The Magnificent Ambersons by Booth Tarkington (little red riding hood ebook .TXT) 📕
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The Magnificent Ambersons, winner of the 1919 Pulitzer prize, is considered by many to be Booth Tarkington’s finest novel and an American classic. The story is set in the Midwest, where George, the spoiled and oblivious scion of an old-money family, must cope with their waning fortunes and the rise of industry barons in the automobile age.
George’s antiheroic struggles with modernity encapsulate a greater theme of change and renewal—specifically, the very American notion of a small community exploding into a dark and dirty city virtually overnight by virtue of industrial “progress.” Tarkington’s nuanced portrayal of the often-unlikable Amberson family and his paradoxical framing of progress as a destroyer of family, community, and environment, make The Magnificent Ambersons a fascinating and forward-thinking novel—certainly one with a permanent place in the American social canon. Despite the often heavy themes, Tarkington’s prose remains uniquely witty, charming, and brisk.
The novel is the second in Tarkington’s Growth trilogy of novels, and has been adapted several times for radio, film, and television, including a 1942 Orson Welles adaptation that many consider one of the finest American films ever made.
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- Author: Booth Tarkington
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Her cheeks were flushed, and her dark eyes were bright indeed; evidences, as George supposed, of the excitement incidental to the perfectly gorgeous time just concluded; though Janie and Mary Sharon both thought they were the effect of Lucy’s having seen George’s runabout in front of the house as she came in. George took on colour, himself, as he rose and nodded indifferently; and the hot suffusion to which he became subject extended its area to include his neck and ears. Nothing could have made him much more indignant than his consciousness of these symptoms of the icy indifference which it was his purpose not only to show but to feel.
She kissed her cousins, gave George her hand, said “How d’you do,” and took a chair beside Janie with a composure which augmented George’s indignation.
“How d’you do,” he said. “I trust that ah—I trust—I do trust—”
He stopped, for it seemed to him that the word “trust” sounded idiotic. Then, to cover his awkwardness, he coughed, and even to his own rosy ears his cough was ostentatiously a false one. Whereupon, seeking to be plausible, he coughed again, and instantly hated himself: the sound he made was an atrocity. Meanwhile, Lucy sat silent, and the two Sharon girls leaned forward, staring at him with strained eyes, their lips tightly compressed; and both were but too easily diagnosed as subject to an agitation which threatened their self-control. He began again.
“I er—I hope you have had a—a pleasant time. I er—I hope you are well. I hope you are extremely—I hope extremely—extremely—” And again he stopped in the midst of his floundering, not knowing how to progress beyond “extremely,” and unable to understand why the infernal word kept getting into his mouth.
“I beg your pardon?” Lucy said.
George was never more furious; he felt that he was “making a spectacle of himself”; and no young gentleman in the world was more loath than George Amberson Minafer to look a figure of fun. And while he stood there, undeniably such a figure, with Janie and Mary Sharon threatening to burst at any moment, if laughter were longer denied them. Lucy sat looking at him with her eyebrows delicately lifted in casual, polite inquiry. Her own complete composure was what most galled him.
“Nothing of the slightest importance!” he managed to say. “I was just leaving. Good afternoon!” And with long strides he reached the door and hastened through the hall; but before he closed the front door he heard from Janie and Mary Sharon the outburst of wild, irrepressible emotion which his performance had inspired.
He drove home in a tumultuous mood, and almost ran down two ladies who were engaged in absorbing conversation at a crossing. They were his Aunt Fanny and the stout Mrs. Johnson; a jerk of the reins at the last instant saved them by a few inches; but their conversation was so interesting that they were unaware of their danger, and did not notice the runabout, nor how close it came to them. George was so furious with himself and with the girl whose unexpected coming into a room could make him look such a fool, that it might have soothed him a little if he had actually run over the two absorbed ladies without injuring them beyond repair. At least, he said to himself that he wished he had; it might have taken his mind off of himself for a few minutes. For, in truth, to be ridiculous (and know it) was one of several things that George was unable to endure. He was savage.
He drove into the Major’s stable too fast, the sagacious Pendennis saving himself from going through a partition by a swerve which splintered a shaft of the runabout and almost threw the driver to the floor. George swore, and then swore again at the fat old darkey, Tom, for giggling at his swearing.
“Hoopee!” said old Tom. “Mus’ been some white lady use Mist’ Jawge mighty bad! White lady say, ‘No, suh, I ain’ go’n out ridin’ ’ith Mist’ Jawge no mo’!’ Mist’ Jawge drive in. ‘Dam de dam worl’! Dam de dam hoss! Dam de dam nigga’! Dam de dam dam!’ Hoopee!”
“That’ll do!” George said sternly.
“Yessuh!”
George strode from the stable, crossed the Major’s back yard, then passed behind the new houses, on his way home. These structures were now approaching completion, but still in a state of rawness hideous to George—though, for that matter, they were never to be anything except hideous to him. Behind them, stray planks, bricks, refuse of plaster and lath, shingles, straw, empty barrels, strips of twisted tin and broken tiles were strewn everywhere over the dried and pitted gray mud where once the suave lawn had lain like a green lake around those stately islands, the two Amberson houses. And George’s state of mind was not improved by his present view of this repulsive area, nor by his sensations when he kicked an uptilted shingle only to discover that what uptilted it was a brickbat on the other side of it. After that, the whole world seemed to be one solid conspiracy of malevolence.
In this temper he emerged from behind the house nearest to his own, and, glancing toward the street, saw his mother standing with Eugene Morgan upon the cement path that led to the front gate. She was bareheaded, and Eugene held his hat and stick in his hand; evidently he had been calling upon her, and she had come from the house with him, continuing their conversation and delaying their parting.
They had paused in their slow walk from the front door to the gate, yet still stood side by side, their shoulders almost touching, as though neither Isabel nor Eugene quite realized that their feet
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