Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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The patrons of the Eagle House are those who seek recreation as a necessity, as well as a pleasure. They are busy people, who may be likened to clocks that need a fortnightβs winding to insure a yearβs running of their wheels. You will find students there from the lower towns, now and then an artist, or a geologist absorbed in construing the ancient strata of the hills. A few quiet families spend the summers there; and often one or two tired members of that patient sisterhood known to Lakelands as βschoolmarms.β
A quarter of a mile from the Eagle House was what would have been described to its guests as βan object of interestβ in the catalogue, had the Eagle House issued a catalogue. This was an old, old mill that was no longer a mill. In the words of Josiah Rankin, it was βthe only church in the United States, sah, with an overshot-wheel; and the only mill in the world, sah, with pews and a pipe organ.β The guests of the Eagle House attended the old mill church each Sabbath, and heard the preacher liken the purified Christian to bolted flour ground to usefulness between the millstones of experience and suffering.
Every year about the beginning of autumn there came to the Eagle House one Abram Strong, who remained for a time an honoured and beloved guest. In Lakelands he was called βFather Abram,β because his hair was so white, his face so strong and kind and florid, his laugh so merry, and his black clothes and broad hat so priestly in appearance. Even new guests after three or four daysβ acquaintance gave him this familiar title.
Father Abram came a long way to Lakelands. He lived in a big, roaring town in the Northwest where he owned mills, not little mills with pews and an organ in them, but great, ugly, mountain-like mills that the freight trains crawled around all day like ants around an ant-heap. And now you must be told about Father Abram and the mill that was a church, for their stories run together.
In the days when the church was a mill, Mr. Strong was the miller. There was no jollier, dustier, busier, happier miller in all the land than he. He lived in a little cottage across the road from the mill. His hand was heavy, but his toll was light, and the mountaineers brought their grain to him across many weary miles of rocky roads.
The delight of the millerβs life was his little daughter, Aglaia. That was a brave name, truly, for a flaxen-haired toddler; but the mountaineers love sonorous and stately names. The mother had encountered it somewhere in a book, and the deed was done. In her babyhood Aglaia herself repudiated the name, as far as common use went, and persisted in calling herself βDums.β The miller and his wife often tried to coax from Aglaia the source of this mysterious name, but without results. At last they arrived at a theory. In the little garden behind the cottage was a bed of rhododendrons in which the child took a peculiar delight and interest. It may have been that she perceived in βDumsβ a kinship to the formidable name of her favourite flowers.
When Aglaia was four years old she and her father used to go through a little performance in the mill every afternoon, that never failed to come off, the weather permitting. When supper was ready her mother would brush her hair and put on a clean apron and send her across to the mill to bring her father home. When the miller saw her coming in the mill door he would come forward, all white with the flour dust, and wave his hand and sing an old millerβs song that was familiar in those parts and ran something like this:
βThe wheel goes round,
The grist is ground,
The dusty millerβs merry.
He sings all day,
His work is play,
While thinking of his dearie.β
Then Aglaia would run to him laughing, and call: βDada, come take Dums homeβ; and the miller would swing her to his shoulder and march over to supper, singing the millerβs song. Every evening this would take place.
One day, only a week after her fourth birthday, Aglaia disappeared. When last seen she was plucking wild flowers by the side of the road in front of the cottage. A little while later her mother went out to see that she did not stray too far away, and she was already gone.
Of course every effort was made to find her. The neighbours gathered and searched the woods and the mountains for miles around. They dragged every foot of the mill race and the creek for a long distance below the dam. Never a trace of her did they find. A night or two before there had been a family of wanderers camped in a grove nearby. It was conjectured that they might have stolen the child; but when their wagon was overtaken and searched she could not be found.
The miller remained at the mill for nearly two years; and then his hope of finding her died out. He and his wife moved to the Northwest. In a few years he was the owner of a modern mill in one of the important milling cities in that region. Mrs. Strong never recovered from the shock caused by the loss of Aglaia, and two years after they moved
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