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from a small garden bed to the Major’s conservatory for the winter. There was an air of briskness about her; as she turned away to go into the house, she laughed gaily with the Major’s gardener over something he said, and this unconcerned cheerfulness of her was terrible to her son.

He went to his desk, and, searching the jumbled contents of a drawer, brought forth a large, unframed photograph of his father, upon which he gazed long and piteously, till at last hot tears stood in his eyes. It was strange how the inconsequent face of Wilbur seemed to increase in high significance during this belated interview between father and son; and how it seemed to take on a reproachful nobility⁠—and yet, under the circumstances, nothing could have been more natural than that George, having paid but the slightest attention to his father in life, should begin to deify him, now that he was dead. “Poor, poor father!” the son whispered brokenly. “Poor man, I’m glad you didn’t know!”

He wrapped the picture in a sheet of newspaper, put it under his arm, and, leaving the house hurriedly and stealthily, went downtown to the shop of a silversmith, where he spent sixty dollars on a resplendently festooned silver frame for the picture. Having lunched upon more coffee, he returned to the house at two o’clock, carrying the framed photograph with him, and placed it upon the centre-table in the library, the room most used by Isabel and Fanny and himself. Then he went to a front window of the long “reception room,” and sat looking out through the lace curtains.

The house was quiet, though once or twice he heard his mother and Fanny moving about upstairs, and a ripple of song in the voice of Isabel⁠—a fragment from the romantic ballad of Lord Bateman.

“Lord Bateman was a noble lord,
A noble lord of high degree;
And he sailed West and he sailed East,
Far countries for to see.⁠ ⁠…”

The words became indistinct; the air was hummed absently; the humming shifted to a whistle, then drifted out of hearing, and the place was still again.

George looked often at his watch, but his vigil did not last an hour. At ten minutes of three, peering through the curtain, he saw an automobile stop in front of the house and Eugene Morgan jump lightly down from it. The car was of a new pattern, low and long, with an ample seat in the tonneau, facing forward; and a professional driver sat at the wheel, a strange figure in leather, goggled out of all personality and seemingly part of the mechanism.

Eugene himself, as he came up the cement path to the house, was a figure of the new era which was in time to be so disastrous to stiff hats and skirted coats; and his appearance afforded a debonair contrast to that of the queer-looking duck capering at the Amberson Ball in an old dress coat, and chugging up National Avenue through the snow in his nightmare of a sewing-machine. Eugene, this afternoon, was richly in the new outdoor mode: motoring coat was soft gray fur; his cap and gloves were of gray suede; and though Lucy’s hand may have shown itself in the selection of these garnitures, he wore them easily, even with a becoming hint of jauntiness. Some change might be his face, too, for a successful man is seldom to be mistaken, especially if his temper be genial. Eugene had begun to look like a millionaire.

But above everything else, what was most evident about him, as he came up the path, was confidence in the happiness promised by his errand; the anticipation in his eyes could have been read by a stranger. His look at the door of Isabel’s house was the look of a man who is quite certain that the next moment will reveal something ineffably charming, inexpressibly dear.

… When the bell rang, George waited at the entrance of the “reception room” until a housemaid came through the hall on her way to answer the summons.

“You needn’t mind, Mary,” he told her. “I’ll see who it is and what they want. Probably it’s only a pedlar.”

“Thank you, sir, Mister George,” said Mary; and returned to the rear of the house.

George went slowly to the front door, and halted, regarding the misty silhouette of the caller upon the ornamental frosted glass. After a minute of waiting, this silhouette changed outline so that an arm could be distinguished⁠—an arm outstretched toward the bell, as if the gentleman outside doubted whether or not it had sounded, and were minded to try again. But before the gesture was completed George abruptly threw open the door, and stepped squarely upon the middle of the threshold.

A slight change shadowed the face of Eugene; his look of happy anticipation gave way to something formal and polite. “How do you do, George,” he said. “Mrs. Minafer expects to go driving with me, I believe⁠—if you’ll be so kind as to send her word that I’m here.”

George made not the slightest movement.

“No,” he said.

Eugene was incredulous, even when his second glance revealed how hot of eye was the haggard young man before him. “I beg your pardon. I said⁠—”

“I heard you,” said George. “You said you had an engagement with my mother, and I told you, No!”

Eugene gave him a steady look, and then he quietly: “What is the⁠—the difficulty?”

George kept his own voice quiet enough, but that, did not mitigate the vibrant fury of it. “My⁠—mother will have no interest in knowing that you came here today,” he said. “Or any other day!”

Eugene continued to look at him with a scrutiny in which began to gleam a profound anger, none less powerful because it was so quiet. “I am afraid I do not understand you.”

“I doubt if I could make it much plainer,” George said, raising his voice slightly, “but I’ll try. You’re not wanted in this house, Mr. Morgan, now or at any other time. Perhaps you’ll understand⁠—this!”

And with the

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