The Dead Secret by Wilkie Collins (manga ereader TXT) 📕
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The Dead Secret is Wilkie Collins’ fourth novel. It first appeared in serial form in Charles Dickens’ Household Words magazine during 1856. Like many of Collins’ books, it features incidents and themes which were considered to be sensational at the time; in this case, sex before marriage, illegitimacy, and fraud.
The novel opens with a scene at Porthgenna Tower, a mansion in Cornwall, where the lady of the house, Mrs. Treverton, is dying. On her deathbed, she tries to force her maidservant, Sarah Leeson, to swear that she will give a letter Mrs. Treverton has written to her husband, Captain Treverton, once she is dead. The letter reveals an important family secret in which Sarah is deeply involved and which she consequently is desperately unwilling to pass on. Mrs. Treverton succeeds in making Sarah swear not to destroy the letter or remove it from the house, but dies before making the young woman swear to give the letter to the Captain. Sarah therefore finds a place to conceal it within the house.
The rest of the novel deals with Rosamond, the Treverton’s daughter, who grows to adulthood and marries Leonard Franklin, a young man of a well-to-do family, who is afflicted with blindness. Franklin purchases Porthgenna Tower after the Captain’s death, and the couple plan to move into the property and renovate it. Doing so, however, means that they are likely to uncover the hidden letter concealing the family secret.
While critics don’t consider The Dead Secret to be one of Collins’ best novels, it contains some of the same elements of mystery and suspense as The Woman in White and The Moonstone, and much of his characteristic wry humor.
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- Author: Wilkie Collins
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This last, poured onto her handkerchief and applied to her forehead, seemed to prove successful in partially clearing her faculties. Her eyes recovered their steady look of intelligence; and, when she again addressed her maid, reiterating the word “Write,” she was able to enforce the direction by beginning immediately to dictate in quiet, deliberate, determined tones. Sarah’s tears fell fast; her lips murmured fragments of sentences in which entreaties, expressions of penitence, and exclamations of fear were all strangely mingled together; but she wrote on submissively, in wavering lines, until she had nearly filled the first two sides of the notepaper. Then Mrs. Treverton paused, looked the writing over, and, taking the pen, signed her name at the end of it. With this effort, her powers of resistance to the exciting effect of the medicine seemed to fail her again. The deep flush began to tinge her cheeks once more, and she spoke hurriedly and unsteadily when she handed the pen back to her maid.
“Sign!” she cried, beating her hand feebly on the bedclothes. “Sign ‘Sarah Leeson, witness.’ No!—write ‘Accomplice.’ Take your share of it; I won’t have it shifted on me. Sign, I insist on it! Sign as I tell you.”
Sarah obeyed; and Mrs. Treverton taking the paper from her, pointed to it solemnly, with a return of the stage gesture which had escaped her a little while back.
“You will give this to your master,” she said, “when I am dead; and you will answer any questions he puts to you as truly as if you were before the judgment-seat.”
Clasping her hands fast together, Sarah regarded her mistress, for the first time, with steady eyes, and spoke to her for the first time in steady tones.
“If I only knew that I was fit to die,” she said, “oh, how gladly I would change places with you!”
“Promise me that you will give the paper to your master,” repeated Mrs. Treverton. “Promise—no! I won’t trust your promise—I’ll have your oath. Get the Bible—the Bible the clergyman used when he was here this morning. Get it, or I shall not rest in my grave. Get it, or I will come to you from the other world.”
The mistress laughed as she reiterated that threat. The maid shuddered, as she obeyed the command which it was designed to impress on her.
“Yes, yes—the Bible the clergyman used,” continued Mrs. Treverton, vacantly, after the book had been produced. “The clergyman—a poor weak man—I frightened him, Sarah. He said, ‘Are you at peace with all the world?’ and I said, ‘All but one.’ You know who.”
“The Captain’s brother? Oh, don’t die at enmity with anybody. Don’t die at enmity even with him,” pleaded Sarah.
“The clergyman said so too,” murmured Mrs. Treverton, her eyes beginning to wander childishly round the room, her tones growing suddenly lower and more confused. “ ‘You must forgive him,’ the clergyman said. And I said, ‘No, I forgive all the world, but not my husband’s brother.’ The clergyman got up from the bedside, frightened, Sarah. He talked about praying for me, and coming back. Will he come back?”
“Yes, yes,” answered Sarah. “He is a good man—he will come back—and oh! tell him that you forgive the Captain’s brother! Those vile words he spoke of you when you were married will come home to him some day. Forgive him—forgive him before you die!”
Saying those words, she attempted to remove the Bible softly out of her mistress’s sight. The action attracted Mrs. Treverton’s attention, and roused her sinking faculties into observation of present things.
“Stop!” she cried, with a gleam of the old resolution flashing once more over the dying dimness of her eyes. She caught at Sarah’s hand with a great effort, placed it on the Bible, and held it there. Her other hand wandered a little over the bedclothes, until it encountered the written paper addressed to her husband. Her fingers closed on it, and a sigh of relief escaped her lips.
“Ah!” she said, “I know what I wanted the Bible for. I’m dying with all my senses about me, Sarah; you can’t deceive me even yet.” She stopped again, smiled a little, whispered to herself rapidly, “Wait, wait, wait!” then added aloud, with the old stage voice and the old stage gesture: “No! I won’t trust you on your promise. I’ll have your oath. Kneel down. These are my last words in this world—disobey them if you dare!”
Sarah dropped on her knees by the bed. The breeze outside, strengthening just then with the slow advance of the morning, parted the window-curtains a little, and wafted a breath of its sweet fragrance joyously into the sickroom. The heavy beating hum of the distant surf came in at the same time, and poured out its unresting music in louder strains. Then the window-curtains fell to again heavily, the wavering flame of the candle grew steady once more, and the awful silence in the room sank deeper than ever.
“Swear!” said Mrs. Treverton. Her voice failed her when she had pronounced that one word. She struggled a little, recovered the power of utterance, and went on: “Swear that you will not destroy this paper after I am dead.”
Even while she pronounced these solemn words, even at that last struggle for life and strength, the ineradicable theatrical instinct showed, with a fearful inappropriateness, how firmly it kept its place in her mind. Sarah felt the cold hand that was still laid on hers lifted for a moment—saw it waving gracefully toward her—felt it descend again, and clasp her own hand with a trembling, impatient pressure. At that final appeal, she answered faintly,
“I swear it.”
“Swear that you will not take this paper away with you, if you leave the house, after I am dead.”
Again Sarah paused before she answered—again the trembling pressure made itself felt on her hand, but more weakly this time—again the words dropped affrightedly from her lips—
“I swear it.”
“Swear!” Mrs. Treverton began for the third time. Her voice failed her once more; and she struggled
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