The Shaving of Shagpat by George Meredith (good books to read in english .TXT) π
Description
The Shaving of Shagpat isnβt just George Meredithβs first published novel, itβs also his only foray into fantasy literature. Shagpat sold poorly in its day despite good reviews, and after its disappointing sales Meredith pursed a career as a writer of romantic fiction instead. Despite its poor financial reception, Shagpat enjoys a good modern reputation and remains a classic of fantasy literature, with George Eliot going so far as to call it a βwork of genius.β
The book is set in the medieval fantasy-Persia of the Arabian Nights and other oriental romances. Shibli Bagarag, a poor but talented barber, encounters a mystical crone named Noorna. Together they embark on a quest to save the city of Shagpat from a tyrant who holds the city under his command by virtue of the powers of his magical hair. On the way they battle genies and afreets, save princesses, hunt for treasures, and so on.
Meredithβs language is purposefully florid, evoking the richness of the setting, and his frequent usage of quotations and aphorisms from βthe poetβ give the fantasy a decidedly literate air.
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- Author: George Meredith
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But Shibli Bagarag said, βNought save a loan of the cockleshell, King!β
Then the King threatened him, saying, βThere is a virtue in each of the things thou seest: the China jar is brimmed with wine, and remaineth so though a thousand drink of it; the dress of Samarkand rendereth the wearer invisible; yet thou refusest to exchange them for thy hawk!β
And the King swore by the beard of his father he would seize perforce the hawk and shut up Shibli Bagarag in the vault, if he fell not into his bargain. Shibli Bagarag was advised by the hawk to accept the China jar and the dress of Samarkand, and handed the hawk to the King in exchange for these things. So the King took the hawk upon his wrist and departed with it to the apartments of his daughter, and Shibli Bagarag went to the chamber prepared for him in the palace.
Now, when it was night, Shibli Bagarag heard a noise at his lattice, and he arose and peered through it, and lo! the hawk was fluttering without; so he let it in, and caressed it, and the hawk bade him put on his silken dress and carry forth his China jar, and go the round of the palace, and offer drink to the sentinels and the slaves. So he did as the hawk directed, and the sentinels and slaves were aware of a China jar brimmed with wine that was lifted to their lips, but him that lifted it they saw not: surely, they drank deep of the draught of astonishment.
Then the hawk flew before him, and he followed it to a chamber lit with golden lamps, gorgeously hung, and full of a dusky splendour and the faint sparkle of gems, ruby, amethyst, topaz, and beryl; in it there was the hush of sleep, and the heart of Shibli Bagarag told him that one beautiful was near. So he approached on tiptoe a couch of blue silk, bordered with gold-wire, and inwoven with stars of blue turquoise stones, as it had been the heavens of midnight. On the couch lay one, a woman, pure in loveliness; the dark fringes of her closed lids like living flashes of darkness, her mouth like an unstrung bow and as a double rosebud, even as two isles of coral between which in the clear transparent watery beds the pearls shine freshly.
And the hawk said to Shibli Bagarag, βThis is the Princess Goorelka, the daughter of the King of Oolb, a sorceress, the Guardian of the Lily of the Enchanted Sea. Beneath her pillow is the cockleshell; grasp it, but gaze not upon her.β
He approached and slid his arm beneath the pillow of the Princess, and grasped the cockleshell; but ere he drew it forth he gazed upon her, and the lustre of her countenance transfixed him as with a javelin, so that he could not stir, nor move his eyes from the contemplation of her sweetness of feature. The hawk darted at him fiercely, and pecked at him to draw his attention from her, and he stepped back, yet he continued taking fatal draughts from the magic cup of her beauty. Then the hawk screamed a loud scream of anguish, and the Princess awoke, and started halfway from the couch, and stared about her, and saw the bird in agitation. As she looked at the bird a shudder passed over her, and she snatched a veil and drew it over her face, murmuring, βI dream, or I am under the eye of a man.β Then she felt beneath the pillow, and knew that the cockleshell had been touched; and in a moment she leapt from her couch, and ran to a mirror and saw herself as she was, a full-moon made to snare the wariest and sit singly high on a throne in the hearts of men. At the sight of her beauty she smiled and seemed at peace, murmuring still, βI am under the eye of a man, or I dream.β Now, while she so murmured she arrayed herself, and took the cockleshell, and passed through the anteroom among her women sleeping; and Shibli Bagarag tracked her till she came to the vault; and she entered it and walked to the corner from which had hung the dress of Samarkand. When she saw it gone her face waxed pale, and she gazed slowly at all points, muttering, βThere is no further doubt but that I am under the eye of a man!β Thereupon she ran hastily from the vault, and passed between the sentinels of the palace, and saw them where they lay drowsy with intoxication: so she knew that the China jar and the dress of Samarkand had been used that night, and for no purpose friendly to her wishes. Then she passed down the palace steps, and through the gates of the palace and the city, till she came to the shore of the sea; there she launched the cockleshell and took the wind in her garments, and sat in it, filling it to overflowing, yet it floated. And Shibli Bagarag waded to the cockleshell and took hold of it, and was drawn along by its motion swiftly through the waters, so that a foam swept after him; and Goorelka marked the foam. Now, they had passage over the billows smoothly, and soon the length of the sea was darkened with two high rocks, and between them there was a narrow channel of the sea, roughened with moonlight. So they sped between
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