Poetry by T. S. Eliot (e reader manga TXT) 📕
Description
Poetry of T. S. Eliot collects all of his early work through “The Hollow Men.” Poems like “The Love Song of J. Alfred Prufrock,” “Whispers of Immortality,” and “Gerontion” ponder aging and mortality, while “Sweeney Erect,” “Mr. Eliot’s Sunday Service,” and “Sweeney Among the Nightingales” sketch the temptations and agonies of the modern man in the character of Sweeney.
Woven throughout with allusions to works in six foreign languages and sporting over fifty footnotes by the author, “The Waste Land” is as notorious for its bleak picture of a post-war world as it is for its density and difficulty. “The Hollow Men” ends with one of the most famous stanzas in English poetry.
Eliot’s flashes of insight bring the everyday into stark relief. Whether suffering an insufferable bore, observing the lives of strangers on the streets, or juxtaposing the sacred and the profane, his sometimes autobiographical vignettes of modern life still feel current a century after they were penned.
Read free book «Poetry by T. S. Eliot (e reader manga TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: T. S. Eliot
Read book online «Poetry by T. S. Eliot (e reader manga TXT) 📕». Author - T. S. Eliot
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn.
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.
Tenants of the house,
Thoughts of a dry brain in a dry season.
Tra-la-la-la-la-la-laire—nil nisi divinum stabile est; caetera fumus—the gondola stopped, the old palace was there, how charming its grey and pink—goats and monkeys, with such hair too!—so the countess passed on until she came through the little park, where Niobe presented her with a cabinet, and so departed.
Burbank crossed a little bridge
Descending at a small hotel;
Princess Volupine arrived,
They were together, and he fell.
Defunctive music under sea
Passed seaward with the passing bell
Slowly: the God Hercules
Had left him, that had loved him well.
The horses, under the axletree
Beat up the dawn from Istria
With even feet. Her shuttered barge
Burned on the water all the day.
But this or such was Bleistein’s way:
A saggy bending of the knees
And elbows, with the palms turned out,
Chicago Semite Viennese.
A lustreless protrusive eye
Stares from the protozoic slime
At a perspective of Canaletto.
The smoky candle end of time
Declines. On the Rialto once.
The rats are underneath the piles.
The jew is underneath the lot.
Money in furs. The boatman smiles,
Princess Volupine extends
A meagre, blue-nailed, phthisic hand
To climb the waterstair. Lights, lights,
She entertains Sir Ferdinand
Klein. Who clipped the lion’s wings
And flea’d his rump and pared his claws?
Thought Burbank, meditating on
Time’s ruins, and the seven laws.
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation. Look, look, wenches!
Paint me a cavernous waste shore
Cast in the unstilted Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme),
Gesture of orangutan
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun).
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs. Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
En l’an trentiesme de mon aage
Que toutes mes hontes j’ay beues …
Pipit sate upright in her chair
Some distance from where I was sitting;
Views of the Oxford Colleges
Lay on the table, with the knitting.
Daguerreotypes and silhouettes,
Her grandfather and great great aunts,
Supported on the mantelpiece
An Invitation to the Dance.
I shall not want Honour in Heaven
For I shall meet Sir Philip Sidney
And have talk with Coriolanus
And other heroes of that kidney.
I shall not want Capital in Heaven
For I shall meet Sir Alfred Mond:
We two shall lie together, lapt
In a five percent Exchequer Bond.
I shall not want Society in Heaven,
Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
Than Pipit’s experience could provide.
I shall not want Pipit in Heaven:
Madame Blavatsky will instruct me
In the Seven Sacred Trances;
Piccarda de Donati will conduct me.
But where is the penny world I bought
To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
From Kentish Town and Golder’s Green;
Where are the eagles and the trumpets?
Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
Weeping, weeping multitudes
Droop in a hundred A.B.C.’s1
Malheur à la malheureuse Tamise!
Qui coule si pres du Spectateur.
Le directeur
Conservateur
Du Spectateur
Empeste la brise.
Les actionnaires
Réactionnaires
Du Spectateur
Conservateur
Bras dessus bras dessous
Font des tours
A pas de loup.
Dans un égout
Une petite fille
En guenilles
Camarde
Regarde
Le directeur
Du Spectateur
Conservateur
Et crève d’amour.
En Amerique, professeur;
En Angleterre, journaliste;
C’est à grands pas et en sueur
Que vous suivrez à peine ma piste.
En Yorkshire, conferencier;
A Londres, un peu banquier,
Vous me paierez bien la tête.
C’est à Paris que je me coiffe
Casque noir de jemenfoutiste.
En Allemagne, philosophe
Surexcité par Emporheben
Au grand air de Bergsteigleben;
J’erre toujours de-ci de-là
A diverse coups de tra la la
De Damas jusqu’à Omaha.
Je celebrai mon jour de fête
Dans une oasis d’Afrique
Vêtu d’une peau de girafe.
On montrera mon cénotaphe
Aux côtes brûlantes de Mozambique.
Ils ont vu les Pays-Bas, ils rentrent à Terre Haute;
Mais
Comments (0)