they looked on her fondly, and encouraged her to give such details of her honeymoon as might be of interest. She was embarrassed rather than resentful. She deliberately misunderstood. She talked of Kennicott’s overshoes and medical ideals till they were thoroughly bored. They regarded her as agreeable but green.
Till the end she labored to satisfy the inquisition. She bubbled at Juanita, the president of the club, that she wanted to entertain them. “Only,” she said, “I don’t know that I can give you any refreshments as nice as Mrs. Dyer’s salad, or that simply delicious angel’s-food we had at your house, dear.”
“Fine! We need a hostess for the seventeenth of March. Wouldn’t it be awfully original if you made it a St. Patrick’s Day bridge! I’ll be tickled to death to help you with it. I’m glad you’ve learned to play bridge. At first I didn’t hardly know if you were going to like Gopher Prairie. Isn’t it dandy that you’ve settled down to being homey with us! Maybe we aren’t as highbrow as the Cities, but we do have the daisiest times and—oh, we go swimming in summer, and dances and—oh, lots of good times. If folks will just take us as we are, I think we’re a pretty good bunch!”
“I’m sure of it. Thank you so much for the idea about having a St. Patrick’s Day bridge.”
“Oh, that’s nothing. I always think the Jolly Seventeen are so good at original ideas. If you knew these other towns Wakamin and Joralemon and all, you’d find out and realize that G.P. is the liveliest, smartest town in the state. Did you know that Percy Bresnahan, the famous auto manufacturer, came from here and—Yes, I think that a St. Patrick’s Day party would be awfully cunning and original, and yet not too queer or freaky or anything.”
XI IShe had often been invited to the weekly meetings of the Thanatopsis, the women’s study club, but she had put it off. The Thanatopsis was, Vida Sherwin promised, “such a cozy group, and yet it puts you in touch with all the intellectual thoughts that are going on everywhere.”
Early in March Mrs. Westlake, wife of the veteran physician, marched into Carol’s living-room like an amiable old pussy and suggested, “My dear, you really must come to the Thanatopsis this afternoon. Mrs. Dawson is going to be leader and the poor soul is frightened to death. She wanted me to get you to come. She says she’s sure you will brighten up the meeting with your knowledge of books and writings. (English poetry is our topic today.) So shoo! Put on your coat!”
“English poetry? Really? I’d love to go. I didn’t realize you were reading poetry.”
“Oh, we’re not so slow!”
Mrs. Luke Dawson, wife of the richest man in town, gaped at them piteously when they appeared. Her expensive frock of beaver-colored satin with rows, plasters, and pendants of solemn brown beads was intended for a woman twice her size. She stood wringing her hands in front of nineteen folding chairs, in her front parlor with its faded photograph of Minnehaha Falls in 1890, its “colored enlargement” of Mr. Dawson, its bulbous lamp painted with sepia cows and mountains and standing on a mortuary marble column.
She creaked, “O Mrs. Kennicott, I’m in such a fix. I’m supposed to lead the discussion, and I wondered would you come and help?”
“What poet do you take up today?” demanded Carol, in her library tone of “What book do you wish to take out?”
“Why, the English ones.”
“Not all of them?”
“W-why yes. We’re learning all of European Literature this year. The club gets such a nice magazine, Culture Hints, and we follow its programs. Last year our subject was Men and Women of the Bible, and next year we’ll probably take up Furnishings and
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