Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
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Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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The sea has no appreciation of great men, but knocks them about like the small fry. It is habitually hard upon Sir Leicester, whose countenance it greenly mottles in the manner of sage-cheese and in whose aristocratic system it effects a dismal revolution. It is the Radical of Nature to him. Nevertheless, his dignity gets over it after stopping to refit, and he goes on with my Lady for Chesney Wold, lying only one night in London on the way to Lincolnshire.
Through the same cold sunlight, colder as the day declines, and through the same sharp wind, sharper as the separate shadows of bare trees gloom together in the woods, and as the Ghost’s Walk, touched at the western corner by a pile of fire in the sky, resigns itself to coming night, they drive into the park. The rooks, swinging in their lofty houses in the elm-tree avenue, seem to discuss the question of the occupancy of the carriage as it passes underneath, some agreeing that Sir Leicester and my Lady are come down, some arguing with malcontents who won’t admit it, now all consenting to consider the question disposed of, now all breaking out again in violent debate, incited by one obstinate and drowsy bird who will persist in putting in a last contradictory croak. Leaving them to swing and caw, the travelling chariot rolls on to the house, where fires gleam warmly through some of the windows, though not through so many as to give an inhabited expression to the darkening mass of front. But the brilliant and distinguished circle will soon do that.
Mrs. Rouncewell is in attendance and receives Sir Leicester’s customary shake of the hand with a profound curtsy.
“How do you do, Mrs. Rouncewell? I am glad to see you.”
“I hope I have the honour of welcoming you in good health, Sir Leicester?”
“In excellent health, Mrs. Rouncewell.”
“My Lady is looking charmingly well,” says Mrs. Rouncewell with another curtsy.
My Lady signifies, without profuse expenditure of words, that she is as wearily well as she can hope to be.
But Rosa is in the distance, behind the housekeeper; and my Lady, who has not subdued the quickness of her observation, whatever else she may have conquered, asks, “Who is that girl?”
“A young scholar of mine, my Lady. Rosa.”
“Come here, Rosa!” Lady Dedlock beckons her, with even an appearance of interest. “Why, do you know how pretty you are, child?” she says, touching her shoulder with her two forefingers.
Rosa, very much abashed, says, “No, if you please, my Lady!” and glances up, and glances down, and don’t know where to look, but looks all the prettier.
“How old are you?”
“Nineteen, my Lady.”
“Nineteen,” repeats my Lady thoughtfully. “Take care they don’t spoil you by flattery.”
“Yes, my Lady.”
My Lady taps her dimpled cheek with the same delicate gloved fingers and goes on to the foot of the oak staircase, where Sir Leicester pauses for her as her knightly escort. A staring old Dedlock in a panel, as large as life and as dull, looks as if he didn’t know what to make of it, which was probably his general state of mind in the days of Queen Elizabeth.
That evening, in the housekeeper’s room, Rosa can do nothing but murmur Lady Dedlock’s praises. She is so affable, so graceful, so beautiful, so elegant; has such a sweet voice and such a thrilling touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this, not without personal pride, reserving only the one point of affability. Mrs. Rouncewell is not quite sure as to that. Heaven forbid that she should say a syllable in dispraise of any member of that excellent family, above all, of my Lady, whom the whole world admires; but if my Lady would only be “a little more free,” not quite so cold and distant, Mrs. Rouncewell thinks she would be more affable.
“ ’Tis almost a pity,” Mrs. Rouncewell adds—only “almost” because it borders on impiety to suppose that anything could be better than it is, in such an express dispensation as the Dedlock affairs—“that my Lady has no family. If she had had a daughter now, a grown young lady, to interest her, I think she would have had the only kind of excellence she wants.”
“Might not that have made her still more proud, grandmother?” says Watt, who has been home and come back again, he is such a good grandson.
“More and most, my dear,” returns the housekeeper with dignity, “are words it’s not my place to use—nor so much as to hear—applied to any drawback on my Lady.”
“I beg your pardon, grandmother. But she is proud, is she not?”
“If she is, she has reason to be. The Dedlock family have always reason to be.”
“Well,” says Watt, “it’s to be hoped they line out of their prayer-books a certain passage for the common people about pride and vainglory. Forgive me, grandmother! Only a joke!”
“Sir Leicester and Lady Dedlock, my dear, are not fit subjects for joking.”
“Sir Leicester is no joke by any means,” says Watt, “and I humbly ask his pardon. I suppose, grandmother, that even with the family and their guests down here, there is no objection to my prolonging my stay at the Dedlock Arms for a day or two, as any other traveller might?”
“Surely, none in the world, child.”
“I am glad of that,” says Watt, “because I have an inexpressible desire to extend my knowledge of this beautiful neighbourhood.”
He happens to glance at Rosa, who looks down and is very shy indeed. But according to the old superstition, it should be Rosa’s ears that burn, and not her fresh bright cheeks, for my Lady’s maid is holding forth about her at this moment with surpassing energy.
My Lady’s maid is a Frenchwoman of two and thirty, from somewhere in the
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