Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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At that critical moment Mrs. Inchbare reappeared, with the choicest selection of wearing apparel which her wardrobe could furnish. Anne hailed the welcome interruption. She took the candles, and led the way into the bedroom immediately.
“Change your wet clothes first,” she said. “We can talk after that.”
The bedroom door had hardly been closed a minute before there was a tap at it. Signing to Mrs. Inchbare not to interrupt the services she was rendering to Blanche, Anne passed quickly into the sitting-room, and closed the door behind her. To her infinite relief, she only found herself face to face with the discreet Mr. Bishopriggs.
“What do you want?” she asked.
The eye of Mr. Bishopriggs announced, by a wink, that his mission was of a confidential nature. The hand of Mr. Bishopriggs wavered; the breath of Mr. Bishopriggs exhaled a spirituous fume. He slowly produced a slip of paper, with some lines of writing on it.
“From ye ken who,” he explained, jocosely. “A bit love-letter, I trow, from him that’s dear to ye. Eh! he’s an awfu’ reprobate is him that’s dear to ye. Miss, in the bedchamber there, will nae doot be the one he’s jilted for you? I see it all—ye can’t blind me—I ha’ been a frail person my ain self, in my time. Hech! he’s safe and sound, is the reprobate. I ha’ lookit after a’ his little creature-comforts—I’m joost a fether to him, as well as a fether to you. Trust Bishopriggs—when puir human nature wants a bit pat on the back, trust Bishopriggs.”
While the sage was speaking these comfortable words, Anne was reading the lines traced on the paper. They were signed by Arnold; and they ran thus:
“I am in the smoking-room of the inn. It rests with you to say whether I must stop there. I don’t believe Blanche would be jealous. If I knew how to explain my being at the inn without betraying the confidence which you and Geoffrey have placed in me, I wouldn’t be away from her another moment. It does grate on me so! At the same time, I don’t want to make your position harder than it is. Think of yourself first. I leave it in your hands. You have only to say, wait, by the bearer—and I shall understand that I am to stay where I am till I hear from you again.”
Anne looked up from the message.
“Ask him to wait,” she said; “and I will send word to him again.”
“Wi’ mony loves and kisses,” suggested Mr. Bishopriggs, as a necessary supplement to the message. “Eh! it comes as easy as A.B.C. to a man o’ my experience. Ye can ha’ nae better gae-between than yer puir servant to command, Sawmuel Bishopriggs. I understand ye baith pairfeckly.” He laid his forefinger along his flaming nose, and withdrew.
Without allowing herself to hesitate for an instant, Anne opened the bedroom door—with the resolution of relieving Arnold from the new sacrifice imposed on him by owning the truth.
“Is that you?” asked Blanche.
At the sound of her voice, Anne started back guiltily. “I’ll be with you in a moment,” she answered, and closed the door again between them.
No! it was not to be done. Something in Blanche’s trivial question—or something, perhaps, in the sight of Blanche’s face—roused the warning instinct in Anne, which silenced her on the very brink of the disclosure. At the last moment the iron chain of circumstances made itself felt, binding her without mercy to the hateful, the degrading deceit. Could she own the truth, about Geoffrey and herself, to Blanche? and, without owning it, could she explain and justify Arnold’s conduct in joining her privately at Craig Fernie? A shameful confession made to an innocent girl; a risk of fatally shaking Arnold’s place in Blanche’s estimation; a scandal at the inn, in the disgrace of which the others would be involved with herself—this was the price at which she must speak, if she followed her first impulse, and said, in so many words, “Arnold is here.”
It was not to be thought of. Cost what it might in present wretchedness—end how it might, if the deception was discovered in the future—Blanche must be kept in ignorance of the truth, Arnold must be kept in hiding until she had gone.
Anne opened the door for the second time, and went in.
The business of the toilet was standing still. Blanche was in confidential communication with Mrs. Inchbare. At the moment when Anne entered the room she was eagerly questioning the landlady about her friend’s “invisible husband”—she was just saying, “Do tell me! what is he like?”
The capacity for accurate observation is a capacity so uncommon, and is so seldom associated, even where it does exist, with the equally rare gift of accurately describing the thing or the person observed, that Anne’s dread of the consequences if Mrs. Inchbare was allowed time to comply with Blanche’s request, was, in all probability, a dread misplaced. Right or wrong, however, the alarm that she felt hurried her into taking measures for dismissing the landlady on the spot. “We mustn’t keep you from your occupations any longer,” she said to Mrs. Inchbare. “I will give Miss Lundie all the help she needs.”
Barred from advancing in one direction, Blanche’s curiosity turned back, and tried in another. She boldly addressed herself to Anne.
“I must know something about him,” she said. “Is he shy before strangers? I heard you whispering with him on the other side of the door. Are you jealous, Anne? Are you afraid I shall fascinate him in this dress?”
Blanche, in Mrs. Inchbare’s best gown—an ancient and high-waisted silk garment, of the hue called “bottle-green,” pinned up in front, and trailing far behind her—with a short, orange-colored shawl over her shoulders, and a towel tied turban fashion round her head, to dry her wet hair, looked at once the strangest and the prettiest human
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