In a Glass Darkly by J. Sheridan Le Fanu (10 best novels of all time TXT) 📕
Description
In a Glass Darkly is a collection of five short stories, presented as posthumous papers of cases of the “metaphysical” doctor Dr. Martin Hesselius. First appearing in “Green Tea,” originally published in 1869, Dr. Hesselius became one of the first literary occult detectives.
J. Sheridan Le Fanu often made revisions to his work and re-released several under new names, including two from In a Glass Darkly: “The Familiar,” a revised version of “The Watcher,” published in 1851, and “Mr. Justice Harbottle,” a revised version of “An Account of Some Strange Disturbances in Aungier Street,” published in 1853.
Most notably, this collection includes what is likely Sheridan Le Fanu’s most famous work, “Carmilla.” A young countess turned vampire, Countess Mircalla uses the anagram of her name, Carmilla, to disguise herself in order to prey on unsuspecting young women. “Carmilla” would heavily influence Bram Stoker’s Dracula, which would later become the prototypical vampire archetype.
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- Author: J. Sheridan Le Fanu
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I was very well pleased when I saw the bearers set down their burden within a few yards of the spot on which I stood.
The bearers and the men with the gilded wands forthwith clapped their hands, and in silence danced round the palanquin a curious and half frantic dance, which was yet, as to figures and postures, perfectly methodical. This was soon accompanied by a clapping of hands and a ha-ha-ing, rhythmically delivered.
While the dance was going on a hand was lightly laid on my arm, and, looking round, a black domino with a white cross stood beside me.
“I am so glad I have found you,” said the Marquis; “and at this moment. This is the best group in the rooms. You must speak to the wizard. About an hour ago I lighted upon them, in another salon, and consulted the oracle, by putting questions. I never was more amazed. Although his answers were a little disguised it was soon perfectly plain that he knew every detail about the business, which no one on earth had heard of but myself, and two or three other men, about the most cautious persons in France. I shall never forget that shock. I saw other people who consulted him, evidently as much surprised, and more frightened than I. I came with the Count St. Alyre and the Countess.”
He nodded toward a thin figure, also in a domino. It was the Count.
“Come,” he said to me, “I’ll introduce you.”
I followed, you may suppose, readily enough.
The Marquis presented me, with a very prettily-turned allusion to my fortunate intervention in his favour at the Belle Etoile; and the Count overwhelmed me with polite speeches, and ended by saying, what pleased me better still:
“The Countess is near us, in the next salon but one, chatting with her old friend the Duchesse d’Argensaque; I shall go for her in a few minutes; and when I bring her here, she shall make your acquaintance; and thank you, also, for your assistance, rendered with so much courage when we were so very disagreeably interrupted.”
“You must, positively, speak with the magician,” said the Marquis to the Count de St. Alyre, “you will be so much amused. I did so; and, I assure you, I could not have anticipated such answers! I don’t know what to believe.”
“Really! Then, by all means, let us try,” he replied.
We three approached, together, the side of the palanquin, at which the black-bearded magician stood.
A young man, in a Spanish dress, who, with a friend at his side, had just conferred with the conjuror, was saying, as he passed us by:
“Ingenious mystification! Who is that in the palanquin. He seems to know everybody.”
The Count, in his mask and domino, moved along, stiffly, with us, toward the palanquin. A clear circle was maintained by the Chinese attendants, and the spectators crowded round in a ring.
One of these men—he who with a gilded wand had preceded the procession—advanced, extending his empty hand, palm upward.
“Money?” inquired the Count.
“Gold,” replied the usher.
The Count placed a piece of money in his hand; and I and the Marquis were each called on in turn to do likewise as we entered the circle. We paid accordingly.
The conjuror stood beside the palanquin, its silk curtain in his hand; his chin sunk, with its long, jet-black beard, on his chest; the outer hand grasping the black wand, on which he leaned; his eyes were lowered, as before, to the ground; his face looked absolutely lifeless. Indeed, I never saw face or figure so moveless, except in death.
The first question the Count put, was—
“Am I married, or unmarried?”
The conjuror drew back the curtain quickly, and placed his ear toward a richly-dressed Chinese, who sat in the litter; withdrew his head, and closed the curtain again; and then answered—
“Yes.”
The same preliminary was observed each time, so that the man with the black wand presented himself, not as a prophet, but as a medium; and answered, as it seemed, in the words of a greater than himself.
Two or three questions followed, the answers to which seemed to amuse the Marquis very much; but the point of which I could not see, for I knew next to nothing of the Count’s peculiarities and adventures.
“Does my wife love me?” asked he, playfully.
“As well as you deserve.”
“Whom do I love best in the world?”
“Self.”
“Oh! That I fancy is pretty much the case with everyone. But, putting myself out of the question, do I love anything on earth better than my wife?”
“Her diamonds.”
“Oh!” said the Count.
The Marquis, I could see, laughed.
“Is it true,” said the Count, changing the conversation peremptorily, “that there has been a battle in Naples?”
“No; in France.”
“Indeed,” said the Count, satirically, with a glance round. “And may I inquire between what powers, and on what particular quarrel?”
“Between the Count and Countess de St. Alyre, and about a document they subscribed on the 25th July, 1811.”
The Marquis afterwards told me that this was the date of their marriage settlement.
The Count stood stock-still for a minute or so;
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