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had a flat, on the entresol-floor, of which none of his gang, excepting Gilbert, knew, a flat with a private entrance. He was glad to take off his clothes and rub himself down; for, in spite of his strong constitution, he felt chilled to the bone. On retiring to bed, he emptied the contents of his pockets, as usual, on the mantelpiece. It was not till then that he noticed, near his pocketbook and his keys, the object which Gilbert had put into his hand at the last moment.

And he was very much surprised. It was a decanter-stopper, a little crystal stopper, like those used for the bottles in a liqueur-stand. And this crystal stopper had nothing particular about it. The most that Lupin observed was that the knob, with its many facets, was gilded right down to the indent. But, to tell the truth, this detail did not seem to him of a nature to attract special notice.

“And it was this bit of glass to which Gilbert and Vaucheray attached such stubborn importance!” he said to himself. “It was for this that they killed the valet, fought each other, wasted their time, risked prison⁠ ⁠… trial⁠ ⁠… the scaffold!⁠ ⁠…”

Too tired to linger further upon this matter, exciting though it appeared to him, he replaced the stopper on the chimneypiece and got into bed.

He had bad dreams. Gilbert and Vaucheray were kneeling on the flags of their cells, wildly stretching out their hands to him and yelling with fright:

“Help!⁠ ⁠… Help!” they cried.

But, notwithstanding all his efforts, he was unable to move. He himself was fastened by invisible bonds. And, trembling, obsessed by a monstrous vision, he watched the dismal preparations, the cutting of the condemned men’s hair and shirt-collars, the squalid tragedy.

“By Jove!” he said, when he woke after a series of nightmares. “There’s a lot of bad omens! Fortunately, we don’t err on the side of superstition. Otherwise⁠ ⁠… !” And he added, “For that matter, we have a talisman which, to judge by Gilbert and Vaucheray’s behaviour, should be enough, with Lupin’s help, to frustrate bad luck and secure the triumph of the good cause. Let’s have a look at that crystal stopper!”

He sprang out of bed to take the thing and examine it more closely. An exclamation escaped him. The crystal stopper had disappeared⁠ ⁠…

II Eight from Nine Leaves One

Notwithstanding my friendly relations with Lupin and the many flattering proofs of his confidence which he has given me, there is one thing which I have never been quite able to fathom, and that is the organization of his gang.

The existence of the gang is an undoubted fact. Certain adventures can be explained only by countless acts of devotion, invincible efforts of energy and powerful cases of complicity, representing so many forces which all obey one mighty will. But how is this will exerted? Through what intermediaries, through what subordinates? That is what I do not know. Lupin keeps his secret; and the secrets which Lupin chooses to keep are, so to speak, impenetrable.

The only supposition which I can allow myself to make is that this gang, which, in my opinion, is very limited in numbers and therefore all the more formidable, is completed and extended indefinitely by the addition of independent units, provisional associates, picked up in every class of society and in every country of the world, who are the executive agents of an authority with which, in many cases, they are not even acquainted. The companions, the initiates, the faithful adherents⁠—men who play the leading parts under the direct command of Lupin⁠—move to and fro between these secondary agents and the master.

Gilbert and Vaucheray evidently belonged to the main gang. And that is why the law showed itself so implacable in their regard. For the first time, it held accomplices of Lupin in its clutches⁠—declared, undisputed accomplices⁠—and those accomplices had committed a murder. If the murder was premeditated, if the accusation of deliberate homicide could be supported by substantial proofs, it meant the scaffold. Now there was, at the very least, one self-evident proof, the cry for assistance which Léonard had sent over the telephone a few minutes before his death:

“Help!⁠ ⁠… Murder!⁠ ⁠… I shall be killed!⁠ ⁠…”

The desperate appeal had been heard by two men, the operator on duty and one of his fellow-clerks, who swore to it positively. And it was in consequence of this appeal that the commissary of police, who was at once informed, had proceeded to the Villa Marie-Thérèse, escorted by his men and a number of soldiers off duty.

Lupin had a very clear notion of the danger from the first. The fierce struggle in which he had engaged against society was entering upon a new and terrible phase. His luck was turning. It was no longer a matter of attacking others, but of defending himself and saving the heads of his two companions.

A little memorandum, which I have copied from one of the notebooks in which he often jots down a summary of the situations that perplex him, will show us the workings of his brain:

“One definite fact, to begin with, is that Gilbert and Vaucheray humbugged me. The Enghien expedition, undertaken ostensibly with the object of robbing the Villa Marie-Thérèse, had a secret purpose. This purpose obsessed their minds throughout the operations; and what they were looking for, under the furniture and in the cupboards, was one thing and one thing alone: the crystal stopper. Therefore, if I want to see clear ahead, I must first of all know what this means. It is certain that, for some hidden reason, that mysterious piece of glass possesses an incalculable value in their eyes. And not only in theirs, for, last night, someone was bold enough and clever enough to enter my flat and steal the object in question from me.”

This theft of which he was the victim puzzled Lupin curiously.

Two problems, both equally difficult of solution, presented themselves to his mind. First, who was the mysterious visitor? Gilbert, who enjoyed

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