Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
Read free book Β«Short Fiction by O. Henry (librera reader txt) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: O. Henry
Read book online Β«Short Fiction by O. Henry (librera reader txt) πΒ». Author - O. Henry
And then he painted for them with hard, broad strokes a marvellous lingual panorama of the West. He stacked snow-topped mountains on the table, freezing the hot dishes of the waiting diners. With a wave of his hand he swept the clubhouse into a pine-crowned gorge, turning the waiters into a grim posse, and each listener into a bloodstained fugitive, climbing with torn fingers upon the ensanguined rocks. He touched the table and spake, and the five panted as they gazed on barren lava beds, and each man took his tongue between his teeth and felt his mouth bake at the tale of a land empty of water and food. As simply as Homer sang, while he dug a tine of his fork leisurely into the tablecloth, he opened a new world to their view, as does one who tells a child of the Looking-Glass Country.
As one of his listeners might have spoken of tea too strong at a Madison Square βafternoon,β so he depicted the ravages of βredeyeβ in a border town when the caballeros of the lariat and βforty-fiveβ reduced ennui to a minimum.
And then, with a sweep of his white, unringed hands, he dismissed Melpomene, and forthwith Diana and Amaryllis footed it before the mindβs eyes of the clubmen.
The savannas of the continent spread before them. The wind, humming through a hundred leagues of sage brush and mesquite, closed their ears to the cityβs staccato noises. He told them of camps, of ranches marooned in a sea of fragrant prairie blossoms, of gallops in the stilly night that Apollo would have forsaken his daytime steeds to enjoy; he read them the great, rough epic of the cattle and the hills that have not been spoiled by the hand of man, the mason. His words were a telescope to the city men, whose eyes had looked upon Youngstown, O., and whose tongues had called it βWest.β
In fact, Emerson had them βgoing.β
The next morning at ten he met Vuyning, by appointment, at a Forty-second Street cafΓ©.
Emerson was to leave for the West that day. He wore a suit of dark cheviot that looked to have been draped upon him by an ancient Grecian tailor who was a few thousand years ahead of the styles.
βMr. Vuyning,β said he, with the clear, ingenuous smile of the successful βcrook,β βitβs up to me to go the limit for you any time I can do so. Youβre the real thing; and if I can ever return the favor, you bet your life Iβll do it.β
βWhat was that cowpuncherβs name?β asked Vuyning, βwho used to catch a mustang by the nose and mane, and throw him till he put the bridle on?β
βBates,β said Emerson.
βThanks,β said Vuyning. βI thought it was Yates. Oh, about that toggery businessβ βIβd forgotten that.β
βIβve been looking for some guy to put me on the right track for years,β said Emerson. βYouβre the goods, duty free, and halfway to the warehouse in a red wagon.β
βBacon, toasted on a green willow switch over red coals, ought to put broiled lobsters out of business,β said Vuyning. βAnd you say a horse at the end of a thirty-foot rope canβt pull a ten-inch stake out of wet prairie? Well, goodbye, old man, if you must be off.β
At one oβclock Vuyning had luncheon with Miss Allison by previous arrangement.
For thirty minutes he babbled to her, unaccountably, of ranches, horses, canyons, cyclones, roundups, Rocky Mountains and beans and bacon. She looked at him with wondering and half-terrified eyes.
βI was going to propose again today,β said Vuyning, cheerily, βbut I wonβt. Iβve worried you often enough. You know dad has a ranch in Colorado. Whatβs the good of staying here? Jumping jonquils! but itβs great out there. Iβm going to start next Tuesday.β
βNo, you wonβt,β said Miss Allison.
βWhat?β said Vuyning.
βNot alone,β said Miss Allison, dropping a tear upon her salad. βWhat do you think?β
βBetty!β exclaimed Vuyning, βwhat do you mean?β
βIβll go too,β said Miss Allison, forcibly. Vuyning filled her glass with Apollinaris.
βHereβs to Rowdy the Dude!β he gaveβ βa toast mysterious.
βDonβt know him,β said Miss Allison; βbut if heβs your friend, Jimmyβ βhere goes!β
The Poet and the PeasantThe other day a poet friend of mine, who has lived in close communion with nature all his life, wrote a poem and took it to an editor.
It was a living pastoral, full of the genuine breath of the fields, the song of birds, and the pleasant chatter of trickling streams.
When the poet called again to see about it, with hopes of a beefsteak dinner in his heart, it was handed back to him with the comment:
βToo artificial.β
Several of us met over spaghetti and Dutchess County chianti, and swallowed indignation with slippery forkfuls.
And there we dug a pit for the editor. With us was Conant, a well-arrived writer of fictionβ βa man who had trod on asphalt all his life, and who had never looked upon bucolic scenes except with sensations of disgust from the windows of express trains.
Conant wrote a poem and called it βThe Doe and the Brook.β It was a fine specimen of the kind of work you would expect from a poet who had strayed with Amaryllis only as far as the floristβs windows, and whose sole ornithological discussion had been carried on with a waiter. Conant signed this poem, and we sent it to the same editor.
But this has very little to do with the story.
Just as the editor was reading the first line of the poem, on the next morning, a being stumbled off the West Shore ferryboat,
Comments (0)