So Big by Edna Ferber (read books for money .txt) 📕

conservatory⁠—and would buy an untrimmed “shape” for $2.95 in Field’s basement. The habit of a lifetime is strong. Just once she made herself buy one of these costly silk-and-feather extravagances, going about the purchase deliberately and coldly as a man gets drunk once for the experience. The hat had cost twenty-two dollars. She never had worn it.

Until Dirk was sixteen she had been content to let him develop as naturally as possible, and to absorb impressions unconsciously from the traps she so guilefully left about him. Books on the lives of great men⁠—lives of Lincoln, of Washington, Gladstone, Disraeli, Voltaire. History. Books on painting, charmingly illustrated. Books on architecture; law; medicine, even. She subscribed to two of the best engineering magazines. There was a shed which he was free to use as a workshop, fitted up with all sorts of tools. He did not use it much, after the first few weeks. He was pleasantly and mildly interested in all these things; held by none of them. Selina had thought of Roelf when they were fitting up the workshop. The Pools had heard from Roelf just once since his flight from the farm. A letter had come from France. In it was a sum of money for Geertje and Jozina⁠—a small sum to take the trouble to send all the way from an outlandish country, the well-to-do Pool household thought. Geertje was married now to Vander Sijde’s son Gerrit and living on a farm out Low Prairie way. Jozina had a crazy idea that she wanted to go into the city as a nurse. Roelf’s small gift of money made little difference in their day. They never knew the struggle that the impecunious young Paris art student had had to save it sou by sou. Selina had never heard from him. But one day years later she had come running to Dirk with an illustrated magazine in her hand.

“Look!” she had cried, and pointed to a picture. He had rarely seen her so excited, so stirred. The illustration showed a photographic reproduction of a piece of sculpture⁠—a woman’s figure. It was called The Seine. A figure sinuous, snakelike, graceful, revolting, beautiful, terrible. The face alluring, insatiable, generous, treacherous, all at once. It was the Seine that fed the fertile valley land; the Seine that claimed a thousand bloated lifeless floating Things; the red-eyed hag of 1793; the dimpling coquette of 1650. Beneath the illustration a line or two⁠—Roelf Pool⁠ ⁠… Salon⁠ ⁠… American⁠ ⁠… future⁠ ⁠…

“It’s Roelf!” Selina had cried. “Roelf. Little Roelf Pool!” Tears in her eyes. Dirk had been politely interested. But then he had never known him, really. He had heard his mother speak of him, but⁠—

Selina showed the picture to the Pools, driving over there one evening to surprise them with it. Mrs. Klaas Pool had been horrified at the picture of a nude woman’s figure; had cried “Og heden!” in disgust, and had seemed to think that Selina had brought it over in a spirit of spite. Was she going to show it to the rest of High Prairie!

Selina understood High Prairie folk better now, though not altogether, even after almost twenty years of living amongst them. A cold people, yet kindly. Suspicious, yet generous. Distrustful of all change, yet progressing by sheer force of thrift and unceasing labour. Unimaginative for generations, only to produce⁠—a Roelf Pool.

She tried now to explain the meaning of the figure Roelf had moulded so masterfully. “You see, it’s supposed to represent the Seine. The River Seine that flows through Paris into the countryside beyond. The whole history of Paris⁠—of France⁠—is bound up in the Seine; intertwined with it. Terrible things, and magnificent things. It flows just beneath the Louvre. You can see it from the Bastille. On its largest island stands Notre Dame. The Seine has seen such things, Mrs. Pool!⁠—”

“What dom talk!” interrupted the late widow. “A river can’t see. Anybody knows that.”

At seventeen Dirk and Selina talked of the year to come. He was going to a university. But to what university? And what did he want to study? We-e-ll, hard to say. Kind of a general course, wasn’t there? Some languages⁠—little French or something⁠—and political economy, and some literature and maybe history.

“Oh,” Selina had said. “Yes. General. Of course, if a person wanted to be an architect, why, I suppose Cornell would be the place. Or Harvard for law. Or Boston Tech for engineering, or⁠—”

Oh, yeh, if a fellow wanted any of those things. Good idea, though, to take a kind of general course until you found out exactly what you wanted to do. Languages and literature and that kind of thing.

Selina was rather delighted than otherwise. That, she knew, was the way they did it in England. You sent your son to a university not to cram some technical course into him, or to railroad him through a book-knowledge of some profession. You sent him so that he might develop in an atmosphere of books, of learning; spending relaxed hours in the companionship of men who taught for the love of teaching; whose informal talks before a study fire were more richly valuable than whole courses of classroom lectures. She had read of these things in English novels. Oxford. Cambridge. Dons. Ivy. Punting. Prints. Mullioned windows. Books. Discussion. Literary clubs.

This was England. An older civilization, of course. But there must be something of that in American universities. And if that was what Dirk wanted she was glad. Glad! A reaching after true beauty.

You heard such wonderful things about Midwest University, in Chicago. On the south side. It was new, yes. But those Gothic buildings gave an effect, somehow, of age and permanence (the smoke and cinders from the Illinois Central suburban trains were largely responsible for that, as well as the soft coal from a thousand neighbouring chimneys). And there actually was ivy. Undeniable ivy, and mullioned windows.

Dirk had suggested it, not she. The entrance requirements were quite mild. Harvard? Yale? Oh, those fellows all had wads of money.