Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βββWas Zaldas that maroon-colored old Aztec with a paper collar on and unbleached domestic shoes?β I asked.
βββHe was,β says OβConnor.
βββI saw him tucking a yellow-back into his vest pocket as he came out,β says I. βIt may be,β says I, βthat they call you a library door, but they treat you more like the side door of a bank. But let us hope for the worst.β
βββIt has cost money, of course,β says OβConnor; βbut weβll have the country in our hands inside of a month.β
βIn the evenings we walked about in the plaza and listened to the band playing and mingled with the populace at its distressing and obnoxious pleasures. There were thirteen vehicles belonging to the upper classes, mostly rockaways and old-style barouches, such as the mayor rides in at the unveiling of the new poorhouse at Milledgeville, Alabama. Round and round the desiccated fountain in the middle of the plaza they drove, and lifted their high silk hats to their friends. The common people walked around in barefooted bunches, puffing stogies that a Pittsburg millionaire wouldnβt have chewed for a dry smoke on Ladiesβ Day at his club. And the grandest figure in the whole turnout was Barney OβConnor. Six foot two he stood in his Fifth Avenue clothes, with his eagle eye and his black moustache that tickled his ears. He was a born dictator and czar and hero and harrier of the human race. It looked to me that all eyes were turned upon OβConnor, and that every woman there loved him, and every man feared him. Once or twice I looked at him and thought of funnier things that had happened than his winning out in his game; and I began to feel like a Hidalgo de Officio de Grafto de South America myself. And then I would come down again to solid bottom and let my imagination gloat, as usual, upon the twenty-one American dollars due me on Saturday night.
βββTake note,β says OβConnor to me as thus we walked, βof the mass of the people. Observe their oppressed and melancholy air. Can ye not see that they are ripe for revolt? Do ye not perceive that they are disaffected?β
βββI do not,β says I. βNor disinfected either. Iβm beginning to understand these people. When they look unhappy theyβre enjoying themselves. When they feel unhappy they go to sleep. Theyβre not the kind of people to take an interest in revolutions.β
βββTheyβll flock to our standard,β says OβConnor. βThree thousand men in this town alone will spring to arms when the signal is given. I am assured of that. But everything is in secret. There is no chance for us to fail.β
βOn Hooligan Alley, as I prefer to call the street our headquarters was on, there was a row of flat βdobe houses with red tile roofs, some straw shacks full of Indians and dogs, and one two-story wooden house with balconies a little farther down. That was where General Tumbalo, the comandante and commander of the military forces, lived. Right across the street was a private residence built like a combination bake-oven and folding-bed. One day, OβConnor and me were passing it, single file, on the flange they called a sidewalk, when out of the window flies a big red rose. OβConnor, who is ahead, picks it up, presses it to his fifth rib, and bows to the ground. By Carrambos! that man certainly had the Irish drama chaunceyized. I looked around expecting to see the little boy and girl in white sateen ready to jump on his shoulder while he jolted their spinal columns and ribs together through a breakdown, and sang: βSleep, Little One, Sleep.β
βAs I passed the window I glanced inside and caught a glimpse of a white dress and a pair of big, flashing black eyes and gleaming teeth under a dark lace mantilla.
βWhen we got back to our house OβConnor began to walk up and down the floor and twist his moustaches.
βββDid ye see her eyes, Bowers?β he asks me.
βββI did,β says I, βand I can see more than that. Itβs all coming out according to the storybooks. I knew there was something missing. βTwas the love interest. What is it that comes in Chapter VII to cheer the gallant Irish adventurer? Why, Love, of courseβ βLove that makes the hat go around. At last we have the eyes of midnight hue and the rose flung from the barred window. Now, what comes next? The underground passageβ βthe intercepted letterβ βthe traitor in campβ βthe hero thrown into a dungeonβ βthe mysterious message from the seΓ±oritaβ βthen the outburstβ βthe fighting on the plazaβ βtheβ ββ
βββDonβt be a fool,β says OβConnor, interrupting. βBut thatβs the only woman in the world for me, Bowers. The OβConnors are as quick to love as they are to fight. I shall wear that rose over me heart when I lead me men into action. For a good battle to be fought there must be some woman to give it power.β
βββEvery time,β I agreed, βif you want to have a good lively scrap. Thereβs only one thing bothering me. In the novels the light-haired friend of the hero always gets killed. Think βem all over that youβve read, and youβll see that Iβm right. I think Iβll step down to the Botica EspaΓ±ola and lay in a bottle of walnut stain before war is declared.β
βββHow will I find out her name?β says OβConnor, layinβ his chin in his hand.
βββWhy donβt you go across the street and ask her?β says I.
βββWill ye never regard anything in life seriously?β says OβConnor, looking down at me like a schoolmaster.
βββMaybe she meant the rose for me,β I said, whistling the Spanish Fandango.
βFor the first
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