Sister Carrie by Theodore Dreiser (best book clubs .TXT) 📕

position, and commanded friendship by intuitive tact in handling people, was quite a figure. He was more generally known than most others in the same circle, and was looked upon as someone whose reserve covered a mine of influence and solid financial prosperity.

Tonight he was in his element. He came with several friends directly from Rector’s in a carriage. In the lobby he met Drouet, who was just returning from a trip for more cigars. All five now joined in an animated conversation concerning the company present and the general drift of lodge affairs.

“Who’s here?” said Hurstwood, passing into the theatre proper, where the lights were turned up and a company of gentlemen were laughing and talking in the open space back of the seats.

“Why, how do you do, Mr. Hurstwood?” came from the first individual recognised.

“Glad to see you,” said the latter, grasping his hand lightly.

“Looks quite an affair, doesn’t it?”

“Yes, indeed,” said the manager.

“Custer seems to have the backing of its members,” observed the friend.

“So it should,” said the knowing manager. “I’m glad to see it.”

“Well, George,” said another rotund citizen, whose avoirdupois made necessary an almost alarming display of starched shirt bosom, “how goes it with you?”

“Excellent,” said the manager.

“What brings you over here? You’re not a member of Custer.”

“Good-nature,” returned the manager. “Like to see the boys, you know.”

“Wife here?”

“She couldn’t come tonight. She’s not well.”

“Sorry to hear it⁠—nothing serious, I hope.”

“No, just feeling a little ill.”

“I remember Mrs. Hurstwood when she was travelling once with you over to St. Joe⁠—” and here the newcomer launched off in a trivial recollection, which was terminated by the arrival of more friends.

“Why, George, how are you?” said another genial West Side politician and lodge member. “My, but I’m glad to see you again; how are things, anyhow?”

“Very well; I see you got that nomination for alderman.”

“Yes, we whipped them out over there without much trouble.”

“What do you suppose Hennessy will do now?”

“Oh, he’ll go back to his brick business. He has a brickyard, you know.”

“I didn’t know that,” said the manager. “Felt pretty sore, I suppose, over his defeat.”

“Perhaps,” said the other, winking shrewdly.

Some of the more favoured of his friends whom he had invited began to roll up in carriages now. They came shuffling in with a great show of finery and much evident feeling of content and importance.

“Here we are,” said Hurstwood, turning to one from a group with whom he was talking.

“That’s right,” returned the newcomer, a gentleman of about forty-five.

“And say,” he whispered, jovially, pulling Hurstwood over by the shoulder so that he might whisper in his ear, “if this isn’t a good show, I’ll punch your head.”

“You ought to pay for seeing your old friends. Bother the show!”

To another who inquired, “Is it something really good?” the manager replied:

“I don’t know. I don’t suppose so.” Then, lifting his hand graciously, “For the lodge.”

“Lots of boys out, eh?”

“Yes, look up Shanahan. He was just asking for you a moment ago.”

It was thus that the little theatre resounded to a babble of successful voices, the creak of fine clothes, the commonplace of good-nature, and all largely because of this man’s bidding. Look at him any time within the half hour before the curtain was up, he was a member of an eminent group⁠—a rounded company of five or more whose stout figures, large white bosoms, and shining pins bespoke the character of their success. The gentlemen who brought their wives called him out to shake hands. Seats clicked, ushers bowed while he looked blandly on. He was evidently a light among them, reflecting in his personality the ambitions of those who greeted him. He was acknowledged, fawned upon, in a way lionised. Through it all one could see the standing of the man. It was greatness in a way, small as it was.

XIX An Hour in Elfland: A Clamour Half Heard

At last the curtain was ready to go up. All the details of the makeup had been completed, and the company settled down as the leader of the small, hired orchestra tapped significantly upon his music rack with his baton and began the soft curtain-raising strain. Hurstwood ceased talking, and went with Drouet and his friend Sagar Morrison around to the box.

“Now, we’ll see how the little girl does,” he said to Drouet, in a tone which no one else could hear.

On the stage, six of the characters had already appeared in the opening parlour scene. Drouet and Hurstwood saw at a glance that Carrie was not among them, and went on talking in a whisper. Mrs. Morgan, Mrs. Hoagland, and the actor who had taken Bamberger’s part were representing the principal roles in this scene. The professional, whose name was Patton, had little to recommend him outside of his assurance, but this at the present moment was most palpably needed. Mrs. Morgan, as Pearl, was stiff with fright. Mrs. Hoagland was husky in the throat. The whole company was so weak-kneed that the lines were merely spoken, and nothing more. It took all the hope and uncritical good-nature of the audience to keep from manifesting pity by that unrest which is the agony of failure.

Hurstwood was perfectly indifferent. He took it for granted that it would be worthless. All he cared for was to have it endurable enough to allow for pretension and congratulation afterward.

After the first rush of fright, however, the players got over the danger of collapse. They rambled weakly forward, losing nearly all the expression which was intended, and making the thing dull in the extreme, when Carrie came in.

One glance at her, and both Hurstwood and Drouet saw plainly that she also was weak-kneed. She came faintly across the stage, saying:

“And you, sir; we have been looking for you since eight o’clock,” but with so little colour and in such a feeble voice that it was positively painful.

“She’s frightened,” whispered Drouet to Hurstwood.

The manager made no answer.

She had a line presently which was supposed to be funny.

“Well, that’s as much as