Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕
Another answer is that `The Philanthropists' is not a treatise oressay, but a novel. My main object was to write a readable story fullof human interest and based on the happenings of everyday life, thesubject of Socialism being treated incidentally.
This was the task I set myself. To what extent I have succeeded isfor others to say; but whatever their verdict, the work possesses atleast one merit - that of being true. I have invented nothing. Thereare no scenes or incidents in the story that I have not eitherwitnessed myself or had conclusive evidence of. As far as I dared Ilet th
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a time he found it a very congenial way of passing his evenings …
One evening, Ruth saw Slyme meet Crass as if by appointment and as the
two men went away together she returned to her housework wondering
what it meant.
Meantime, Crass and Slyme proceeded on their way down town. It was
about half past six o’clock: the shops and streets were brilliantly
lighted, and as they went along they saw numerous groups of men
talking together in a listless way. Most of them were artisans and
labourers out of employment and evidently in no great hurry to go
home. Some of them had neither tea nor fire to go to, and stayed away
from home as long as possible so as not to be compelled to look upon
the misery of those who were waiting for them there. Others hung
about hoping against all probability that they might even yet -
although it was so late - hear of some job to be started somewhere or
other.
As they passed one of these groups they recognized and nodded to
Newman and old Jack Linden, and the former left the others and came up
to Crass and Slyme, who did not pause, so Newman walked along with
them.
`Anything fresh in, Bob?’ he asked.
`No; we ain’t got ‘ardly anything,’ replied Crass. `I reckon we shall
finish up at “The Cave” next week, and then I suppose we shall all be
stood orf. We’ve got several plumbers on, and I believe there’s a
little gas-fitting work in, but next to nothing in our line.’
`I suppose you don’t know of any other firm what’s got anything?’
`No, I don’t, mate. Between you and me, I don’t think any of ‘em has;
they’re all in about the same fix.’
`I’ve not done anything since I left, you know,’ said Newman, `and
we’ve just about got as far as we can get, at home.’
Slyme and Crass said nothing in reply to this. They wished that
Newman would take himself off, because they did not want him to know
where they were going.
However, Newman continued to accompany them and an awkward silence
succeeded. He seemed to wish to say something more, and they both
guessed what it was. So they walked along as rapidly as possible in
order not to give him any encouragement. At last Newman blurted out:
`I suppose - you don’t happen - either of you - to have a tanner you
could lend me? I’ll let you have it back - when I get a job.’
`I ain’t mate,’ replied Crass. `I’m sorry; if I ‘ad one on me, you
should ‘ave it, with pleasure.’
Slyme also expressed his regret that he had no money with him, and at
the corner of the next street Newman - ashamed of having asked -
wished them `good night’ and went away.
Slyme and Crass hurried along and presently arrived at Rushton & Co.‘s
shop. The windows were lit up with electric light, displaying an
assortment of wallpapers, gas and electric light fittings, glass
shades, globes, tins of enamel, paint and varnish. Several framed
showcards - `Estimates Free’, `First class work only, at moderate
charges’, `Only First Class Workmen Employed’ and several others of
the same type. On one side wall of the window was a large
shield-shaped board covered with black velvet on which a number of
brass fittings for coffins were arranged. The shield was on an oak
mount with the inscription: `Funerals conducted on modern principles’.
Slyme waited outside while Crass went in. Mr Budd, the shopman, was
down at the far end near the glazed partition which separated Mr
Rushton’s office from the front shop. As Crass entered, Budd - who
was a pale-faced, unhealthy-looking, undersized youth about twenty
years of age - looked round and, with a grimace, motioned him to walk
softly . Crass paused, wondering what the other meant; but the shopman
beckoned him to advance, grinning and winking and jerking his thumb
over his shoulder in the direction of the office. Crass hesitated,
fearing that possibly the miserable Budd had gone - or been driven -
out of his mind; but as the latter continued to beckon and grin and
point towards the office Crass screwed up his courage and followed him
behind one of the showcases, and applying his eye to a crack in the
woodwork of the partition indicated by Budd, he could see Mr Rushton
in the act of kissing and embracing Miss Wade, the young lady clerk.
Crass watched them for some time and then whispered to Budd to call
Slyme, and when the latter came they all three took turns at peeping
through the crack in the partition.
When they had looked their fill they came out from behind the
showcase, almost bursting with suppressed merriment. Budd reached
down a key from where it was hanging on a hook on the wall and gave it
to Crass and the two resumed their interrupted journey. But before
they had proceeded a dozen yards from the shop, they were accosted by
a short, elderly man with grey hair and a beard. This man looked
about sixty-five years of age, and was very shabbily dressed. The
ends of the sleeves of his coat were frayed and ragged, and the elbows
were worn threadbare. His boots were patched, broken, and down at
heel, and the knees and bottoms of the legs of his trousers were in
the same condition as the sleeves of his coat. This man’s name was
Latham; he was a venetian blind maker and repairer. With his son, he
was supposed to be `in business’ on his own account, but as most of
their work was done for `the trade’, that is, for such firms as
Rushton & Co., they would be more correctly described as men who did
piecework at home.
He had been `in business’ - as he called it - for about forty years
working, working, always working; and ever since his son became old
enough to labour he had helped his father in the philanthropic task of
manufacturing profits for the sweaters who employed them. They had
been so busy running after work, and working for the benefit of
others, that they had overlooked the fact that they were only earning
a bare living for themselves and now, after forty years’ hard labour,
the old man was clothed in rags and on the verge of destitution.
`Is Rushton there?’ he asked.
`Yes, I think so,’ replied Crass, attempting to pass on; but the old
man detained him.
`He promised to let us know about them blinds for “The Cave”. We gave
‘im a price for ‘em about a month ago. In fact, we gave ‘im two
prices, because he said the first was too high. Five and six a set I
asked ‘im! take ‘em right through the ‘ole ‘ouse! one with another -
big and little. Two coats of paint, and new tapes and cords. That
wasn’t too much, was it?’
`No,’ said Crass, walking on; `that was cheap enough!’
HE said it was too much,’ continued Latham. `Said as ‘e could get ‘em
done cheaper! But I say as no one can’t do it and make a living.’
As he walked along, talking, between Crass and Slyme, the old man
became very excited.
`But we ‘adn’t nothing to do to speak of, so my son told ‘im we’d do
‘em for five bob a set, and ‘e said ‘e’d let us know, but we ain’t
‘eard nothing from ‘im yet, so I thought I’d try and see ‘im tonight.’
Well, you’ll find ‘im in there now,’ said Slyme with a peculiar look,
and walking faster. `Good night.’
`I won’t take ‘em on for no less!’ cried the old man as he turned
back. I’ve got my livin’ to get, and my son’s got ‘is wife and little
‘uns to keep. We can’t work for nothing!’
`Certainly not,’ said Crass, glad to get away at last. `Good night,
and good luck to you.’
As soon as they were out of hearing, they both burst out laughing at
the old man’s vehemence.
`Seemed quite upset about it,’ said Slyme; and they laughed again.
They now left the main road and pursued their way through a number of
badly lighted, mean-looking streets, and finally turning down a kind
of alley, arrived at their destination. On one side of this street
was a row of small houses; facing these were a number of buildings of
a miscellaneous description - sheds and stables; and beyond these a
plot of waste ground on which could be seen, looming weirdly through
the dusk, a number of empty carts and waggons with their shafts
resting on the ground or reared up into the air. Threading their way
carefully through these and avoiding as much as possible the mud,
pools of water, and rubbish which covered the ground, they arrived at
a large gate fastened with a padlock. Applying the key, Crass swung
back the gate and they found themselves in a large yard filled with
building materials and plant, ladders, huge tressels, planks and beams
of wood, handcarts, and wheelbarrows, heaps of sand and mortar and
innumerable other things that assumed strange fantastic shapes in the
semi-darkness. Crates and packing cases, lengths of iron guttering
and rainpipes, old door-frames and other woodwork that had been taken
from buildings where alterations had been made. And over all these
things, a gloomy, indistinct and shapeless mass, rose the buildings
and sheds that comprised Rushton & Co.‘s workshop.
Crass struck a match, and Slyme, stooping down, drew a key from a
crevice in the wall near one of the doors, which he unlocked, and they
entered. Crass struck another match and lit the gas at the jointed
bracket fixed to the wall. This was the paintshop. At one end was a
fireplace without a grate but with an iron bar fixed across the
blackened chimney for the purpose of suspending pails or pots over the
fire, which was usually made of wood on the hearthstone. All round
the walls of the shop - which had once been whitewashed, but were now
covered with smears of paint of every colour where the men had `rubbed
out’ their brushes - were rows of shelves with kegs of paint upon
them. In front of the window was a long bench covered with an untidy
litter of dirty paint-pots, including several earthenware mixing
vessels or mortars, the sides of these being thickly coated with dried
paint. Scattered about the stone floor were a number of dirty pails,
either empty or containing stale whitewash; and standing on a sort of
low platform or shelf at one end of the shop were four large round
tanks fitted with taps and labelled `Boiled Oil’, `Turps’, `Linseed
Oil’, `Turps Substitute’. The lower parts of the walls were
discoloured with moisture. The atmosphere was cold and damp and foul
with the sickening odours of the poisonous materials.
It was in this place that Bert - the apprentice - spent most of his
time, cleaning out pots and pails, during slack periods when there
were no jobs going on outside.
In the middle of the shop, under a two-armed gas pendant, was another
table or bench, also thickly coated with old, dried paint, and by the
side of this were two large stands on which were hanging up to dry
some of the lathes of the venetian blinds belonging to `The Cave’,
which Crass and Slyme were painting - piecework - in their spare time.
The remainder of the lathes were leaning against the walls or piled in
stacks on the table.
Crass shivered
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