The Song of the Lark by Willa Cather (best reads .TXT) 📕
Description
The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
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- Author: Willa Cather
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“Yes, I’ll be glad. But I’m going to have a pigeon my own self.”
“But you haven’t got any little house for one. Maybe Axel would make you a little house.”
“Oh, her can live in the barn, her can,” Thor drawled indifferently.
Thea laughed and squeezed his hand. She always liked his sturdy matter-of-factness. Boys ought to be like that, she thought.
When they reached the depot, Mr. Kronborg paced the platform somewhat ceremoniously with his daughter. Any member of his flock would have gathered that he was giving her good counsel about meeting the temptations of the world. He did, indeed, begin to admonish her not to forget that talents come from our Heavenly Father and are to be used for his glory, but he cut his remarks short and looked at his watch. He believed that Thea was a religious girl, but when she looked at him with that intent, that passionately inquiring gaze which used to move even Wunsch, Mr. Kronborg suddenly felt his eloquence fail. Thea was like her mother, he reflected; you couldn’t put much sentiment across with her. As a usual thing, he liked girls to be a little more responsive. He liked them to blush at his compliments; as Mrs. Kronborg candidly said, “Father could be very soft with the girls.” But this morning he was thinking that hard-headedness was a reassuring quality in a daughter who was going to Chicago alone.
Mr. Kronborg believed that big cities were places where people went to lose their identity and to be wicked. He himself, when he was a student at the Seminary—he coughed and opened his watch again. He knew, of course, that a great deal of business went on in Chicago, that there was an active Board of Trade, and that hogs and cattle were slaughtered there. But when, as a young man, he had stopped over in Chicago, he had not interested himself in the commercial activities of the city. He remembered it as a place full of cheap shows and dance halls and boys from the country who were behaving disgustingly.
Dr. Archie drove up to the station about ten minutes before the train was due. His man tied the ponies and stood holding the doctor’s alligator-skin bag—very elegant, Thea thought it. Mrs. Kronborg did not burden the doctor with warnings and cautions. She said again that she hoped he could get Thea a comfortable place to stay, where they had good beds, and she hoped the landlady would be a woman who’d had children of her own. “I don’t go much on old maids looking after girls,” she remarked as she took a pin out of her own hat and thrust it into Thea’s blue turban. “You’ll be sure to lose your hatpins on the train, Thea. It’s better to have an extra one in case.” She tucked in a little curl that had escaped from Thea’s careful twist. “Don’t forget to brush your dress often, and pin it up to the curtains of your berth tonight, so it won’t wrinkle. If you get it wet, have a tailor press it before it draws.”
She turned Thea about by the shoulders and looked her over a last time. Yes, she looked very well. She wasn’t pretty, exactly—her face was too broad and her nose was too big. But she had that lovely skin, and she looked fresh and sweet. She had always been a sweet-smelling child. Her mother had always liked to kiss her, when she happened to think of it.
The train whistled in, and Mr. Kronborg carried the canvas “telescope” into the car. Thea kissed them all goodbye. Tillie cried, but she was the only one who did. They all shouted things up at the closed window of the Pullman car, from which Thea looked down at them as from a frame, her face glowing with excitement, her turban a little tilted in spite of three hatpins. She had already taken off her new gloves to save them. Mrs. Kronborg reflected that she would never see just that same picture again, and as Thea’s car slid off along the rails, she wiped a tear from her eye. “She won’t come back a little girl,” Mrs. Kronborg said to her husband as they turned to go home. “Anyhow, she’s been a sweet one.”
While the Kronborg family were trooping slowly homeward, Thea was sitting in the Pullman, her telescope in the seat beside her, her handbag tightly gripped in her fingers. Dr. Archie had gone into the smoker. He thought she might be a little tearful, and that it would be kinder to leave her alone for a while. Her eyes did fill once, when she saw the last of the sand hills and realized that she was going to leave them behind for a long while. They always made her think of Ray, too. She had had such good times with him out there.
But, of course, it was herself and her own adventure that mattered to her. If youth did not matter so much to itself, it would never have the heart to go on. Thea was surprised that she did not feel a deeper sense of loss at leaving her old life behind her. It seemed, on the contrary, as she looked out at the yellow desert speeding by, that she had left very little. Everything that was essential seemed to be right there in the car with her. She lacked nothing. She even felt more compact and confident than usual. She was all there, and something else was there, too—in her heart, was it, or under her cheek? Anyhow, it was about her somewhere, that warm sureness, that sturdy little companion with whom she shared a secret.
When Dr. Archie came in from the smoker, she was sitting still, looking intently out of the window and smiling, her lips a little parted, her hair in a blaze of sunshine. The doctor thought she was the prettiest thing he had ever seen,
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