The Way We Live Now by Anthony Trollope (best fiction novels of all time .TXT) π
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The Way We Live Now is Anthony Trollopeβs longest novel, published in two volumes in 1875 after first appearing in serial form.
After an extended visit to Australia and New Zealand in 1872, Trollope was outraged on his return to England by a number of financial scandals, and was determined to expose the dishonesty, corruption, and greed they embodied. The Way We Live Now centers around a foreign businessman, Augustus Melmotte, who has come to prominence in London despite rumors about his past dealings on the Continent. He is immensely rich, and his daughter Marie is considered to be a desirable catch for several aristocratic young men in search of a fortune. Melmotte gains substantial influence because of his wealth. He rises in society and is even put up as a candidate for Parliament, despite a general feeling that he must be a fraudster and liar. A variety of sub-plots are woven around this central idea.
The Way We Live Now is generally considered to be one of Trollopeβs best novels and is often included in lists of the best novels written in English.
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- Author: Anthony Trollope
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Is it not singular how some men continue to obtain the reputation of popular authorship without adding a word to the literature of their country worthy of note? It is accomplished by unflagging assiduity in the system of puffing. To puff and to get oneβs self puffed have become different branches of a new profession. Alas, me! I wish I might find a class open in which lessons could be taken by such a poor tyro as myself. Much as I hate the thing from my very soul, and much as I admire the consistency with which the Pulpit has opposed it, I myself am so much in want of support for my own little efforts, and am struggling so hard honestly to make for myself a remunerative career, that I think, were the opportunity offered to me, I should pocket my honour, lay aside the high feeling which tells me that praise should be bought neither by money nor friendship, and descend among the low things, in order that I might one day have the pride of feeling that I had succeeded by my own work in providing for the needs of my children.
But I have not as yet commenced the descent downwards; and therefore I am still bold enough to tell you that I shall look, not with concern but with a deep interest, to anything which may appear in the Pulpit respecting my Criminal Queens. I venture to think that the bookβ βthough I wrote it myselfβ βhas an importance of its own which will secure for it some notice. That my inaccuracy will be laid bare and presumption scourged I do not in the least doubt, but I think your reviewer will be able to certify that the sketches are lifelike and the portraits well considered. You will not hear me told, at any rate, that I had better sit at home and darn my stockings, as you said the other day of that poor unfortunate Mrs. Effington Stubbs.
I have not seen you for the last three weeks. I have a few friends every Tuesday evening;β βpray come next week or the week following. And pray believe that no amount of editorial or critical severity shall make me receive you otherwise than with a smile.
Most sincerely yours,
Matilda Carbury.
Lady Carbury, having finished her third letter, threw herself back in her chair, and for a moment or two closed her eyes, as though about to rest. But she soon remembered that the activity of her life did not admit of such rest. She therefore seized her pen and began scribbling further notes.
II The Carbury FamilySomething of herself and condition Lady Carbury has told the reader in the letters given in the former chapter, but more must be added. She has declared she had been cruelly slandered; but she has also shown that she was not a woman whose words about herself could be taken with much confidence. If the reader does not understand so much from her letters to the three editors they have been written in vain. She has been made to say that her object in work was to provide for the need of her children, and that with that noble purpose before her she was struggling to make for herself a career in literature. Detestably false as had been her letters to the editors, absolutely and abominably foul as was the entire system by which she was endeavouring to achieve success, far away from honour and honesty as she had been carried by her ready subserviency to the dirty things among which she had lately fallen, nevertheless her statements about herself were substantially true. She had been ill-treated. She had been slandered. She was true to her childrenβ βespecially devoted to one of themβ βand was ready to work her nails off if by doing so she could advance their interests.
She was the widow of one Sir Patrick Carbury, who many years since had done great things as a soldier in India, and had been thereupon created a baronet. He had married a young wife late in life and, having found out when too late that he had made a mistake, had occasionally spoilt his darling and occasionally ill used her. In doing each he had done it abundantly. Among Lady Carburyβs faults had never been that of even incipientβ βnot even of sentimental infidelity to her husband. When as a very lovely and penniless girl of eighteen she had consented to marry a man of forty-four who had the spending of a large income, she had made up her mind to abandon all hope of that sort of love which poets describe and which young people generally desire to experience. Sir Patrick at the time of his marriage was red-faced, stout, bald, very choleric, generous in money, suspicious in temper, and intelligent. He knew how to govern men. He could read and understand a book. There was nothing mean about him. He had his attractive qualities. He was a man who might be loved;β βbut he was hardly a man for love. The young Lady Carbury had understood her position and had determined to do her duty. She had resolved before she went to the altar that she would never allow herself to flirt and she had never flirted. For fifteen years things had gone tolerably well with herβ βby which it is intended that the reader should understand that they had so gone that
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