The Innocence of Father Brown by G. K. Chesterton (an ebook reader TXT) 📕

that a sneer seemed cut into his face. Over his evening clothes he wore a curious pale yellow coat that looked more like a very light dressing gown than an overcoat, and on the back of his head was stuck an extraordinary broad-brimmed hat of a bright green colour, evidently some oriental curiosity caught up at random. He was proud of appearing in such incongruous attires⁠—proud of the fact that he always made them look congruous.

His brother the curate had also the yellow hair and the elegance, but he was buttoned up to the chin in black, and his face was clean-shaven, cultivated, and a little nervous. He seemed to live for nothing but his religion; but there were some who said (notably the blacksmith, who was a Presbyterian) that it was a love of Gothic architecture rather than of God, and that his haunting of the church like a ghost was only another and purer turn of the almost morbid thirst for beauty which sent his brother raging after women and wine. This charge was doubtful, while the man’s practical piety was indubitable. Indeed, the charge was mostly an ignorant misunderstanding of the love of solitude and secret prayer, and was founded on his being often found kneeling, not before the altar, but in peculiar places, in the crypts or gallery, or even in the belfry. He was at the moment about to enter the church through the yard of the smithy, but stopped and frowned a little as he saw his brother’s cavernous eyes staring in the same direction. On the hypothesis that the colonel was interested in the church he did not waste any speculations. There only remained the blacksmith’s shop, and though the blacksmith was a Puritan and none of his people, Wilfred Bohun had heard some scandals about a beautiful and rather celebrated wife. He flung a suspicious look across the shed, and the colonel stood up laughing to speak to him.

“Good morning, Wilfred,” he said. “Like a good landlord I am watching sleeplessly over my people. I am going to call on the blacksmith.”

Wilfred looked at the ground, and said: “The blacksmith is out. He is over at Greenford.”

“I know,” answered the other with silent laughter; “that is why I am calling on him.”

“Norman,” said the cleric, with his eye on a pebble in the road, “are you ever afraid of thunderbolts?”

“What do you mean?” asked the colonel. “Is your hobby meteorology?”

“I mean,” said Wilfred, without looking up, “do you ever think that God might strike you in the street?”

“I beg your pardon,” said the colonel; “I see your hobby is folklore.”

“I know your hobby is blasphemy,” retorted the religious man, stung in the one live place of his nature. “But if you do not fear God, you have good reason to fear man.”

The elder raised his eyebrows politely. “Fear man?” he said.

“Barnes the blacksmith is the biggest and strongest man for forty miles round,” said the clergyman sternly. “I know you are no coward or weakling, but he could throw you over the wall.”

This struck home, being true, and the lowering line by mouth and nostril darkened and deepened. For a moment he stood with the heavy sneer on his face. But in an instant Colonel Bohun had recovered his own cruel good humour and laughed, showing two doglike front teeth under his yellow moustache. “In that case, my dear Wilfred,” he said quite carelessly, “it was wise for the last of the Bohuns to come out partially in armour.”

And he took off the queer round hat covered with green, showing that it was lined within with steel. Wilfred recognised it indeed as a light Japanese or Chinese helmet torn down from a trophy that hung in the old family hall.

“It was the first hat to hand,” explained his brother airily; “always the nearest hat⁠—and the nearest woman.”

“The blacksmith is away at Greenford,” said Wilfred quietly; “the time of his return is unsettled.”

And with that he turned and went into the church with bowed head, crossing himself like one who wishes to be quit of an unclean spirit. He was anxious to forget such grossness in the cool twilight of his tall Gothic cloisters; but on that morning it was fated that his still round of religious exercises should be everywhere arrested by small shocks. As he entered the church, hitherto always empty at that hour, a kneeling figure rose hastily to its feet and came towards the full daylight of the doorway. When the curate saw it he stood still with surprise. For the early worshipper was none other than the village idiot, a nephew of the blacksmith, one who neither would nor could care for the church or for anything else. He was always called “Mad Joe,” and seemed to have no other name; he was a dark, strong, slouching lad, with a heavy white face, dark straight hair, and a mouth always open. As he passed the priest, his moon-calf countenance gave no hint of what he had been doing or thinking of. He had never been known to pray before. What sort of prayers was he saying now? Extraordinary prayers surely.

Wilfred Bohun stood rooted to the spot long enough to see the idiot go out into the sunshine, and even to see his dissolute brother hail him with a sort of avuncular jocularity. The last thing he saw was the colonel throwing pennies at the open mouth of Joe, with the serious appearance of trying to hit it.

This ugly sunlit picture of the stupidity and cruelty of the earth sent the ascetic finally to his prayers for purification and new thoughts. He went up to a pew in the gallery, which brought him under a coloured window which he loved and always quieted his spirit; a blue window with an angel carrying lilies. There he began to think less about the half-wit, with his livid face and mouth like a fish. He began to think less of his evil