The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) π
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The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itβs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeβs literary parties, begins the story as Strickland leaves for Paris. Stricklandβs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistβs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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No one was kinder to me at that time than Rose Waterford. She combined a masculine intelligence with a feminine perversity, and the novels she wrote were original and disconcerting. It was at her house one day that I met Charles Stricklandβs wife. Miss Waterford was giving a tea-party, and her small room was more than usually full. Everyone seemed to be talking, and I, sitting in silence, felt awkward; but I was too shy to break into any of the groups that seemed absorbed in their own affairs. Miss Waterford was a good hostess, and seeing my embarrassment came up to me.
βI want you to talk to Mrs. Strickland,β she said. βSheβs raving about your book.β
βWhat does she do?β I asked.
I was conscious of my ignorance, and if Mrs. Strickland was a well-known writer I thought it as well to ascertain the fact before I spoke to her.
Rose Waterford cast down her eyes demurely to give greater effect to her reply.
βShe gives luncheon-parties. Youβve only got to roar a little, and sheβll ask you.β
Rose Waterford was a cynic. She looked upon life as an opportunity for writing novels and the public as her raw material. Now and then she invited members of it to her house if they showed an appreciation of her talent and entertained with proper lavishness. She held their weakness for lions in good-humoured contempt, but played to them her part of the distinguished woman of letters with decorum.
I was led up to Mrs. Strickland, and for ten minutes we talked together. I noticed nothing about her except that she had a pleasant voice. She had a flat in Westminster, overlooking the unfinished cathedral, and because we lived in the same neighbourhood we felt friendly disposed to one another. The Army and Navy Stores are a bond of union between all who dwell between the river and St. Jamesβs Park. Mrs. Strickland asked me for my address, and a few days later I received an invitation to luncheon.
My engagements were few, and I was glad to accept. When I arrived, a little late, because in my fear of being too early I had walked three times round the cathedral, I found the party already complete. Miss Waterford was there and Mrs. Jay, Richard Twining and George Road. We were all writers. It was a fine day, early in spring, and we were in a good humour. We talked about a hundred things. Miss Waterford, torn between the aestheticism of her early youth, when she used to go to parties in sage green, holding a daffodil, and the flippancy of her maturer years, which tended to high heels and Paris frocks, wore a new hat. It put her in high spirits. I had never heard her more malicious about our common friends. Mrs. Jay, aware that impropriety is the soul of wit, made observations in tones hardly above a whisper that might well have tinged the snowy tablecloth with a rosy hue. Richard Twining bubbled over with quaint absurdities, and George Road, conscious that he need not exhibit a brilliancy which was almost a byword, opened his mouth only to put food into it. Mrs. Strickland did not talk much, but she had a pleasant gift for keeping the conversation general; and when there was a pause she threw in just the right remark to set it going once more. She was a woman of thirty-seven, rather tall and plump, without being fat; she was not pretty, but her face was pleasing, chiefly, perhaps, on account of her kind brown eyes. Her skin was rather sallow. Her dark hair was elaborately dressed. She was the only woman of the three whose face was free of makeup, and by contrast with the others she seemed simple and unaffected.
The dining-room was in the good taste of the period. It was very severe. There was a high dado of white wood and a green paper on which were etchings by Whistler in neat black frames. The green curtains with their peacock design, hung in straight lines, and the green carpet, in the pattern of which pale rabbits frolicked among leafy trees, suggested the influence of William Morris. There was blue delft on the chimneypiece. At that time there must have been five hundred dining-rooms in London decorated in exactly the same manner. It was chaste, artistic, and dull.
When we left I walked away with Miss Waterford, and the fine day and her new hat persuaded us to saunter through the Park.
βThat was a very nice party,β I said.
βDid you think the food was good? I told her
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