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out under the open sky nor up to any height, not even a theater balcony.

He tried to keep his past life shut out of his mind, but his memory of it was still fresh; he would find himself day-dreaming—the star-sharp, frozen sky of Mars, or the roaring night life of Venusburg. He would see again the swollen, ruddy bulk of Jupiter hanging over the port on Ganymede, its oblate bloated shape impossibly huge and crowding the sky.

Or he might, for a time, feel again the sweet quiet of the long watches on the lonely reaches between the planets. But such reveries were dangerous; they cut close to the edge of his new peace of mind. It was easy to slide over and find himself clinging for life to his last handhold on the steel sides of the Valkyrie, fingers numb and failing, and nothing below him but the bottomless well of space.

Then he would come back to Earth, shaking uncontrollably and gripping his chair or the workbench.

The first time it had happened at work he had found one of his benchmates, Joe Tully, staring at him curiously. "What's the trouble, Bill?" he had asked. "Hangover?"

"Nothing," he had managed to say. "Just a chill."

"You had better take a pill. Come on—let's go to lunch."

Tully led the way to the elevator; they crowded in. Most of the employees—even the women—preferred to go down via the drop chute, but Tully always used the elevator. "Saunders," of course, never used the drop chute; this had eased them into the habit of lunching together. He knew that the chute was safe, that, even if the power should fail, safety nets would snap across at each floor level—but he could not force himself to step off the edge.

Tully said publicly that a drop-chute landing hurt his arches, but he confided privately to Saunders that he did not trust automatic machinery. Saunders nodded understandingly but said nothing. It warmed him toward Tully. He began feeling friendly and not on the defensive with another human being for the first time since the start of his new life. He began to want to tell Tully the truth about himself. If he could be sure that Joe would not insist on treating him as a hero—not that he really objected to the role of hero. As a kid, hanging around spaceports, trying to wangle chances to go inside the ships, cutting classes to watch takeoffs, he had dreamed of being a "hero" someday, a hero of the spaceways, returning in triumph from some incredible and dangerous piece of exploration. But he was troubled by the fact that he still had the same picture of what a hero should look like and how he should behave; it did not include shying away from open windows, being fearful of walking across an open square, and growing too upset to speak at the mere thought of boundless depths of space.

Tully invited him home for dinner. He wanted to go, but fended off the invitation while he inquired where Tully lived. The Shelton Homes, Tully told him, naming one of those great, boxlike warrens that used to disfigure the Jersey flats. "It's a long way to come back," Saunders said doubtfully, while turning over in his mind ways to get there without exposing himself to the things he feared.

"You won't have to come back," Tully assured him "We've got a spare room. Come on. My old lady does her own cooking—that's why I keep her."

"Well, all right," he conceded. "Thanks, Joe." The La Guardia Tube would take him within a quarter of a mile; if he could not find a covered way he would take a ground cab and close the shades.

Tully met him in the hall and apologized in a whisper. "Meant to have a young lady for you, Bill. Instead we've got my brother-in-law. He's a louse. Sorry."

"Forget it, Joe. I'm glad to be here." He was indeed. The discovery that Bill's flat was on the thirty-fifth floor had dismayed him at first, but he was delighted to find that he had no feeling of height. The lights were on, the windows occulted, the floor under him was rock solid; he felt warm and safe. Mrs. Tully turned out in fact to be a good cook, to his surprise—he had the bachelor's usual distrust of amateur cooking. He let himself go to the pleasure of feeling at home and safe and wanted; he managed not even to hear most of the aggressive and opinionated remarks of Joe's in-law.

After dinner he relaxed in an easy chair, glass of beer in hand, and watched the video screen. It was a musical comedy; he laughed more heartily than he had in months. Presently the comedy gave way to a religious program, the National Cathedral Choir; he let it be, listening with one ear and giving some attention to the conversation with the other.

The choir was more than halfway through Prayer for Travelers before he became fully aware of what they were singing:

"—hear us when we pray to Thee

For those in peril on the sea.

"Almighty Ruler of the all

Whose power extends to great and small,

Who guides the stars with steadfast law,

Whose least creation fills with awe;

Oh, grant Thy mercy and Thy grace

To those who venture into space."

He wanted to switch it off, but he had to hear it out, he could not stop listening to it, though it hurt him in his heart with the unbearable homesickness of the hopelessly exiled. Even as a cadet this one hymn could fill his eyes with tears; now he kept his face turned away from the others to try to hide from them the drops wetting his cheeks.

When the choirs "amen" let him do so he switched quickly to some other—any other—program and remained bent over the instrument, pretending to fiddle with it, while he composed his features. Then he turned back to the company, outwardly serene, though it seemed to him that anyone could see

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