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minutes’ rest from that terrible unemployed restlessness which, you know, is sure to drag you to your feet to pace the room or tramp the pavement even before your bodily weariness has nearly left you. So you start up the narrow, stuffy little flight of steps call the “stairs.” Three small doors open from the landing⁠—a square place of about four feet by four. The first door is yours; it is open, and⁠—

Decided odour of bedroom dust and fluff, damped and kneaded with cold soapsuds. Rear view of a girl covered with a damp, draggled, dirt-coloured skirt, which gapes at the waistband from the “body,” disclosing a good glimpse of soiled stays (ribs burst), and yawns behind over a decidedly dirty white petticoat, the slit of which last, as she reaches forward and backs out convulsively, half opens and then comes together in an unsatisfactory, startling, tantalizing way, and allows a hint of a red flannel under-something. The frayed ends of the skirt lie across a hopelessly-burst pair of elastic-sides which rest on their inner edges⁠—toes out⁠—and jerk about in a seemingly undecided manner. She is damping and working up the natural layer on the floor with a piece of old flannel petticoat dipped occasionally in a bucket which stands by her side, containing about a quart of muddy water. She looks round and exclaims, “Oh, did you want to come in, Mr. Careless?” Then she says she’ll be done in a minute; furthermore she remarks that if you want to come in you won’t be in her road. You don’t⁠—you go down to the dining-room⁠—parlour⁠—sitting-room⁠—nursery⁠—and stretch yourself on the sofa in the face of the painfully-evident disapproval of the landlady.

You have been here, say, three months, and are only about two weeks behind. The landlady still says, “Good morning, Mr. Careless,” or “Good evening, Mr. Careless,” but there is an unpleasant accent on the “Mr.,” and a still more unpleasantly pronounced stress on the “morning” or “evening.” While your money lasted you paid up well and regularly⁠—sometimes in advance⁠—and dined out most of the time; but that doesn’t count now.

Ten minutes pass, and then the landlady’s disapproval becomes manifest and aggressive. One of the little girls, a sharp-faced little larrikiness, who always wears a furtive grin of cunning⁠—it seems as though it were born with her, and is perhaps more a misfortune than a fault⁠—comes in and says please she wants to tidy up.

So you get up and take your hat and go out again to look for a place to rest in⁠—to try not to think.

You wish you could get away upcountry. You also wish you were dead.

The landlady, Mrs. Jones, is a widow, or grass-widow, Welsh, of course, and clannish; flat face, watery grey eyes, shallow, selfish, ignorant, and a hypocrite unconsciously⁠—by instinct.

But the worst of it is that Mrs. Jones takes advantage of the situation to corner you in the passage when you want to get out, or when you come in tired, and talk. It amounts to about this: She has been fourteen years in this street, taking in boarders; everybody knows her; everybody knows Mrs. Jones; her poor husband died six years ago (God rest his soul); she finds it hard to get a living these times; work, work, morning, noon, and night (talk, talk, talk, more likely). “Do you know Mr. Duff of the Labour Bureau?” He has known her family for years; a very nice gentleman⁠—a very nice gentleman indeed; he often stops at the gate to have a yarn with her on his way to the office (he must be hard up for a yarn). She doesn’t know hardly nobody in this street; she never gossips; it takes her all her time to get a living; she can’t be bothered with neighbours; it’s always best to keep to yourself and keep neighbours at a distance. Would you believe it, Mr. Careless, she has been two years in this house and hasn’t said above a dozen words to the woman next door; she’d just know her by sight if she saw her; as for the other woman she wouldn’t know her from a crow. Mr. Blank and Mrs. Blank could tell you the same.⁠ ⁠… She always had gentlemen staying with her; she never had no cause to complain of one of them except once; they always treated her fair and honest. Here follows story about the exception; he, I gathered, was a journalist, and she could never depend on him. He seemed, from her statements, to have been decidedly erratic in his movements, mode of life and choice of climes. He evidently caused her a great deal of trouble and anxiety, and I felt a kind of sneaking sympathy for his memory. One young fellow stayed with her five years; he was, etc. She couldn’t be hard on any young fellow that gets out of work; of course if he can’t get it he can’t pay; she can’t get blood out of a stone; she couldn’t turn him out in the street. “I’ve got sons of my own, Mr. Careless, I’ve got sons of my own.”⁠ ⁠… She is sure she always does her best to make her boarders comfortable, and if they want anything they’ve only got to ask for it. The kettle is always on the stove if you want a cup of tea, and if you come home late at night and want a bit of supper you’ve only got to go to the safe (which of us would dare?). She never locks it, she never did.⁠ ⁠… And then she begins about her wonderful kids, and it goes on hour after hour. Lord! it’s enough to drive a man mad.

We were recommended to this place on the day of our arrival by a young dealer in the furniture line, whose name was Moses⁠—and he looked like it, but we didn’t think of that at the time. He had Mrs. Jones’s card in his window, and he left the shop in charge of his missus and came round with us at once.

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