A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) ๐
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A Portrait of the Artist as a Young Man is Joyceโs first novel, published after the previous success of his short story collection Dubliners. The novel is written in a modernist style, with dialog and narration blending together in a kind of stream-of-consciousness meant to invoke the blurriness of memory.
Joyce originally planned writing a realist autobiographical novel of 63 chapters titled Stephen Hero. He abandoned the attempt halfway through, and refocused his efforts on Portrait, a shorter, sharper work in the modernist style. His alter-ego remained Stephen Dedalus, named after Daedalus, the mythological Greek craftsman and father of Icarus. Portrait was written while he was waiting for Dubliners to be published, a process that took eight years and so frustrated Joyce that he once threw the manuscript of Portrait into a fire, causing his family to run to save it.
The novel closely traces Joyceโs early years. Like his alter-ego Stephen, Joyce was born into a middle-class family and lived in Dublin as they descended into poverty; he rebelled against his Irish Catholic upbringing to become a star student at Dublin University, and put aside thoughts of priesthood or medicine, the other careers offered him, to become a writer. Joyce doesnโt shy away from sensitive topics, presenting the discoveries of youth in all of their physical detail, including Stephenโs teenage visits to prostitutes (which also mirror Joyceโs youth, and were how he probably contracted the suspected syphilis that plagued his vision and tortured his health for the rest of his life), and the homosexual explorations of children at a Jesuit school.
The writing is in the free indirect style, allowing the narrator to both focus on Stephen and present characters and events through his eyes, until the last chapter, where Stephenโs first-person diary entries suggest heโs finally found his voice. As the novel progresses, the syntax and vocabulary also grow in complexity, reflecting Stephenโs own development.
Of Joyceโs three novels, Portrait is the most straightforward and accessible. But it remains just as rich and complex as any masterpiece, with critics across generations hailing it as work of unique beauty and perception.
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- Author: James Joyce
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He felt above him the vast indifferent dome and the calm processes of the heavenly bodies; and the earth beneath him, the earth that had borne him, had taken him to her breast.
He closed his eyes in the languor of sleep. His eyelids trembled as if they felt the vast cyclic movement of the earth and her watchers, trembled as if they felt the strange light of some new world. His soul was swooning into some new world, fantastic, dim, uncertain as under sea, traversed by cloudy shapes and beings. A world, a glimmer or a flower? Glimmering and trembling, trembling and unfolding, a breaking light, an opening flower, it spread in endless succession to itself, breaking in full crimson and unfolding and fading to palest rose, leaf by leaf and wave of light by wave of light, flooding all the heavens with its soft flushes, every flush deeper than the other.
Evening had fallen when he woke and the sand and arid grasses of his bed glowed no longer. He rose slowly and, recalling the rapture of his sleep, sighed at its joy.
He climbed to the crest of the sandhill and gazed about him. Evening had fallen. A rim of the young moon cleft the pale waste of skyline, the rim of a silver hoop embedded in grey sand; and the tide was flowing in fast to the land with a low whisper of her waves, islanding a few last figures in distant pools.
VHe drained his third cup of watery tea to the dregs and set to chewing the crusts of fried bread that were scattered near him, staring into the dark pool of the jar. The yellow dripping had been scooped out like a boghole and the pool under it brought back to his memory the dark turfcoloured water of the bath in Clongowes. The box of pawn tickets at his elbow had just been rifled and he took up idly one after another in his greasy fingers the blue and white dockets, scrawled and sanded and creased and bearing the name of the pledger as Daly or MacEvoy.
1 Pair Buskins.
1 D. Coat.
3 Articles and White.
1 Manโs Pants.
Then he put them aside and gazed thoughtfully at the lid of the box, speckled with louse marks, and asked vaguely:
โHow much is the clock fast now?
His mother straightened the battered alarm clock that was lying on its side in the middle of the mantelpiece until its dial showed a quarter to twelve and then laid it once more on its side.
โAn hour and twenty-five minutes, she said. The right time now is twenty past ten. The dear knows you might try to be in time for your lectures.
โFill out the place for me to wash, said Stephen.
โKatey, fill out the place for Stephen to wash.
โBoody, fill out the place for Stephen to wash.
โI canโt, Iโm going for blue. Fill it out, you, Maggy.
When the enamelled basin had been fitted into the well of the sink and the old washing glove flung on the side of it he allowed his mother to scrub his neck and root into the folds of his ears and into the interstices at the wings of his nose.
โWell, itโs a poor case, she said, when a university student is so dirty that his mother has to wash him.
โBut it gives you pleasure, said Stephen calmly.
An earsplitting whistle was heard from upstairs and his mother thrust a damp overall into his hands, saying:
โDry yourself and hurry out for the love of goodness.
A second shrill whistle, prolonged angrily, brought one of the girls to the foot of the staircase.
โYes, father?
โIs your lazy bitch of a brother gone out yet?
โYes, father.
โSure?
โYes, father.
โHm!
The girl came back, making signs to him to be quick and go out quietly by the back. Stephen laughed and said:
โHe has a curious idea of genders if he thinks a bitch is masculine.
โAh, itโs a scandalous shame for you, Stephen, said his mother, and youโll live to rue the day you set your foot in that place. I know how it has changed you.
โGood morning, everybody, said Stephen, smiling and kissing the tips of his fingers in adieu.
The lane behind the terrace was waterlogged and as he went down it slowly, choosing his steps amid heaps of wet rubbish, he heard a mad nun screeching in the nunsโ madhouse beyond the wall.
โJesus! O Jesus! Jesus!
He shook the sound out of his ears by an angry toss of his head and hurried on, stumbling through the mouldering offal, his heart already bitten by an ache of loathing and bitterness. His fatherโs whistle, his motherโs mutterings, the screech of an unseen maniac were to him now so many voices offending and threatening to humble the pride of his youth. He drove their echoes even out of his heart with an execration; but, as he walked down the avenue and felt the grey morning light falling about him through the dripping trees and smelt the strange wild smell of the wet leaves and bark, his soul was loosed of her miseries.
The rainladen trees of the avenue evoked in him, as always, memories of the girls and women in the plays of Gerhart Hauptmann; and the memory of their pale sorrows and the fragrance falling from the wet branches mingled in a mood of quiet joy. His morning walk across the city had begun, and he foreknew that as he passed the sloblands of Fairview he would think of the cloistral silverveined prose of Newman; that as he walked along the North Strand Road, glancing idly at the windows of the provision shops, he would recall the dark humour of Guido Cavalcanti and smile; that as he went
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