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was a blind—a practical joke almost—and concealed something real, that either desired. Serious and good-tempered, he continued to hold his own, and if he made no offensive it was because his blood wasn't warm. To set it moving, a shock from without was required, and chance administered this.

He was bending over a model of the Acropolis with his forehead a little wrinkled and his lips murmuring, "I see, I see, I see." A gentleman near overheard him, started, peered through strong spectacles, and said "Surely! I may forget faces but never a voice. Surely! You are one of our old boys." It was Mr Ducie.

Maurice did not reply. Alec sidled up closer to participate.

"Surely you were at Mr Abrahams's school. Now wait! Wait! Don't tell me your name. I want to remember it. I will remember it. You're not Sanday, you're not Gibbs. I know. I know. It's Wimbleby."

How like Mr Ducie to get the facts just wrong! To his own name Maurice would have responded, but he now had the inclination to lie; he was tired of their endless inaccuracy, he had suffered too much from it. He replied, "No, my name's Scudder." The correction flew out as the first that occurred to him. It lay ripe to be used, and as he uttered it he knew why. But at the instant of enlightenment Alec himself spoke. "It isn't," he said

to Mr Ducie, "and I've a serious charge to bring against this gentleman."

"Yes, awfully serious," remarked Maurice, and rested his hand on Alec's shoulder, so that the fingers touched the back of the neck, doing this merely because he wished to do it, not for another reason.

Mr Ducie did not take notice. An unsuspicious man, he assumed some uncouth joke. The dark gentlemanly fellow couldn't be Wimbleby if he said he wasn't. He said, "I'm extremely sorry, sir, it's so seldom I make a mistake," and then, determined to show he was not an old fool, he addressed the silent pair on the subject of the British Museum—not merely a collection of relics but a place round which one could take—er—the less fortunate, quite so—a stimulating place—it raised questions even in the minds of boys—which one answered—no doubt inadequately; until a patient voice said, "Ben, we are waiting," and Mr Ducie rejoined his wife. As he did so Alec jerked away and muttered, 'That's all right. . .. I won't trouble you now."

"Where are you going with your serious charge?" said Maurice, suddenly formidable.

"Couldn't say." He looked back, his colouring stood out against the heroes, perfect but bloodless, who had never known bewilderment or infamy. "Don't you worry—I'll never harm you now, you've too much pluck."

"Pluck be damned," said Maurice, with a plunge into anger.

"It'll all go no further—" He struck his own mouth. "I don't know what came over me, Mr Hall; I don't want to harm you, I never did."

"You blackmailed me."

"No, sir, no..."

"You did."

"Maurice, listen, I only ..."

"Maurice am I?"

"You called me Alec... . I'm as good as you."

"I don't find you are!" There was a pause; before the storm; then he burst out: "By God, if you'd split on me to Mr Ducie, I'd have broken you. It might have cost me hundreds, but I've got them, and the police always back my sort against yours. You don't know. We'd have got you into quod, for blackmail, after which—I'd have blown out my brains."

"Killed yourself? Death?"

"I should have known by that time that I loved you. Too late ... everything's always too late." The rows of old statues tottered, and he heard himself add, "I don't mean anything, but come outside, we can't talk here." They left the enormous and overheated building, they passed the library, supposed catholic, seeking darkness and rain. On the portico Maurice stopped and said bitterly, "I forgot. Your brother?"

"He's down at father's—doesn't know a word—I was but threatening—"

"—for blackmail."

"Could you but understand..." He pulled out Maurice's note. "Take it if you like.... I don't want it.. . never did .... I suppose this is the end."

Assuredly it wasn't that. Unable to part yet ignorant of what could next come, they strode raging through the last glimmering of the sordid day; night, ever one in her quality, came finally, and Maurice recovered his self-control and could look at the new material that passion had gained for him. In a deserted square, against railings that encircled some trees, they came to a halt, and he began to discuss their crisis.

But as he grew calm the other grew fierce. It was as if Mr Ducie had established some infuriating inequality between them, so that one struck as soon as his fellow tired of striking. Alec said savagely, "It rained harder than this in the boathouse, it was yet colder. Why did you not come?"

"Muddle."

"I beg your pardon?"

"You've to learn I'm always in a muddle. I didn't come or write because I wanted to get away from you without wanting. You won't understand. You kept dragging me back and I got awfully frightened. I felt you when I tried to get some sleep at the doctor's. You came hard at me. I knew something was evil but couldn't tell what, so kept pretending it was you."

"What was it?"

"The—situation."

"I don't follow this. Why did you not come to the boathouse?"

"My fear—and your trouble has been fear too. Ever since the cricket match you've let yourself get afraid of me. That's why we've been trying to down one another so and are still."

"I wouldn't take a penny from you, I wouldn't hurt your little finger," he growled, and rattled the bars that kept him from the trees.

"But you're still trying hard to hurt me in my mind."

"Why do you go and say you love me?"

"Why do you call me Maurice?"

"Oh let's give over talking. Here—" and he held out his hand. Maurice took it, and they knew at that moment the greatest triumph ordinary man can win. Physical love means reaction, being panic in essence, and

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