An American Tragedy by Theodore Dreiser (i can read book club .TXT) π
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Clyde Griffithβs parents are poor street-preachers, but Clyde doesnβt βbelieve,β and finds their work demeaning. At fifteen he gets a job and starts to ease out of their lives, eventually landing in some trouble that causes him to flee the town where they live. Two years later, Clyde meets his well-off uncle, who owns a large factory in upstate New York. Clyde talks his way into a job at the factory, and soon finds himself supervising a roomful of women. All alone, generally shunned by his uncleβs family, and starved for companionship, he breaks the factoryβs rules and begins a relationship with a young woman who works for him. But Clyde has visions of marrying a high-society woman, and fortune smiles on him in the form of the daughter of one of his uncleβs neighbors. Soon Clyde finds himself in a love triangle of his own making, and one from which he seems incapable of extracting himself.
A newspaperman before he became a novelist, Theodore Dreiser collected crime stories for years of young men in relationships with young women of poorer means, where the young men found a richer, prettier girl who would go with him, and often took extreme measures to escape from the first girl. An American Tragedy, based on one of the most infamous of those real-life stories, is a study in lazy ambition, the very real class system in America, and how easy it is to drift into evil. It is populated with poor people who desire nothing more than to be rich, rich people whose only concern is to keep up with their neighbors and not be associated with the βwrong element,β and elements of both who care far more about appearances than reality. It offers further evidence that the world may be very different from 100 years ago, but the people in it are very much the same.
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- Author: Theodore Dreiser
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Striking the edge of the paving stones at high speed, he caromed, and all but upsetting the car, made directly for the lumber pile opposite, into which he crashed. Only instead of striking it head on, the car struck one end, causing it to give way and spread out, but only sufficiently to permit the right wheels to mount high upon it and so throw the car completely over onto its left side in the grass and snow beyond the walk. Then there, amid a crash of glass and the impacts of their own bodies, the occupants were thrown down in a heap, forward and to the left.
What happened afterwards is more or less of a mystery and a matter of confusion, not only to Clyde, but to all the others. For Sparser and Laura Sipe, being in front, were dashed against the windshield and the roof and knocked senseless, Sparser, having his shoulder, hip and left knee wrenched in such a way as to make it necessary to let him lie in the car as he was until an ambulance arrived. He could not possibly be lifted out through the door, which was in the roof as the car now lay. And in the second seat, Clyde, being nearest the door to the left and next to him Hortense, Lucille Nickolas and Ratterer, was pinioned under and yet not crushed by their combined weights. For Hortense in falling had been thrown completely over him on her side against the roof, which was now the left wall. And Lucille, next above her, fell in such a way as to lie across Clydeβs shoulders only, while Ratterer, now topmost of the four, had, in falling, been thrown over the seat in front of him. But grasping the steering wheel in front of him as he fell, the same having been wrenched from Sparserβs hands, he had broken his fall in part by clinging to it. But even so, his face and hands were cut and bruised and his shoulder, arm and hip slightly wrenched, yet not sufficiently to prevent his being of assistance to the others. For at once, realizing the plight of the others as well as his own, and stirred by their screams, Ratterer was moved to draw himself up and out through the top or side door which he now succeeded in opening, scrambling over the others to reach it.
Once out, he climbed upon the chassis beam of the toppled car, and, reaching down, caught hold of the struggling and moaning Lucille, who like the others was trying to climb up but could not. And exerting all his strength and exclaiming, βBe still, now, honey, I gotcha. Youβre all right, Iβll getcha out,β he lifted her to a sitting position on the side of the door, then down in the snow, where he placed her and where she sat crying and feeling her arms and her head. And after her he helped Hortense, her left cheek and forehead and both hands badly bruised and bleeding, but not seriously, although she did not know that at the time. She was whimpering and shivering and shakingβ βa nervous chill having succeeded the dazed and almost unconscious state which had followed the first crash.
At that moment, Clyde, lifting his bewildered head above the side door of the car, his left cheek, shoulder and arm bruised, but not otherwise injured, was thinking that he too must get out of this as quickly as possible. A child had been killed; a car stolen and wrecked; his job was most certainly lost; the police were in pursuit and might even find them there at any minute. And below him in the car was Sparser, prone where he fell, but already being looked to by Ratterer. And beside him Laura Sipe, also unconscious. He felt called upon to do somethingβ βto assist Ratterer, who was reaching down and trying to lay hold of Laura Sipe without injuring her. But so confused were his thoughts that he would have stood there without helping anyone had it not been for Ratterer, who called most irritably, βGive us a hand here, Clyde, will you? Letβs see if we can get her out. Sheβs fainted.β And Clyde, turning now instead of trying to climb out, began to seek to lift her from within, standing on the broken glass window of the side beneath his feet and attempting to draw her body back and up off the body of Sparser. But this was not possible. She was too limpβ βtoo heavy. He could only draw her backβ βoff the body of Sparserβ βand then let her rest there, between the second and first seats on the carβs side.
But, meanwhile, at the back Hegglund, being nearest the top and only slightly stunned, had managed to reach the door nearest him and throw it back. Thus, by reason of his athletic body, he was able to draw himself up and out, saying as he did so: βOh, Jesus, what a finish! Oh, Christ, dis is de limit! Oh, Jesus, we better beat it outa dis before de cops git here.β
At the same time, however, seeing the others below him and hearing their cries, he could not contemplate anything so desperate as desertion. Instead, once out, he turned and making out Maida below him, exclaimed: βHere, for Christβs sake, gimme
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