Those Barren Leaves by Aldous Huxley (100 books to read txt) 📕
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Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister.
As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era.
His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy.
As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
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- Author: Aldous Huxley
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One very hot evening in July I drove her to the door of the house in Regent Square, Bloomsbury, in which she occupied a little flat under the roof. We had been dancing and it was late; a hunchbacked moon had climbed a third of the way up the sky and was shining down into the square over the shoulder of the church that stands on its eastern side. I paid off the cabman and we were left alone on the pavement. I had been bored and irritated the whole evening; but at the thought that I should have to bid her good night and walk off by myself I was filled with such an anguish that the tears came into my eyes. I stood there in silent irresolution, looking into her face. It was calmly and mysteriously smiling as though to itself and for some secret reason; her eyes were very bright. She too was silent, not restlessly, not irresolutely as I was silent, but easily, with a kind of majesty. She could live in silence, when she so desired, like a being in its proper element.
“Well,” I brought myself to say at last, “I must go.”
“Why not come in for a final cup of tea?” she suggested.
Actuated by that spirit of perversity which makes us do what we do not want to do, what we know will make us suffer as much as it is possible in the given circumstance to suffer, I shook my head. “No,” I said. “I must get back.”
I had never longed for anything more passionately than I longed to accept Barbara’s invitation.
She repeated it. “Do come in,” she said. “It won’t take a minute to make tea on the gas ring.”
Again I shook my head, in too much anguish, this time, to be able to speak. My trembling voice, I was afraid, would have betrayed me. Instinctively I knew that if I went into the house with her we should become lovers. My old determination to resist what had seemed the baser desires strengthened my resolution not to go in.
“Well, if you won’t,” she shrugged her shoulders, “then good night.” Her voice had a note of annoyance in it.
I shook her hand and walked dumbly away. When I had gone ten yards my resolution abjectly broke down. I turned. Barbara was still standing on the doorstep, trying to fit the latchkey into the lock.
“Barbara,” I called in a voice that sounded horribly unnatural in my own ears. I hurried back. She turned to look at me. “Do you mind if I change my mind and accept your invitation after all? I find I really am rather thirsty.” What a humiliation, I thought.
She laughed. “What a goose you are, Francis.” And she added in a bantering tone: “If you weren’t such a silly old dear I’d tell you to go to the nearest horse-trough and drink there.”
“I’m sorry,” I said. Standing once more close to her, breathing once again her rosy perfume, I felt as I had felt when, a child, I had run down from my terrifying night nursery to find my mother sitting in the dining-room—reassured, relieved of a hideous burden, incredibly happy, but at the same time profoundly miserable in the consciousness that what I was doing was against all the rules, was a sin, the enormity of which I could judge from the very mournful tenderness of my mother’s eyes and the severe, portentous silence out of which, as though from a thundercloud, my huge and bearded father looked at me like an outraged god. I was happy, being with Barbara; I was utterly miserable because I was not with her, so to speak, in the right way: I was not I; she, for all that the features were the same, was no longer herself. I was happy at the thought that I should soon be kissing her; miserable because that was not how I wanted to love my imaginary Barbara; miserable too, when I secretly admitted to myself the existence of the real Barbara, because I felt it an indignity to be the slave of such a mistress.
“Of course, if you want me to go,” I said, reacting feebly again towards revolt, “I’ll go.” And desperately trying to be facetious, “I’m not sure that it wouldn’t be best if I drowned myself in that horse-trough,” I added.
“As you like,” she said lightly. The door was open now; she walked into the darkness. I followed her, closing the door behind me carefully. We groped our way up steep dark stairs. She unlocked another door, turned a switch. The sudden light was dazzling.
“All’s well that ends well,” she said, smiling at me, and she slipped the cloak from off her bare shoulders.
On the contrary, I thought, it was the tragedy of errors. I stepped towards her, I stretched out my hands and gripped her by her two thin arms a little below the shoulder. I bent down and kissed her averted cheek; she turned her face towards me, and it was her mouth.
There is no future, there is no more past;
No roots nor fruits, but momentary flowers.
Lie still, only lie still and night will last
Silent and dark, not for a space of hours,
But everlastingly. Let me forget
All but your perfume, every night but this,
The shame, the fruitless weeping, the regret.
Only lie still: this faint and quiet bliss
Shall flower upon the brink of sleep and spread
Till there is nothing else but you and I
Clasped in a timeless silence. But like one
Who, doomed to die, at morning will be dead,
I know, though night seem dateless, that the sky
Must brighten soon before tomorrow’s sun.
It was then that I
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