Those Barren Leaves by Aldous Huxley (100 books to read txt) 📕
Description
Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister.
As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era.
His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy.
As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
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- Author: Aldous Huxley
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“Most kind.”
“You’re alone here?”
“Quite, for the present.”
“Then perhaps you might care to come and stay a night or two at my house, until you’re entirely …” She mumbled, made a gesture that implied the missing word and went on. “I have a house over there.” She waved her hand in the direction of the mountainous section of the Shelleian landscape.
Gleefully, in my tipsy mood, I accepted her invitation. “Too delightful,” I said. Everything, this morning, was too delightful. I should have accepted with genuine, unmixed pleasure an invitation to stay with Miss Carruthers or Mr. Brimstone.
“And your name?” she asked. “I don’t know that yet.”
“Chelifer.”
“Chelifer? Not Francis Chelifer?”
“Francis Chelifer,” I affirmed.
“Francis Chelifer!” Positively, her soul was in my name. “But how wonderful! I’ve wanted to meet you for years.”
For the first time since I had risen intoxicated from the dead I had an awful premonition of tomorrow’s sobriety. I remembered for the first time that round the corner, only just round the corner, lay the real world.
“And what’s your name?” I asked apprehensively.
“Lilian Aldwinkle,” said the Chinese lantern lady; and she shaped her lips into a smile that was positively piercing in its sweetness. The blue lamps that were her eyes glittered with such a focused intensity that even the colour-blind chauffeurs who see green omnibuses rolling down Piccadilly and in the Green Park blood-coloured grass and vermilion trees would have known them for the danger signals they were.
An hour later I was reclining on cushions in Mrs. Aldwinkle’s Rolls-Royce. There was no escape.
VIINo escape. … But I was still tipsy enough not seriously to desire escape. My premonition of sobriety had been no more than a momentary flash. It came and it passed again, almost immediately, as I became once more absorbed in what seemed to me the endless and lovely comedy that was being acted all around me. It was enough for me that I existed and that things were happening to me. I was carried by two or three young giants to the hotel, I was dressed, my clothes were packed for me. In the entrance hall, while I was waiting for Mrs. Aldwinkle to come and fetch me, I made some essays at walking; the feebleness of my legs was a source to me of delighted laughter.
Dressed in pale yellow tussore with a large straw hat on her head, Mrs. Aldwinkle finally appeared. Her guests, she explained, had gone home in another machine; I should be able to lie flat, or very nearly, in her empty car. And in case I felt bad—she shook a silver brandy flask at me. Escape? I did not so much as think of it, I was enchanted.
Luxuriously I reclined among the cushions. Mrs. Aldwinkle tapped the forward-looking window. The chauffeur languidly moved his hand and the machine rolled forward, nosing its way through the crowd of admiring car-fanciers which, in Italy, collects as though by magic round every stationary automobile. And Mrs. Aldwinkle’s was a particularly attractive specimen. Young men called to their friends: “Venite. È una Ro-Ro.” And in awed voices little boys whispered to one another: “Una Ro-Ro.” The crowd reluctantly dispersed before our advance; we glided away from before the Grand Hotel, turned into the main street, crossed the piazza, in the centre of which, stranded high and dry by the receding sea, stood the little pink fort which had been built by the Princes of Massa Carrara to keep watch on a Mediterranean made dangerous by Barbary pirates, and rolled out of the village by the road leading across the plain towards the mountains.
Shuffling along in a slowly moving cloud of dust, a train of white oxen advanced, shambling and zigzagging along the road to meet us. Eight yoke of them there were, a long procession, with half a dozen drivers shouting and tugging at the leading ropes and cracking their whips. They were dragging a low truck, clamped to which was a huge monolith of flawless white marble. Uneasily, as we crawled past them, the animals shook their heads, turning this way and that, as though desperately seeking some way of escape. Their long curving horns clashed together; their soft white dewlaps shook; and into their blank brown eyes there came a look of fear, an entreaty that we should take pity on their invincible stupidity and remember that they simply could not, however hard they tried, get used to motor cars.
Mrs. Aldwinkle pointed at the monolith. “Imagine what Michelangelo could have made out of that,” she said. Then, noticing that her pointing hand still grasped the silver flask, she became very solicitous. “You’re sure you wouldn’t like a sip of this?” she asked, leaning forward. The twin blue danger signals glittered in my face. Her garments exhaled a scent in which there was ambergris. Her breath smelt of heliotrope cachous. But even now I did not take fright; I made no effort to escape. Guided by their invincible stupidity, the white oxen had behaved more sensibly than I.
We rolled on. The hills came nearer. The faraway peaks of bare limestone were hidden by the glowing mass of the tilled and wooded foothills. Happily I looked at those huge hilly forms. “How beautiful!” I said. Mrs. Aldwinkle seemed to take my words as a personal compliment.
“I’m so glad you think so. So awfully …” she replied in the tone of an author to whom you have just said that you enjoyed his last book so much.
We drew nearer; the hills towered up, they opposed themselves like a huge wall. But the barrier parted before us; we passed through the gates of a valley that wound up into the mountain. Our road now ran parallel with the bed of a torrent. In the flanks of the hill to our right a marble quarry made a huge bare scar, hundreds of feet long. The crest of the hill was fringed with a growth of umbrella pines. The straight slender tree trunks jetted up thirty feet without
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