The Plot by Jean Korelitz (good books to read for teens txt) đź“•
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- Author: Jean Korelitz
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Anna nodded sagely. “I know how tough it must have been in the beginning, for Jake. Before you were involved and Crib became such a success. It takes courage to keep going. I’m so proud of him.”
“Thanks, honey,” said Jake. He felt as if he was interrupting them.
“I’m proud of him too. Especially these last months.”
Again, Anna turned to him with a confused look.
“Oh, it’s all fine,” he heard himself say. “It’ll pass.”
“I told you so,” Matilda said.
“I’ll get the book done. And then I’ll write another book.”
“And another!” she declared.
“Because that’s what writers do, right?”
“That’s what you do. And thank god for it!”
He noticed, when they left the restaurant, that she gave Anna an even longer hug than the one she gave him, but he was so relieved that he’d managed to block TalentedTom from invading their dinner that it was impossible to see the evening as anything but a win. His agent, it was obvious, really liked his new wife, and in this she had a lot of company.
In practical terms, Jake’s post-marriage life didn’t change all that much. Anna had opted for a modified modification, officially becoming Anna Williams-Bonner after filling out the required twenty or thirty forms and waiting on various lines at various agencies to acquire a new driver’s license and passport. They merged bank accounts and credit cards and health insurance policies and saw an attorney about their wills. Anna dispatched the last of Jake’s collegiate and post-collegiate furnishings—a reclining chair of faux leather, a framed Phish poster, a shag rug from Bed Bath & Beyond, circa 2002—to their just rewards, and repainted the living room. They went for an abbreviated honeymoon to New Orleans, where they gorged themselves on oysters and listened to jazz (which Anna liked) and blues (which Jake liked) and zydeco (which neither of them liked) at night.
On the night they returned to the city, Anna went to deliver a box of pralines to a neighbor who’d fed the cat while they were gone, and Jake let himself into the apartment, dropping an armload of mail onto the kitchen counter. His eye found it right away: an unremarkable envelope slipping out onto the granite countertop between Anna’s copy of Real Simple and his own Poets & Writers, which, nonetheless, gave him the deepest chill of his life.
Front and center, his address. More accurately, their address.
And in the upper left-hand corner, the name Talented Tom.
He looked at it for a long, terrible moment.
Then he snatched it up and rushed with it into the bathroom, turning on the water in the sink and locking the door behind him. He slit open the envelope and extracted the single sheet of paper inside with shaking hands.
You know what you did. I know what you did. Are you ready for everyone to know what you did? I hope so, because I’m getting ready to tell the world. Have fun with your career after that.
So this, he thought, listening to the din of his own breath over the running water, was what worse felt like. This person had come through the screen into the actual, tactile world, and now Jake was holding in his hands an object TalentedTom, too, had held. There was a new and sharp horror in that, as if the paper itself held all of the malevolence, all of the outrage Jake did not deserve. The cumulative weight of it took his breath away and rendered him incapable of movement, and he stayed where he was for so long that Anna came to the bathroom door and asked if he was feeling all right.
He was not feeling all right.
Eventually, he crammed the piece of paper into a pocket of his Dopp kit, took off his clothes, and got into the shower. He was trying to think it through with whatever of his cognitive abilities remained at his disposal, but this proved impossible even after half an hour under the hottest water he could stand. Nor was it possible in the days that followed, as he added the furtive collection of the mail to his already obsessive monitoring of the internet. He simply could not think of how to go forward, and that, ironically, was what made him realize the only place left to go was back.
Ripley was what he knew. Ripley was all he could be sure of. Something relevant to his present crisis had taken place at Ripley, that was obvious, and it was understandable; the heightened camaraderie of the MFA program—even (perhaps especially?) the low-residency MFA program!—acted powerfully upon people who couldn’t be “out” as writers in their ordinary, daily lives, perhaps not even to their own friends and families. Gathering on an otherwise empty college campus they were, perhaps for the first time, suddenly enfolded by their
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